| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Flowers Amongst the Ruins [CEO2144 - 6] |
0 | 1'54 | Alice Guerlot Kourouklis | Suspended, peaceful & hesitating. Fender Rhodes piano with delay | suspended atmosphere introspective nocturnal social drama | Dbm | 106 | |||
|
The Whirlwind of Life [EOS89 - 3] |
0 | 1'40 | Damien Poupart-Taussat | Poignant, regretful & elegant. In the spirit of the 70's french movie | acoustic piano poignant sentimental intimate | Eb | 89 | |||
|
Daily Commitment [EOS89 - 11] |
0 | 2'14 | Damien Poupart-Taussat | Serious, confident & resilient. Solo piano. | acoustic piano destiny social drama intimate | D | 113 | |||
|
Joy of Living [EOS89 - 13] |
0 | 1'25 | Damien Poupart-Taussat | Commited, confident & mellow. Solo piano. | acoustic piano peaceful confident destiny | D | 68 | |||
|
Happiness Is at Hand [EOS89 - 20] |
0 | 2'14 | Damien Poupart-Taussat | Hopeful, settled & tender. Piano solo. | acoustic piano sentimental confident delicate | G | 118 | |||
|
East West Exchanges [CEZ4546 - 15] |
2'16 | Lucas Napoleone | Corporate. Positive, panoramic & confident, with a touch of Asia. | confident driving unifying triumphant | F | 112 | ||||
|
East West Exchanges Alternate [CEZ4546 - 27] |
Alt. | 2'16 | Lucas Napoleone | Alternate without percussion. | confident driving unifying triumphant | F | 167 | |||
|
A Sign of Hope [CEZ4546 - 16] |
2'00 | Jérémy Dirat | Corporate. Fiery, promising & optimistic. Constant progression. | confident uplifting unifying corporate video | Ab | 115 | ||||
|
A Sign of Hope Alternate [CEZ4546 - 28] |
Alt. | 2'00 | Jérémy Dirat | Alternate without percussion. | confident uplifting unifying corporate video | Ab | 115 | |||
|
The Fountain of Youth [CEZ4546 - 19] |
1'46 | Jérémy Dirat | Corporate. Subtle & delicate intro then positive & federative @ 0'52. | corporate video confident unifying uplifting | Em | 120 | ||||
|
The Fountain of Youth
[CEZ4546 - 31] |
Alt. | 1'46 | Jérémy Dirat | Alternate without percussion. | corporate video confident unifying uplifting | Em | 120 | |||
|
Path to Darkness [ISC025 - 3] |
2'22 | Emmanuel Rousseau | Cinematic / Film score. Urgent, disturbing, tragic & dark. Percussion | disturbing cinematic cinematic orchestra tragic | Dbm | 88 | ||||
|
Path to Darkness Alternate 1 [ISC025 - 17] |
Alt. | 2'22 | Emmanuel Rousseau | Alternative version without percussion. | disturbing cinematic symphony orchestra tragic | Dbm | 88 | |||
|
Path to Darkness Alternate 2 [ISC025 - 18] |
Alt. | 2'22 | Emmanuel Rousseau | Alternative version without choir. | disturbing cinematic cinematic orchestra tragic | Dbm | 88 | |||
|
The Sound of the Fields [CEZ4541 - 2] |
1'49 | Claude Samard | Folk. Harmonica intro. Tender, peaceful, quiet, soothing & positive. | folk (all) pastoral road movie country & garden | D | 120 | ||||
|
The Sound of the Fields
[CEZ4541 - 22] |
Alt. | 1'49 | Claude Samard | Alternate guitar solo. | folk (all) pastoral confident intimate | D | 120 | |||
|
The Sound of the Fields
[CEZ4541 - 23] |
Alt. | 1'49 | Claude Samard | Alternate without harmonica. | folk (all) pastoral confident intimate | D | 120 | |||
|
The Sound of the Fields
[CEZ4541 - 24] |
Alt. | 1'49 | Claude Samard | Alternate without strings. | folk (all) pastoral confident intimate | D | 120 | |||
|
Carnaval [EOS69 - 8] |
0 | 1'09 | Sanahe | Driving, rhytmical & playful. Brazilian percussion, marimba & flute. | carnival chase Brazil ethnic & traditional (all) | Em | 120 | |||
|
Caminos de Cordillera [CEL7028 - 3] |
0 | 3'35 | Pajaro Canzani, Daniel Diaz | Andean Inca pasillo rhythm. Panoramic, walking & serious. Searching | exotic tropical forest peaceful pasillo | Am | 152 | |||
|
So Far from Cuba [CEL7028 - 16] |
0 | 1'22 | Narrative, nostalgic & intimate track evoking distant memories from | intimate narrative folk ballad classical guitar | Gbm | 105 | ||||
|
Mesa Verde [CEL7028 - 18] |
0 | 2'14 | Gary O'Slide | Introspective, solitary & sparse track evoking dry desert landscapes. | wandering pedal steel guitar arid hot desert | Gm | 90 | |||
|
Cuyana [CEL7028 - 21] |
0 | 3'27 | Daniel Diaz | Chacarera style, folk music from the center of Argentina. Haunting & | nocturnal wandering exotic folk (all) | Gm | 91 | |||
|
Über den Wolken [CEZ4530 - 7] |
2'16 | Alexandre J Maurer | Panoramic, punctuated & majestic. Synth layers, accordion, strings, | Alpine music panorama panoramic confident | Bm | 109 | ||||
|
Über den Wolken Alternate [CEZ4530 - 28] |
Alt. | 2'15 | Alexandre J Maurer | Panoramic, punctuated & majestic. Synth layers, accordion, strings, | Alpine music panorama panoramic confident | Bm | 104 | |||
|
Power of Love [MAG6081 - 6] |
3'17 | Woodini | Cinematic folk. Cyclic, panoramic & urgent. Declination of #1. | confident uplifting time-lapse mysterious | Em | 85 | ||||
|
Power of Love Alternate [MAG6081 - 14] |
Alt. | 3'23 | Woodini | Instrumental version. | time-lapse confident uplifting cyclic | Em | 85 | |||
|
Visiting Other Worlds [CEO2143 - 9] |
0 | 3'07 | Baptiste Charvet | Insidious, deep & heady. Analogue synth sequence, piano punctuations, | cybernetics cyclic social drama anticipation | Gm | 101 | |||
|
Died of Exposure [CEG5034 - 6] |
0 | 2'16 | Thomas Lucas | Tense, suspenseful, nervous, grim & insidious. Drone, disturbing | drone sinister disturbing mysterious | Ebm | 162 | |||
|
Absolute Decimation [CET9071 - 3] |
1'55 | Salvador Casais | Trailer track. Aggressive, explosive, creepy, warlike, relentless, | epic inexorable disturbing aggressive & violent | Fm | 114 | ||||
|
Absolute Decimation Alternate [CET9071 - 13] |
Alt. | 1'55 | Salvador Casais | Alternate without percussion. | epic inexorable disturbing aggressive & violent | Fm | 115 |