| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Spider Alarm [UBM2557 - 1] |
0 | 1'25 | Andreas Schulz | Dark, muted piano forms the onomatopoeic backdrop for a composition | cinematic jazz introspective historical narrative docu fiction | Bb | 120 | |||
|
ARP [UBM2557 - 2] |
0 | 1'11 | Andreas Schulz | Ghostly, noisy piano with a melody that promises slight hope. The | sparse acoustic piano original score destiny | Am | 136 | |||
|
No War [UBM2557 - 3] |
0 | 2'28 | Andreas Schulz | Cascading solo saxophone for sophisticated documentaries and feature | psychological drama wandering alto saxophone abstract art | Ebm | 98 | |||
|
Lost Everything [UBM2557 - 4] |
0 | 3'35 | Andreas Schulz | Reverberated piano leaves room for reflection and empathy. Despite | original score suspended atmosphere introspective historical narrative | C | 78 | |||
|
Blue Film [UBM2557 - 5] |
0 | 1'23 | Andreas Schulz | The noisy beginning develops into a comparatively lively piano motif. | anticipation mysterious soundscape suspense | F | 88 | |||
|
Ocean Vibes [UBM2557 - 6] |
0 | 1'30 | Andreas Schulz | Artistic atmosphere for scenes of loneliness, devastation or dark | introspective acoustic piano original score docu fiction | Eb | 78 | |||
|
Melancholy [UBM2557 - 7] |
0 | 0'58 | Andreas Schulz | Soundscape with gentle solo piano for sad scenes. Thoughtful, | suspended atmosphere acoustic piano atmospheric original score | A | 61 | |||
|
Machine Gun [UBM2557 - 8] |
0 | 1'53 | Andreas Schulz | Hesitant, particularly haunting piano score for anti-war films, | original score docu fiction suspended atmosphere melancholic | Cm | 92 | |||
|
Scream [UBM2557 - 9] |
0 | 2'06 | Andreas Schulz | A bloodcurdling soundscape with screams at the beginning develops | original score psychological drama acoustic piano sad | F | 77 | |||
|
Begin [UBM2567 - 1] |
0 | 0'54 | Andreas Schulz | A catchy chord progression on the piano serves as the perfect | independent cinema acoustic piano moving steady | G | 77 | |||
|
They Break Into My House [UBM2567 - 2] |
0 | 1'12 | Andreas Schulz | Abstract prepared piano for eerie, disturbing scenes. Useful for | underground abyss disturbing steady | Db | 144 | |||
|
Tragic Turning Point [UBM2567 - 3] |
0 | 1'37 | Andreas Schulz | A tragic twist serves as an effective cliffhanger at the end of the | sparse contemporary series independent cinema acoustic piano | Fm | 110 | |||
|
Falling In Love [UBM2567 - 4] |
0 | 2'42 | Andreas Schulz | A gentle piano and drums played with jazz brushes accompany the | calm independent cinema introspective romantic | C | 86 | |||
|
Hope [UBM2567 - 5] |
0 | 1'25 | Andreas Schulz | Dripping cascades in major, a musical sign of the dawn of better | calm waterfall independent cinema delicate | F | 118 | |||
|
Journey [UBM2567 - 6] |
0 | 1'23 | Andreas Schulz | Autumn: flocks of birds head south, leaves sail out of the treetops | original score independent cinema melancholic narrative | Dm | 125 | |||
|
Empty Corridors [UBM2567 - 7] |
0 | 2'02 | Andreas Schulz | Flowing, unobtrusive score for cinematic dramas and documentaries | investigation original score independent cinema steady | Gb | 123 | |||
|
Abstract Groovish [UBM2567 - 8] |
0 | 2'21 | Andreas Schulz | This experimental piano soundscape scratches itself free and turns | contemporary dance intermittent disturbing abstract art | Dm | 108 | |||
|
End [UBM2567 - 9] |
0 | 0'45 | Andreas Schulz | The end is a beginning is a floating in the unknown. The story seems | acoustic piano original score social drama melancholic | Cm | 86 |