| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
String Block Rock [UBM2270 - 14] |
0 | 1'29 | Daniel Backes, Peter Moslener | Fast rock song mixed with delicate strings. Electric guitar, | driving adventure game string section steady | Dm | 142 | |||
|
Stuntman [UBM2267 - 12] |
0 | 1'48 | Karsten Lipp, Andre Matov | Drums, timpani, basin create a dynamic, rhythmic and deep sound. | drums percussive neutral rhythmic | Cm | 86 | |||
|
Dark Turkey [UBM2266 - 1] |
0 | 1'58 | Achim Zweschper | Threatening mood, influenced by turkish music. Cello, percussion, | hot desert mystical beds arid | Bm | 85 | |||
|
Gloomy Alley [UBM2266 - 4] |
0 | 3'18 | Achim Zweschper | Creepy track, ideal for increasing tension. Vocals, percussion. | arid hot desert desolate beds | D | 88 | |||
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 | |||
|
Eerie Wind [UBM2266 - 6] |
0 | 1'27 | Achim Zweschper | Cold, dark sound that conveys the impression of a bitter wind. Saz. | hot desert desolate sound design beds | F | 88 | |||
|
Tiptoeing Around [UBM2266 - 18] |
0 | 3'10 | Achim Zweschper | Desperate, dull. Creates the impression of danger sneaking up. Sitar, | arid hot desert desolate beds | Cm | 100 | |||
|
Deceiving Peace [UBM2266 - 19] |
0 | 1'57 | Achim Zweschper | Ambivalent track. Shifting between emerging hope and threat. Cello, | hunting wild beds tropical forest | Bm | 85 | |||
|
Alarm Music [EOS20 - 2] |
0 | 2'12 | Anthony Mowat | Introspective & desolate. Sequencing, synth, bass, electric guitar, | introspective electric bass desolate road movie | Fm | 162 | |||
|
From Dublin to Nashville
[CEZ4279 - 34] |
1'34 | Manuel Galvin | Uplifting & bouncy. Country guitar duet. | flat picking guitar bluegrass confident United States of America | Fm | 112 | ||||
|
From Dublin to Nashville [CEZ4279 - 20] |
Alt. | 2'51 | Manuel Galvin | Half Irish & half bluegrass. 1st part calm. Uplifting 2nd part @ | folk guitar confident Ireland Celtic music | F | 155 | |||
|
Move your Turkish Lyra maker [EOS19 - 2] |
0 | 4'49 | Sébastien Saint-Lezin | Complex & mystical. Synthesizer, sequencing, electronic percussion, | noisy complex geopolitics neutral | Em | 98 | |||
|
Night in Dubai [EOS19 - 8] |
0 | 3'43 | Sébastien Saint-Lezin | Chaotic & urgent. Synthesizer, sequencing, electronic percussion, | chaotic psychotic complex driving | Abm | 103 | |||
|
Free Love [CEZ4277 - 8] |
0 | 3'09 | Loher ,Eric | Psychedelic & progressive rock. Peaceful, panoramic & laidback. | psychedelia 1970 electric guitar airy | Gm | 116 | |||
|
Pretty Cushy [UBM2235 - 26] |
0 | 0'45 | Vincent Nguyen, Sebastian Parche | The soundtrack for a lazy summer day: slow tempo, warm bass and very | police comedy short steady double bass | Em | 105 | |||
|
Alex et Angelo [CEO2038 - 11] |
0 | 1'30 | Jérôme Lemonnier | Obstinate & serious. Hang, synth & fx reverse. | hang drum strict scansion science | Gm | 92 | |||
|
Rigid Sketch [UBM2251 - 16] |
0 | 2'09 | Daniel Backes, Peter Moslener | Drums and synthesizer create an atmospheric sound, good for | drums loop steady cold | Gbm | 95 | |||
|
Suspicion [UBM2249 - 2] |
0 | 2'34 | Elias Cadre | Minimal and modern electronic elements for images of digital | complex sci-fi film noir unstable | Bbm | 151 | |||
|
Fresh Cash and Pretty Girls [UBM2249 - 8] |
0 | 2'48 | Elias Cadre | Modern, smooth sound with mysterious influence, for scenes of danger, | complex suspended atmosphere abyss muffled | Am | 69 | |||
|
Cover Up [UBM2249 - 9] |
0 | 2'02 | Elias Cadre | Ticking drops and electronic spheres sound like images of secret | complex film noir sci-fi muffled | Bbm | 120 | |||
|
Sitting out the Issues [UBM2249 - 17] |
0 | 2'07 | Elias Cadre | Electronic texture, eerie, pulsating track for an atmosphere | paranormal sci-fi science complex | Bb | 102 |