| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Violent Mayhem [CEZ4402 - 9] |
0 | 1'12 | Vsevolod Korecky | Trailer music. Violent orchestra hits, powerful & bad ass. No escape. | aggressive & violent trailer action game chase | Gm | 126 | |||
|
Withered [UBM2341 - 17] |
0 | 2'07 | Ryan Gold, Florian Sagner, Sid Sonic | Mystic trumpet mood for images of loneliness, absence, awaiting. | suspended atmosphere wandering atmospheric mysterious | B | 119 | |||
|
Bad Thoughts [UBM2341 - 23] |
0 | 2'28 | Janko Raseta | Tense atmosphere. Quite abstract, very dark. | atmospheric suspended atmosphere disturbing mysterious | D | 62 | |||
|
Levitation [UBM2330 - 7] |
0 | 1'48 | Marvin Benjamin McMahon, Sebastian Arno Sprenger | Stardust and solar winds in a cold lonely universe. | natural disaster suspended atmosphere investigation mysterious | E | 90 | |||
|
Alone on the Street [UBM2329 - 8] |
0 | 2'13 | Kai Matzanke | Creepy string and piano soundscape for film scenes show despair and | halloween disturbing scary suspended atmosphere | Abm | 110 | |||
|
The Inner Voice [CEZ4395 - 8] |
0 | 3'48 | Kanchi | Chill trap / future beat. Contemplative, mesmerizing & panoramic. | electro world airy dreamy modern | Em | 90 | |||
|
Forever Sleeping [CEZ4394 - 15] |
0 | 2'11 | Marvin Benjamin McMahon | Wandering, sad & suspended. Synth, choir & string ensemble. Constant | destiny post-classical tragic social drama | Am | 82 | |||
|
An Element of Doubt [CEG5020 - 4] |
0 | 2'06 | John Greaves | Regular, serious but with a touch of irony. Electronics.. | patient crystalline cybernetics cyclic | Gm | 101 | |||
|
Molecule [CEG5020 - 5] |
0 | 2'43 | Guillaume Feyler | Repetitive & crystalline. Onto the heart of scientific research. | mysterious science interrogative crystalline | Bbm | 65 | |||
|
Free Electron [CEG5020 - 6] |
0 | 2'20 | Christophe Zurfluh | Suspended, strange, minimalist & mysterious. Electronics. | cybernetics disturbing drone suspended atmosphere | F | 118 | |||
|
Density [UBM2326 - 1] |
0 | 4'24 | David Mate | Mellow, warm, friendly, open, mid-tempo, ethnic. | urban landscape cocktail bar confident daytime TV | Bbm | 89 | |||
|
Circensis [UBM2326 - 16] |
0 | 4'06 | Tobias Laemmert | Jazzy with hints of ambient. Mysterious, spacy world with keys, | nocturnal suspense acid jazz jazzy | Bm | 134 | |||
|
Amazonia [UBM2323 - 20] |
1'57 | David Bernbach, David Mann | Fresh, percussive score. Lively and somewhat light-hearted while | suspended atmosphere investigation mysterious science | G | 139 | ||||
|
En Cascades [CEZ4399 - 1] |
Alt. | 2'16 | David Rieu | 70's. Psychedelic. Joyful, fun, quirky & dancing. retro synth, organ, | French retro comedy 1970 animation & cartoons lively | Ebm | 156 | |||
|
Little Pieces of Paper [CEO2103 - 6] |
0 | 2'16 | Baptiste Thiry | Suspended, sparse & sad. Piano, fx rhythm @ 0'48 & synth @ 1'03. | sad sparse introspective suspended atmosphere | C | 69 | |||
|
Immediate Reprisals [CEO2103 - 8] |
0 | 1'24 | Baptiste Thiry | Interrogative & sad. @ 0'24 suspense. Tense & accentuated. Piano, | disturbing historical conflict spy relentless | Cm | 100 | |||
|
All Night Long [CET9015 - 7] |
2'49 | Gabriel Saban, Philippe Briand, Gregory Cotti | Cool & driving mid-funk groove. Flute lead, cowbell, tambourine, | B movie blaxploitation driving retro American serie | E | 95 | ||||
|
All Night Long Alternate 1 [CET9015 - 24] |
Alt. | 2'49 | Gabriel Saban, Philippe Briand, Gregory Cotti | Alternate without percussion. Nocturnal & wandering groove. Flute | B movie blaxploitation driving 1970 | E | 95 | |||
|
All Night Long Alternate 2 [CET9015 - 25] |
Alt. | 2'39 | Gabriel Saban, Philippe Briand, Gregory Cotti | Alternate without flute lead. Nocturnal & wandering funky groove. | B movie blaxploitation driving 1970 | E | 95 | |||
|
Les Excuses [CEO2099 - 2] |
2'00 | Pablo Pico | Dramedy. Mischievous, lightly tense & interrogative. Pizz, accordion, | dramedy ironical & mischievous funny animation & cartoons | Bbm | 120 | ||||
|
Les Excuses Alternate 1 [CEO2099 - 22] |
Alt. | 1'08 | Pablo Pico | Dramedy. Mischievous then dramatic. Staccato. Accordion, strings, | dramedy tragi-comic interrogative anticipation | Bbm | 120 | |||
|
Les Excuses Alternate 2 [CEO2099 - 23] |
Alt. | 2'00 | Pablo Pico | Dramedy. Mischievous, lightly tense & interrogative. Pizz, accordion, | dramedy pizzicato interrogative ironical & mischievous | Bbm | 120 | |||
|
Tension à Jérusalem [CEO2099 - 10] |
0 | 1'57 | Pablo Pico | Tense & inexorable. Middle East. Ud, strings & percussion. | geopolitics interrogative Middle-East & Maghreb anticipation | Dm | 100 | |||
|
The Iron Curtain [CEO2098 - 4] |
0 | 1'41 | Gregory Cotti | Underscore. Mysterious & tense. Cello, duduk & strings. | geopolitics mysterious suspended atmosphere wandering | Fm | 65 | |||
|
The Darkest Hours [CEZ4386 - 16] |
0 | 2'33 | Piotr Moss | Dramatic, solemn & threatening. Cello, piano & small instrumental | sinister disturbing historical narrative horror | A | 108 |