| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Childlike Chilling [UBM2251 - 14] |
0 | 1'38 | Daniel Backes, Peter Moslener | Positive track with marimba, ideal for images of playing children and | loop steady cyclic investigation | Am | 86 | |||
|
Rigid Sketch [UBM2251 - 16] |
0 | 2'09 | Daniel Backes, Peter Moslener | Drums and synthesizer create an atmospheric sound, good for | drums loop steady cold | Gbm | 95 | |||
|
Raise Intensity [UBM2251 - 19] |
0 | 1'42 | Daniel Backes, Peter Moslener | Dark, ticking and electronic sound with deep bass, good for sense of | arpeggiator crime movie interrogative investigation | Gbm | 102 | |||
|
Spreading Misinformation [UBM2249 - 16] |
0 | 1'49 | Elias Cadre | Deep bass, slow tempo, cold, dark, reduced and pulsating. | complex sci-fi abyss cold | Dbm | 117 | |||
|
Never the Same [UBM2248 - 8] |
0 | 1'29 | Luke Davoll | Contemporary track with similarities to Erik Satie in the beginning, | acoustic piano post-classical driving confident | Dbm | 110 | |||
|
My First Promise [UBM2248 - 19] |
0 | 1'52 | Luke Davoll | Modern and fast piano piece, avant-garde, energetic; ideal for arts, | acoustic piano post-classical jerky steady | Ebm | 100 | |||
|
Research [UBM2258 - 3] |
0 | 1'54 | Felix Halbe | Time is running out. This track that is accentuated by piano, | investigation building suspense destiny | Em | 113 | |||
|
Whistleblower [UBM2258 - 11] |
0 | 2'23 | Felix Halbe | The track's dynamic increases. Accentuated by strings and | disturbing chase adventure scary | Cm | 150 | |||
|
Endtitles [UBM2258 - 20] |
0 | 2'50 | Felix Halbe | This song with strings, synthesizer and piano starts calmly. Track | final building disturbing investigation | Am | 110 | |||
|
Uncertainty [CEZ4254 - 22] |
0 | 2'12 | Thierry Caroubi | Psychotic & dark. Electronics. | beds psychotic scary steady | Ab | 95 | |||
|
Ice Cycles [CEZ4249 - 8] |
0 | 2'36 | Nicolas Mathuriau | Sustained & mysterious. Solo vibraphone. | crystalline cold desert cold luminous | B | 130 | |||
|
Surprise Discovery [CEZ4243 - 12] |
0 | 1'38 | Piotr Moss | Sudden, sparse & interrogative. Solo harp. | sparse harp interrogative delicate | Em | 82 | |||
|
Mystic Pulse [UBM2205 - 11] |
0 | 2'11 | Daniel Backes, Peter Moslener | Nocturnal & strange. Arpeggiator, electronic percussion, bass. | nocturnal arpeggiator loop steady | Cm | 156 | |||
|
Dark Pole [UBM2205 - 16] |
0 | 1'35 | Daniel Backes, Peter Moslener | Nocturnal & neutral. Electronic percussion, synth. | steady neutral nocturnal science | Em | 96 | |||
|
Nevada Pursuit [UBM2246 - 2] |
0 | 2'56 | Karsten Lipp, Andre Matov | Determined, lively and agile folk/ pop track featuring repetitive | patient contemporary western steady folk guitar | A | 118 | |||
|
Ignition [MAG6014 - 8] |
0 | 1'53 | Jonathan Fitoussi | Repetitive music. Metallic & determined. Analog synth & cristal | percussive cristal Baschet analog synth driving | Am | 130 | |||
|
Dead Signal [MAG6014 - 10] |
0 | 1'04 | Jonathan Fitoussi | Repetitive music. Weird & crystalline. Analog synth. | crystalline disturbing paranormal analog synth | Bbm | 107 | |||
|
One Step at a Time [CEZ4224 - 25] |
0 | 1'57 | Gabriel Saban, Philippe Briand | Corporate. Atmospheric & peaceful. Piano, electronics & strings @ | atmospheric confident driving introduction | Bb | 86 | |||
|
Leone Ginzburg Variation 4 [CEO2028 - 4] |
0 | 1'23 | Baptiste Thiry | Determined & dramatic. String ensemble. | historical narrative string orchestra destiny relentless | Am | 100 | |||
|
Diving Into the Void [CEZ4221 - 13] |
0 | 4'44 | Michel Redolfi | Deep & disturbing. Electronics & cosmic sound design. | abyss atmospheric toxic arid | G | 72 |