| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Wailing Horns [UBM2162 - 19] |
0 | 1'33 | Achim Zweschper | Warm, ongoing, motivational. | industry insidious mysterious relentless | C | 99 | |||
|
Babble [UBM2162 - 30] |
0 | 1'20 | Achim Zweschper | Lively, abstract, scary. | suspended atmosphere investigation drone scary | Eb | 70 | |||
|
Invisible Poison [UBM2180 - 4] |
0 | 3'13 | Anselm Kreuzer | Eerie drone, steady & omnipresent. | drone desolate suspended atmosphere sinister | Abm | 105 | |||
|
Atomic Desert [UBM2180 - 12] |
0 | 4'28 | Anselm Kreuzer | Cold, sharp, displeasing, desparate. | lost civilizations atmospheric natural disaster airy | Em | 68 | |||
|
Delicate Remembrance [UBM2170 - 21] |
0 | 2'16 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Descriptive, sparse, investigative. | geopolitics marimba mysterious beds | F | 100 | |||
|
Alone On Route 66 [UBM2158 - 9] |
0 | 2'33 | Daniel Backes, Tobias Ellenberg | Says it all. This town ain't big enough for both of us. | airy lazy interrogative road movie | Em | 72 | |||
|
Laidback Tune [UBM2158 - 22] |
0 | 2'30 | Daniel Backes, Tobias Ellenberg | Reggae-like beat with acoustic guitars. | swaying Jamaïca rhythm section beds | Em | 93 | |||
|
Darkscape [UBM2158 - 30] |
0 | 2'04 | Daniel Backes, Tobias Ellenberg | Drone tune with reverse effects and percussion. | synth pad sequencing beds atmospheric | G | 96 | |||
|
Dark Abyss [UBM2163 - 7] |
0 | 2'10 | Anselm Kreuzer, Markus Segschneider | Fearful yet warm, expressive baritone guitar. | atmospheric desolate electric guitar undulating | Gbm | 155 | |||
|
Psychedelic Water [UBM2163 - 18] |
0 | 2'28 | Anselm Kreuzer | Meditative, driving, spherical. | action movie investigation restrained atmospheric | Gm | 110 | |||
|
Oceanic Harmony [UBM2163 - 20] |
0 | 3'30 | Anselm Kreuzer, Markus Segschneider | Peaceful, conciliable, wide. | airy undulating road movie suspended atmosphere | Em | 120 | |||
|
Electric Gaucho [CEZ4093 - 22] |
0 | 2'47 | Daniel Diaz | Heavy & wandering. Bandoneon, Fender Rhodes, double-bass & | arid wandering walking mysterious | Em | 70 | |||
|
Patagonia [CEZ4093 - 24] |
0 | 2'03 | Daniel Diaz | Wandering & interrogative. Bandoneon, double-bass & electronics. | Argentina bandoneon electro tango wandering | Em | 70 | |||
|
Le Grand Café [CEV3030 - 16] |
0 | 1'59 | Marc-Olivier Dupin | Polka. Mischievous & joyful. Flutes & strings. | 1900 1920 happy & joyful impressionism | D | 102 | |||
|
Puppets [CEV3030 - 34] |
0 | 1'58 | Marc-Olivier Dupin | Léger & precious. Flutes & strings. | 19th century old-fashioned retro cinema swashbuckler | D | 105 | |||
|
Path of Virtue [CEV3029 - 9] |
0 | 1'31 | Imade Saputra | Careful & resolute. Solo dan tranh (zither). (Vietnam) | ethnic & traditional (all) Vietnam dan tranh arts & crafts | Am | 93 | |||
|
Mystery Temple [UBM2145 - 3] |
0 | 1'35 | Daniel Backes, Peter Moslener | Ethnic drums & legato soundbed. | interrogative beds atmospheric exotic | Em | 108 | |||
|
Negative 7 [UBM2137 - 7] |
0 | 1'17 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Tragic, narrative, string theme. | historical conflict steady heavy scary | A | 60 | |||
|
Negative 21 [UBM2137 - 21] |
0 | 1'38 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Dark, slow orchestral pulse, kettle drums. | historical conflict historical narrative spy disturbing | Fm | 66 | |||
|
Waves [UBM2154 - 18] |
0 | 3'19 | Christoph Lienemann | Cool, competent, spy flair. | 1990 kitsch & cheesy sequencing synthesizer | Gm | 108 |