| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dalmatia [CEZ4072 - 16] |
0 | 3'07 | Renaud Garcia-Fons | Poignant & uplifting. Bowed double bass melody @ 0'50. Accordion, | geopolitics panoramic everyday life chromatic accordion | Bm | 120 | |||
|
Iraklio [CEZ4072 - 18] |
0 | 3'54 | Renaud Garcia-Fons | Interrogative & wandering. Homage to Manos Hadjidakis. Udu, tar, | geopolitics bowed double bass Greece building | Am | 120 | |||
|
Worm Wheel [CEZ4069 - 23] |
0 | 2'34 | Jean-François Vrod | Circular & weird. Minimalist electro-noise music. | muffled pulsation abyss electro industrial | Bm | 76 | |||
|
Evolution [CEZ4068 - 2] |
0 | 3'17 | Laurent Rochelle | Lively & determined. Piano, clarinet, bass clarinet & glockenspiel. | industry interrogative repetitive music arts & crafts | Fm | 112 | |||
|
Green Technology [CEZ4070 - 19] |
0 | 2'19 | Daniel Diaz | Serious & positive. Guitars & double bass. | fx delay patient corporate video introspective | E | 96 | |||
|
Green Energy [CEZ4070 - 22] |
0 | 2'36 | Daniel Diaz | Serious, constant & confident. Acoustic guitar, bowed double basses & | South America calm steady bowed double bass | A | 77 | |||
|
Le Chat Noir [CEV3010 - 1] |
0 | 1'36 | Pierre-André Athané | Light & tender with a touch of burlesque. | silent movie circus music 1900 impressionism | E | 89 | |||
|
Les Moulins de Montmartre [CEV3010 - 3] |
0 | 0'55 | Pierre Adenot | Simple & carefree. Solo piano. | old-fashioned retro cabaret silent movie 1900 | D | 103 | |||
|
Symbolism [CEV3010 - 38] |
0 | 1'15 | Marc-Olivier Dupin | Mysterious & wandering. Solo clarinet. | abstract art unstable contemporary serious music (all) interrogative | Fm | 103 | |||
|
Sous les Etoiles Silencieuses [CCB1002 - 2] |
0 | 08'06 | Alain Kremski | Sparse & contemplative. Piano & gongs. | relaxation delicate new age acoustic piano | A | 98 | |||
|
L'Oubli, l'Eau et les
[CCB1002 - 6] |
0 | 07'05 | Alain Kremski | Soft & mysterious. Piano & gongs. | acoustic piano new age 1970 abstract art | Dm | 108 | |||
|
Rencontre, le Passage de
[CCB1002 - 9] |
0 | 04'09 | Alain Kremski | Contemplative & crystalline. Piano & gongs. | restrained delicate acoustic piano relaxation | Bb | 65 | |||
|
L'appel des Îles Lointaines [CCB1002 - 10] |
0 | 13'52 | Alain Kremski | Luminous & meditative. 2 piano, gong & Tibetan bowls. | delicate new age 1970 1980 | Dm | 65 | |||
|
Plis et Replis [CCB1003 - 11] |
0 | 2'24 | Line Adam | Introspective & sad. Solo piano. | delicate wandering intimate desolate | Em | 82 | |||
|
De Afwezige [CCB1003 - 19] |
0 | 2'02 | Line Adam | Simple, naïve & melancholic. Small ensemble with marimba. | melancholic animation & cartoons abstract art arts & crafts | A | 163 | |||
|
Oostende [CCB1003 - 25] |
0 | 2'50 | Line Adam | Introspective & nostalgic. String quintet with flute. | patient abstract art destiny moving | Em | 90 | |||
|
Himalayan Road Book [CEV3009 - 24] |
0 | 1'45 | Imade Saputra | Unusual & linear. Solo jew's harp. Nepali style. | circus music jew's harp ethnic & traditional (all) swirling | F | 100 | |||
|
Blue Neon [CEZ4067 - 9] |
0 | 2'13 | Nicolas Mizrachi, Jean-Francois Morin | Obstinate, melancholic & constant. Electric guitar, bass & | investigation urban landscape destiny narrative | Em | 104 | |||
|
First Aid [CEZ4067 - 16] |
0 | 1'19 | John Greaves | Dramatic & urgent. Electric guitar, violin & electronics. | cinematic rock sport drama distorted electric guitar relentless | E | 77 | |||
|
Man in the Street [CEZ4067 - 19] |
0 | 2'08 | John Greaves, Jean-Francois Morin | Relaxed & confident. Electric guitar, viola, electronics rhythm & | lazy urban landscape relaxed rock ballad | A | 115 |