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Skornik
Bio
Elisabeth (Zab) and Guy Skornik have been a team since 1978 and the creation of the "Ici & Maintenant" radio station; "Here & Now",placing them firmly at the vanguard of the "New Age" movement. With Guy on keyboards and Zab manipulating all manner of machines they have become prominent figures in the world of sound-designing and production music for film, T.V. and advertizing. The Skorniks' machines take on a whole new dimension in their wacky virtual world of "Serial Cleaners"" and electro-domotics" , a surreal symbiosis of sound and domestic appliances. Their work for "Cezame" is one of our most successful productions.
Elisabeth (Zab) and Guy Skornik have been a team since 1978 and the creation of the "Ici & Maintenant" radio station; "Here & Now",placing them firmly at the vanguard of the "New Age" movement. With Guy on keyboards and Zab manipulating all manner of machines they have become prominent figures in the world of sound-designing and production music for film, T.V. and advertizing. The Skorniks' machines take on a whole new dimension in their wacky virtual world of "Serial Cleaners"" and electro-domotics" , a surreal symbiosis of sound and domestic appliances. Their work for "Cezame" is one of our most successful productions.
| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
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Maybe I'm Dreaming - Electro
[CEZ4700 - 30] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Electronic version. Corporate, confident & steady. Processed piano, electronics & keyboards. Suggested for new corporate & cybernetics. | steady electronic score investigation suspense spy mysterious pulsation cyclic anticipation horror | Bbm | 89 |
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Maybe I'm Dreaming - Piano
[CEZ4700 - 29] |
0 | 2'14 | Elisabeth Skornik, Guy Skornik | Solo piano version. Peaceful, steady & narrative. The piano plays a constant arpeggio from beginning to end. Suggested for storytelling & quiet | calm steady cyclic social drama narrative acoustic piano sad destiny intimate peaceful | Bb | 70 |
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Maybe I'm Dreaming [CEZ4700 - 28] |
2'11 | Elisabeth Skornik, Guy Skornik | Neo-classical. Calm, confident & sustained with a touch of hope. String ensemble with constant staccato. Suggested for period documentaries & legacy. | destiny narrative punctuated calm orchestral score strict arts & crafts contemporary history building resillience | Bb | 140 |
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Maybe I'm Dreaming Alternate [CEZ4700 - 34] |
Alt. | 2'14 | Elisabeth Skornik, Guy Skornik | Alternate with piano with strings gradually appear. | narrative politics calm destiny contemporary history historical narrative orchestral score strict arts & crafts swaying | Bb | 142 |
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Patience my Dear - Electro
[CEZ4700 - 27] |
0 | 2'19 | Elisabeth Skornik, Guy Skornik | Electronic version. Tense, mysterious, investigative & constant. Synth & electronic percussion. Suggested for forensic science. | investigation electronic score mysterious interrogative science time (tick-tock) disturbing nocturnal strict crime movie | D | 104 |
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Patience my Dear - Piano
[CEZ4700 - 26] |
0 | 2'32 | Elisabeth Skornik, Guy Skornik | Solo piano version Repetitive, persistent & narrative in a descending movement. Quiet break @ 1'15. Suggested for destiny & legacy. | cyclic legal drama social drama insidious acoustic piano destiny Korean drama historical conflict falling melancholic | Dm | 155 |
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Patience my Dear [CEZ4700 - 25] |
0 | 2'46 | Elisabeth Skornik, Guy Skornik | Neo-classical. Jerky, bouncy, repetitive, narrative & insistent. String ensemble. Suggested for art & craft. | arts & crafts patient punctuated industry insidious neo-classical music politics strict cyclic contemporary history | Dm | 156 |
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Pendulum Curve - Electro
[CEZ4700 - 24] |
0 | 2'02 | Elisabeth Skornik, Guy Skornik | Electronic version. Intro with clock. Scientific, tinkling & serious. Electronics, drum machine & strings. Suggested for research laboratories & | cyclic electronic score anticipation investigation mysterious strict time (tick-tock) spy industry disturbing | Am | 108 |
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Pendulum Curve - Piano version [CEZ4700 - 23] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Solo piano version. Neoclassical. Cyclical, repetitive & nostalgic. Suggested for corporate & historical documentaries. | cyclic social drama moving historical movie neo-classical music building sad everyday life destiny melancholic | Am | 104 |
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Pendulum Curve [CEZ4700 - 22] |
0 | 2'18 | Elisabeth Skornik, Guy Skornik | Neo-classical. Dramatic, punctuated, tragic & stubborn. String ensemble playing staccato & piano @ 0'36 & 1'30. Suggested for historical drama & | time (tick-tock) anticipation relentless strict punctuated investigation historical narrative orchestral score steady interrogative | Am | 108 |
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Doubt and Resolution -
[CEZ4700 - 21] |
0 | 2'27 | Elisabeth Skornik, Guy Skornik | Electro-acoustic version. Intriguing, investigative, weird, introspective & nocturnal. Steady pulse of processed piano, synth, humming voice SFX, | crime movie insidious investigation steady cyclic electronic score mysterious science suspense anticipation | Am | 140 |
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Doubt and Resolution - Piano
[CEZ4700 - 20] |
0 | 2'11 | Elisabeth Skornik, Guy Skornik | Solo piano version. First interrogative, uncertain, sparse & simple. Then peaceful @ 0'26 like a response to the introduction. | sparse insidious narrative acoustic piano calm steady destiny peaceful desolate social drama | Gm | 70 |
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Doubt and Resolution [CEZ4700 - 19] |
0 | 2'10 | Elisabeth Skornik, Guy Skornik | Neo-classical. First, expectant, interrogative & punctuated with staccato & pizzicato strings. Then legato & confident @ 0'28. The 2 movements repeat | anticipation insidious suspense dramedy interrogative orchestral score intermittent halloween ironical & mischievous light tension | Cm | 140 |
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What Tomorrow Holds - Electro
[CEZ4700 - 18] |
0 | 2'45 | Elisabeth Skornik, Guy Skornik | Electronic version. Percussive, strange, quirky, repetitive, mechanical & metallic. Electronic percussion & bizarre SFX. Suggested for assembly line | weird contemporary dance cyclic original score anticipation hypnotic industry building suspense electronic score | F | 110 |
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What Tomorrow Holds - Piano
[CEZ4700 - 17] |
0 | 2'50 | Elisabeth Skornik, Guy Skornik | Solo piano version. The same note is repeated from beginning to end. Discreet, punctuated, restrained, constant & simple. Suggested for storytelling | social drama sparse narrative historical narrative simple solo steady acoustic piano original score cyclic | F | 110 |
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What Tomorrow Holds [CEZ4700 - 16] |
0 | 2'45 | Elisabeth Skornik, Guy Skornik | Neo-classical. Upbeat, optimistic, punctuated, easy & regular. String ensemble playing staccato. Pizz & flute @ 1'00. Suggested for historical legacy | anticipation everyday life steady orchestral score opening (opening credits) contemporary dance confident light tension narrative time (tick-tock) | F | 110 |
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A New Birth - Electro version [CEZ4700 - 15] |
0 | 2'35 | Elisabeth Skornik, Guy Skornik | Electronic version. Interrogative, investigative & regular. Synth & keys. Suggested for forensic & data laboratory. | original score cyclic investigation building strict electronic score relentless confident social drama anticipation | Gm | 96 |
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A New Birth - Piano version [CEZ4700 - 14] |
0 | 2'24 | Elisabeth Skornik, Guy Skornik | Neo-classical. Solo piano version. Punctuated & imperative, almost bombastic intro. Fast & determined movement @ 0'18. Break @ 0'55. Reprise of the | driving destiny acoustic piano cyclic solo whirling punctuated uplifting unifying historical movie | Gm | 118 |
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A New Birth [CEZ4700 - 13] |
2'50 | Elisabeth Skornik, Guy Skornik | Neo-classical. Solemn intro with legato strings. Fast, punctuated & determined movement @ 0'20 with staccato strings. Break with legato strings @ | historical movie destiny uplifting building driving historical narrative orchestral score blossoming moving unifying | Gm | 96 |
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A New Birth Alternate [CEZ4700 - 33] |
Alt. | 1'48 | Elisabeth Skornik, Guy Skornik | Alternate version without slow introduction. | historical movie destiny uplifting historical narrative orchestral score building driving blossoming corporate video neo-classical music | Gm | 96 |
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Day by Day Electro version [CEZ4700 - 12] |
0 | 2'29 | Elisabeth Skornik, Guy Skornik | Electronic version with a new-age feel. Relaxed, mystical & dreamy with an Asian touch given by a Japanese female voice. Suggested for meditation & | steady atmospheric mystical new age dreamy calm patient suspended atmosphere geopolitics Japan | F | 78 |
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Day by Day - Piano version [CEZ4700 - 11] |
0 | 2'48 | Elisabeth Skornik, Guy Skornik | Solo piano version. Airy, ethereal, almost diaphanous, luminous & constant with a reverb SFX. Suggested for peaceful or quiet moments & intimacy. | waterfall steady cyclic luminous dreamy calm historical movie introspective acoustic piano relaxed | Bb | 78 |
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Day by Day [CEZ4700 - 10] |
0 | 2'46 | Elisabeth Skornik, Guy Skornik | Neo-classical. Light, easy, punctuated & confident in a steady movement. String ensemble playing pizzicato & staccato. Suggested for home & gardens, | neo-classical music destiny historical narrative orchestral score panoramic building confident narrative panorama everyday life | Bb | 156 |
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The Thread of Life - Electro
[CEZ4700 - 9] |
0 | 2'23 | Elisabeth Skornik, Guy Skornik | Electronic version. Interrogative, investigative, restrained & scientific. Electronics with reverse SFX & strings. Suggested for criminal | spy investigation electronic score suspense cyclic disturbing politics science steady mysterious | A | 123 |
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The Thread of Life - Piano
[CEZ4700 - 8] |
0 | 2'11 | Elisabeth Skornik, Guy Skornik | Solo piano version. Intimate, confidential, melancholic & touching. Suggested for storytelling & biopics. | narrative destiny introspective acoustic piano calm intimate historical narrative solo everyday life melancholic | Am | 124 |
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The Thread of Life [CEZ4700 - 7] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Neo-classical. At first uncertain, then lyrical & serious with a solemn touch. String ensemble. Suggested for historical series. | politics orchestral score historical narrative destiny driving narrative building corporate video contemporary history neo-classical music | Am | 128 |
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Time are Changing - Electro
[CEZ4700 - 6] |
0 | 2'03 | Elisabeth Skornik, Guy Skornik | Electronic version. Reflective intro then serious & technological. Electronics & keyboards. Drum machine @ 1:00. Suggested for investigation & | electronic score light tension steady investigation mysterious narrative atmospheric cybernetics anticipation hypnotic | Gbm | 64 |
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Time are Changing - Piano
[CEZ4700 - 5] |
0 | 2'37 | Elisabeth Skornik, Guy Skornik | Neo-classical. Solo piano version. Flowing, cyclical & moving. Suggested for storytelling & historical legacy. | destiny moving corporate video introspective resillience everyday life cyclic driving acoustic piano building | Gbm | 129 |
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Time are Changing [CEZ4700 - 4] |
2'34 | Elisabeth Skornik, Guy Skornik | Neo-classical. Serious, lyrical, solemn & changing. String ensemble playing staccato @ 0'30 & 1'30. Suggested for historical legacy & prestige. | narrative building heritage solemn changing driving moving neo-classical music historical narrative orchestral score | Gbm | 64 |
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Time are Changing Alternate [CEZ4700 - 32] |
Alt. | 2'37 | Elisabeth Skornik, Guy Skornik | Alternate. Slow tempo without repetitive movement. Piano solo. | narrative solemn moving destiny melancholic calm steady social drama neo-classical music passionate | Gbm | 64 |
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As Life Flows - Electro
[CEZ4700 - 3] |
0 | 2'51 | Elisabeth Skornik, Guy Skornik | Electronic version. Corporate. Restrained but with emotion. Regular bass synth pulse & layers. Suggested for investigative documentary. | electronic score investigation suspense steady anticipation mysterious time (tick-tock) sparse nocturnal patient | A | 104 |
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As Life Flows - Piano version [CEZ4700 - 2] |
0 | 2'39 | Elisabeth Skornik, Guy Skornik | Neo-classical. Solo piano version. Cyclical, flowing & elegant with a touch of nostalgia. Suggested for storytelling & destiny. | cyclic destiny melancholic narrative introspective neo-classical music relentless acoustic piano moving historical narrative | Am | 124 |
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As Life Flows [CEZ4700 - 1] |
2'26 | Elisabeth Skornik, Guy Skornik | Neoclassical. Cyclical, prestigious, staccato & determined with solemnity. String ensemble. Suggested for corporate, prestige & historical | destiny neo-classical music arts & crafts cyclic corporate video narrative heritage politics strict contemporary history | Am | 132 |
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As Life Flows Alternate [CEZ4700 - 31] |
Alt. | 2'30 | Elisabeth Skornik, Guy Skornik | Alternate version with piano & strings. | destiny neo-classical music arts & crafts cyclic driving corporate video narrative relentless heritage politics | Am | 88 |
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Danger from the Sky Variation [CEZ4570 - 4] |
0 | 2'03 | Elisabeth Skornik, Guy Skornik | Insidious, mysterious, misty & slightly disturbing. Sparkling keyboard, choirs, drone & layers. Ideal for dystopian atmosphere. | disturbing drone mysterious desolate natural disaster insidious sci-fi time (tick-tock) vibrating airy | Cm | 60 |
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New Day Rising [CEZ4570 - 1] |
2'14 | Elisabeth Skornik, Guy Skornik | First dark & uncertain then majestic & aerial. Drone, woodwinds, strings & electronics. Recommended for aerial view, arid & dry desert & drone | panorama airy drone blossoming suspended atmosphere narrative steady majestic calm introspective | G | 118 |
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New Day Rising Alternate [CEZ4570 - 35] |
Alt. | 2'19 | Elisabeth Skornik, Guy Skornik | Resonant, bright, gentle & minimalist. Piano with echo FX, strings & textures. | steady cyclic sparse introspective luminous narrative calm desolate drone suspended atmosphere | G | 120 |
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New Day Rising Variation [CEZ4570 - 2] |
0 | 2'19 | Elisabeth Skornik, Guy Skornik | Cyclic, both calm, delicate & slightly tense. Piano arpeggio with reverb & ondulating drone. Ideal for view on pastoral landscape. | airy atmospheric steady drone panorama calm majestic undulating slow motion blossoming | G | 120 |
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Danger from the Sky [CEZ4570 - 3] |
2'07 | Elisabeth Skornik, Guy Skornik | Menacing, interrogative, anticipating & intriguing. Constant pulse, layers & tremolo strings. Recommended for urban landscape overview. | disturbing pulsation drone anticipation interrogative investigation mysterious relentless suspense steady | C | 120 |
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Danger from the Sky Alternate [CEZ4570 - 36] |
Alt. | 2'05 | Elisabeth Skornik, Guy Skornik | Resonant, repetitive, claking & minimalist. Keyboard arpeggio, waves choir & layers | crystalline legal drama disturbing cyclic scary interrogative mysterious suspense time (tick-tock) arpeggio | Cm | 120 |
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Peaceful Flight [CEZ4570 - 5] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Suspended, constant, contemplative, panormic, majestic & airy . Drone, electric guitar, piano & layers. Recommended for aerial view & drone footage. | majestic airy suspended atmosphere peaceful panorama high seas panoramic calm dreamy atmospheric | D | 65 |
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Peaceful Flight Variation [CEZ4570 - 6] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Suspended, peaceful, serene, airy, celestial & atmospheric. Drone, strings, piano & layers. Suggested for natural beauty. | airy peaceful suspended atmosphere high seas majestic panorama pastoral atmospheric drone country & garden | Bb | 65 |
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Distant Skyline [CEZ4570 - 7] |
0 | 2'00 | Elisabeth Skornik, Guy Skornik | Intriguing, interrogative, airy & panoramic. Drone, sequence & layers. Guitar with delay effect @ 1'04. Suggested for urban overview & time lapse. | panoramic electro organic time-lapse cybernetics sparse investigation nocturnal beds airy atmospheric | Gbm | 120 |
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Distant Skyline Variation [CEZ4570 - 8] |
0 | 2'00 | Elisabeth Skornik, Guy Skornik | Mysterious, constant, punctuated & cosmic. Drone, strings, constant pulsation, sequences & layers. Suggested for urban overview & time lapse. | electro organic pulsation suspense steady social drama drone sparse cold mysterious nocturnal | Gb | 120 |
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Soaring Free [CEZ4570 - 9] |
2'17 | Elisabeth Skornik, Guy Skornik | Dark introduction building-up with majesty. Then airy, constant & serene. Strings, electric bass & electric guitar arpeggio. Suggeted for drone | majestic drone patient airy steady social drama confident cyclic electric guitar industry | Gm | 60 |
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Soaring Free Alternate [CEZ4570 - 37] |
Alt. | 2'39 | Elisabeth Skornik, Guy Skornik | Deep, dark, terrifying & menacing drone. Keyboard arpeggio at 1'03. | steady cyclic social drama wandering electric bass drone suspended atmosphere spy muffled disturbing | Gm | 60 |
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Soaring Free Variation [CEZ4570 - 10] |
0 | 2'20 | Elisabeth Skornik, Guy Skornik | Repetitive, peaceful, circular & positive Piano arpeggio, acoustic guitar with delay FX & electronics. Suggested for drone footage & aerial view. | industry patient cyclic corporate video luminous beds airy architecture & design electro organic strict | G | 120 |
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The City Below [CEZ4570 - 11] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Mysterious intro then staccato @ 0'32. Uncertain insidious & tense. Drone, strings, layers, sequence & electronics. Suggested for urban overview. | urban landscape social drama legal drama panoramic punctuated drone investigation relentless cinematic cyclic | C | 120 |
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The City Below Variation [CEZ4570 - 12] |
0 | 2'13 | Elisabeth Skornik, Guy Skornik | Light tension. Obstinate, constant & menacing. Drone, piano & electronics. Staccato strings with descending FX @ 0'32. Suggested for urban overview. | urban landscape social drama punctuated legal drama drone disturbing insidious investigation cinematic cyclic | C | 120 |
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Crossing New Borders [CEZ4570 - 13] |
1'54 | Elisabeth Skornik, Guy Skornik | Confident, positive, cyclic & mechanical. Staccato strings & layers. Light percussion @ 0'27. Suggested for period documentary & historical legacy. | confident corporate video industry driving historical narrative heritage arts & crafts majestic strict scansion | E | 104 |
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Crossing New Borders
[CEZ4570 - 38] |
Alt. | 1'42 | Elisabeth Skornik, Guy Skornik | Punctuated, uncertain & waiting. Strings, pads, electric guitar, wood ensemble & low drone. | scansion string section punctuated steady anticipation drone industry relentless confident contemporary history | Em | 104 |
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Crossing New Borders
[CEZ4570 - 39] |
Alt. | 1'52 | Elisabeth Skornik, Guy Skornik | Confident & determined. Staccato strings & waving layers. | arts & crafts historical narrative driving lively industry strict string section beds confident cyclic | E | 104 |
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Crossing New Borders Variation [CEZ4570 - 14] |
0 | 1'40 | Elisabeth Skornik, Guy Skornik | Mysterious, obstinate, cyclic & constant. Electronics, strings, chanted female voice & electric guitar. Suggested for hostile landscape overview. | steady industry nocturnal cybernetics cyclic social drama hypnotic disturbing insidious investigation | E | 104 |
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Eagle's Vision [CEZ4570 - 15] |
0 | 1'54 | Elisabeth Skornik, Guy Skornik | Ominous, sinister, inexorablle & tormented. Drone, piano, layers, choir, & staccato & pizzicato strings. Suggested for hostile landscape overview. | atmospheric insidious urban landscape drone anticipation spy pulsation sinister steady natural disaster | Cm | 120 |
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Eagle's Vision Variation [CEZ4570 - 16] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Ominous, threatening, cyclical & inexorable. Drone, constant low pulsation, staccato & rhythmic strings. Synth sequence @ 0'32. Suggested for hostile | drone spy disturbing suspense natural disaster anticipation insidious investigation walking relentless | C | 120 |
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Mountain High Valley Low [CEZ4570 - 17] |
2'07 | Elisabeth Skornik, Guy Skornik | Majestic, panoramic, contemplative & punctuated. Staccato strings, constant pulsation, woodwinds & layers. Suggested for wide landscape overview. | panorama majestic high seas airy narrative calm moving luminous panoramic tracking shot | D | 87 |
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Mountain High Valley Low
[CEZ4570 - 40] |
Alt. | 2'13 | Elisabeth Skornik, Guy Skornik | Dark, panoramic, constant & nocturnal. Drone & textures. | sparse steady suspended atmosphere airy atmospheric drone wandering panorama pulsation desolate | Dm | 87 |
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Mountain High Valley Low
[CEZ4570 - 41] |
Alt. | 2'12 | Elisabeth Skornik, Guy Skornik | Dark, panoramic, minimalist & nocturnal. Drone & textures. | sparse steady suspended atmosphere airy atmospheric drone wandering panorama pulsation desolate | Dm | 87 |
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Green is the World [CEZ4570 - 29] |
1'53 | Elisabeth Skornik, Guy Skornik | Worrying, anticipating & curious but solemn. Voice drone, pizzicato strings & layer. Suggested for ecological topics. | natural disaster anticipation disturbing mysterious beds steady interrogative investigation patient strict | Gm | 113 |
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Green is the World Alternate [CEZ4570 - 45] |
Alt. | 2'07 | Elisabeth Skornik, Guy Skornik | Nostalgic, soaring, airy & linear. Strings, drone & electronics. Suggested for time lapse & aerial view & drone footage. | natural disaster moving interrogative strict beds airy cyclic destiny anticipation disturbing | Gm | 113 |
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Stereo Vision [CEZ4570 - 31] |
1'48 | Elisabeth Skornik, Guy Skornik | Urgent, stressful, heady & determined. Steady staccato strings, layers & electronics. Suggested for industrial topics. | contemporary history industry narrative inexorable relentless politics building scansion urgent original score | Gm | 120 |
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Stereo Vision Alternate [CEZ4570 - 46] |
Alt. | 1'44 | Elisabeth Skornik, Guy Skornik | Aerial, regular & suspended. Layers & constant pulsation. | pulsation suspended atmosphere investigation tormented beds airy mysterious nocturnal relentless science | G | 120 |
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Green is the World Variation [CEZ4570 - 30] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Panoramic, aerial, calm, soaring & inspirational. Strings, drone & electronics. Suggested for time lapse. | contemporary history historical conflict panoramic airy moving anticipation suspended atmosphere social drama Film Score (all) narrative | Gm | 113 |
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