| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Reconstruction [UBM2218 - 11] |
0 | 2'19 | Felix Halbe | Obstinate & organic. Synth & electronic percussion. | disturbing relentless electronic percussion percussive | Em | 149 | |||
|
Dirty Slow Dissonant Groove [UBM2216 - 19] |
0 | 2'04 | Achim Zweschper | Disturbing & shady. Synth, piano & rhythm. Fx reverse. | natural disaster horror disturbing insidious | E | 65 | |||
|
Pushing Wooden [UBM2216 - 32] |
0 | 2'22 | Achim Zweschper | Menacing & loudy. Synth & rhythm. | natural disaster beds disturbing synthesizer | Gbm | 172 | |||
|
Cumbia De Botellas [CEZ4167 - 22] |
0 | 1'49 | Pajaro Canzani | traditional cumbia. Percussion ensemble with bottles & udu. | fx glass talking drums udu Colombia | B | 78 | |||
|
Istanbul'da Bir Ispanyol [CCB1019 - 3] |
0 | 4'59 | Derya Turkan, Renaud Garcia-Fons | Confident & lively. Kemançe & double-bass. | kemençe Andalusi classical music bowed double bass Armenia | Dm | 83 | |||
|
Body of Mist [EOS11 - 1] |
0 | 2'59 | Hugues Duchesne | Nostalgic & restrained. Solo piano. | childhood acoustic piano destiny introspective | Dm | 123 | |||
|
A Gentle Slope [EOS10 - 4] |
0 | 2'20 | Mathieu Harlaut | Serious & obstinate. Piano, electric guitar, organ & strings. | confident architecture & design everyday life relentless | Abm | 107 | |||
|
The Bright Garden [EOS10 - 6] |
0 | 2'42 | Mathieu Harlaut | Relaxed & serene. Piano, bass & glockenspiel. | calm architecture & design confident arts & crafts | E | 76 | |||
|
Transmission [EOS09 - 7] |
0 | 2'35 | Sébastien Saint-Lezin | Majestic & cyclic. Strings, trumpet, woodwinds & acoustic guitar. | cyclic high seas repetitive music relentless | C | 140 | |||
|
Water Festival [CEZ4143 - 5] |
0 | 2'03 | Imade Saputra | Peaceful & simple. Solo saung (harp). | saung Burma suspended atmosphere peaceful | Am | 72 | |||
|
Mandalay Hill [CEZ4143 - 12] |
0 | 1'51 | Imade Saputra | Song. Simple & peaceful. A capella male voice.Lyrics | traditional male soloist voice world music Burma suspended atmosphere | G | 91 | |||
|
Taekkyon [CEZ4141 - 1] |
1'43 | Imade Saputra | Solemn but cheerful. Small traditional orchestra. | traditional instrumental ensemble Korea geopolitics non western classical music | E | 140 | ||||
|
Taekkyon 2 [CEZ4141 - 12] |
Alt. | 1'48 | Imade Saputra | Joyful & decided. Solo yangquin (dulcimer). | Korea yangqin confident happy & joyful | E | 129 | |||
|
Rice Paper [CEZ4141 - 2] |
0 | 2'21 | Imade Saputra | Dreamy & lazy. Haegum (violin) solo. | haegeum Korea sparse steady | Bbm | 112 | |||
|
Jeongak [CEZ4141 - 3] |
0 | 2'31 | Imade Saputra | Solemn & heavy. Small traditional orchestra. | Korea traditional instrumental ensemble non western classical music geopolitics | A | 68 | |||
|
Insadong [CEZ4141 - 8] |
0 | 2'15 | Imade Saputra | Solemn & emphatic. Small traditional orchestra. | Korea traditional instrumental ensemble geopolitics punctuated | Gm | 145 | |||
|
Puppet Dance [CEZ4141 - 9] |
0 | 2'38 | Imade Saputra | Patient & solemn. Haegum (violin) & changgo (percussion). | Korea haegeum changgo geopolitics | Bb | 144 | |||
|
Come to Me [CEZ4141 - 11] |
0 | 2'43 | Imade Saputra | Love song. Female voice, flute & changgo (percussion).Lyrics | Song and theme sung in Korean vocal female ethnic soloist voice | Eb | 100 | |||
|
Fuzzy Edge [UBM2208 - 3] |
0 | 2'05 | Reinhard Schaub | Strings, pizzicato tones, xylophone and bells. A little dramatic, a | intermittent unstable sudden primitive art | G | 96 | |||
|
Nice Notes [UBM2208 - 15] |
0 | 1'37 | Daniel Backes, Peter Moslener | Pizzicato strings and e-piano notes create the magical, sweet | pizzicato interrogative airy blossoming | A | 129 | |||
|
Calm Picture [UBM2208 - 17] |
0 | 2'01 | Daniel Backes, Peter Moslener | Peaceful. Quiet solitude that leaves the listener hopeful and | beds confident suspended atmosphere peaceful | G | 68 |