| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Being the President [CEZ4290 - 7] |
0 | 1'52 | Eric Caissy, Benoit Cimbé | Solemn & exhilarating. Constant progression. cinematic orchestra & | cinematic orchestra solemn contemporary history cinematic percussion | Eb | 162 | |||
|
Affairs of State [CEZ4290 - 17] |
2'11 | Gréco Casadesus, Gregory Cotti | Determined, interrogative & dignified. Cinematic orchestra, trumpet, | docu fiction politics disturbing contemporary history | Am | 103 | ||||
|
Affairs of State Alternate
[CEZ4290 - 39] |
Alt. | 1'19 | Gréco Casadesus, Gregory Cotti | Determined, interrogative & majestic. Cinematic orchestra, trumpet & | contemporary history cinematic orchestra opening credits TV politics | Am | 103 | |||
|
History in the Making [CEZ4290 - 22] |
0 | 1'56 | Gréco Casadesus, Gregory Cotti | Powerful, urgent & solemn. Constant progression. Cinematic orchestra | opening credits TV contemporary history cinematic orchestra tragic | C | 104 | |||
|
Stronghold of Glory [CEZ4290 - 25] |
1'54 | Sebastijan Duh | Aggressive, sudden & dramatic. Constant progression. Cinematic | docu fiction epic historical movie opening credits TV | Dm | 185 | ||||
|
Stronghold of Glory Alternate
[CEZ4290 - 51] |
Alt. | 1'54 | Sebastijan Duh | Aggressive, sudden & dramatic. Constant progression. Cinematic | docu fiction opening credits TV contemporary history cinematic orchestra | Dm | 178 | |||
|
The World to Come [CEZ4290 - 27] |
2'00 | Gabriel Saban, Philippe Briand | Urgent, dramatic & powerful. Constant progression. Cinematic | docu fiction cinematic orchestra opening credits TV cinematic percussion | Cm | 80 | ||||
|
The World to Come Alternate
[CEZ4290 - 52] |
Alt. | 2'00 | Gabriel Saban, Philippe Briand | Urgent, dramatic & powerful. Constant progression. Cinematic | opening credits TV contemporary history cinematic orchestra docu fiction | Cm | 120 | |||
|
The World to Come Alternate
[CEZ4290 - 53] |
Alt. | 1'52 | Gabriel Saban, Philippe Briand | Solemn & majestic. Cinematic strings. | neo-classical music solemn driving opening credits TV | Cm | 80 | |||
|
The Huskies [CEO2044 - 25] |
1'28 | Gréco Casadesus | Patient & interrogative. String orchestra, clarinet & electronics. | historical narrative contemporary history politics hollywood classic | Am | 95 | ||||
|
The Huskies Alternate Version
[CEO2044 - 57] |
Alt. | 1'26 | Gréco Casadesus | Underscore. Interrogative & determined. String ensemble & clarinet. | destiny scansion hollywood classic historical narrative | G | 95 | |||
|
Widespread Fear [CEO2035 - 5] |
0 | 1'25 | Bruno Alexiu | Inexorable, urgent & tense. String orchestra. | historical conflict natural disaster inexorable tormented | Gm | 132 | |||
|
No-Go-Zone [CEZ4231 - 5] |
0 | 2'37 | Gabriel Saban, Philippe Briand | Cinematic Middle East. Threatening & inexorable. Electronics. | geopolitics Arab world modern historical conflict | D | 135 | |||
|
Antelope Chase [CEZ4225 - 13] |
0 | 1'29 | Baptiste Thiry | Cinematic. Urgent & tribal. Percussion ensemble. | wild historical conflict driving percussion ensemble | Gm | 140 | |||
|
Operation Anthropoide [CEO2005 - 1] |
1'52 | Bruno Alexiu | Tragic & solemn. Orchestra with clarinet & horns. Outro slowing down. | war (movies) introduction lyrical tragic | Am | 102 | ||||
|
Operation Anthropoide 2 [CEO2005 - 17] |
Alt. | 1'43 | Bruno Alexiu | Tragic & solemn. Orchestra with horns & clarinet. | historical conflict destiny uplifting tragic | Fm | 99 | |||
|
Operation Anthropoide 3 [CEO2005 - 18] |
Alt. | 0'59 | Bruno Alexiu | Nostalgic & solitary. Solo piano. | melancholic destiny acoustic piano restrained | Eb | 138 | |||
|
A Glimmer of Hope [CEO2005 - 8] |
0 | 1'18 | Bruno Alexiu | Solemn & moving. Orchestra with horns. | solemn historical ceremony destiny brass ensemble | Am | 113 | |||
|
A Dramatic Epilogue [CEO2005 - 16] |
0 | 1'31 | Bruno Alexiu | Moving & tragic. Orchestra with strings. | moving historical narrative string orchestra tragic | Bb | 78 | |||
|
No One Is Innocent [CEO2026 - 12] |
0 | 1'34 | Gréco Casadesus | Sad & desolate. Symphony orchestra. | historical narrative sinister destiny funereal | Gm | 114 | |||
|
Innocent Victims [CEO2021 - 18] |
0 | 1'36 | Bruno Alexiu | Sad & tragic. Orchestra with clarinet. | inexorable historical narrative historical conflict war (movies) | Cm | 61 | |||
|
Means of Production [CEO2020 - 12] |
0 | 2'20 | Gréco Casadesus | Obstinate & tense. String orchestra. | historical narrative symphony orchestra tracking shot destiny | Am | 145 | |||
|
Frontline Position [CEZ4124 - 10] |
0 | 1'01 | Baptiste Thiry | Progressive & panoramic tension. String staccato. | staccato historical conflict relentless inexorable | Bm | 103 | |||
|
Trench Warfare [CEZ4124 - 12] |
2'31 | Thierry Caroubi | Tense & menacing scansion. Symphony orchestra. | historical conflict inexorable scary war (movies) | Dm | 140 | ||||
|
Trench Warfare #2 [CEZ4124 - 39] |
Alt. | 1'36 | Thierry Caroubi | Tense & menacing scansion. Symphony orchestra. | historical conflict war (movies) relentless scary | Dm | 140 | |||
|
After the War [CEZ4124 - 24] |
0 | 2'06 | Gilles Maugenest | Tragic & desolate. String orchestra. | string orchestra tragic historical narrative destiny | Dm | 63 | |||
|
Hiver 1943 [CEO2018 - 20] |
2'22 | Marc-Olivier Dupin | Sinister & worrying. Piano & violin played tremolo. | historical conflict destiny scary sparse | Ebm | 62 | ||||
|
Hiver 1943 # 2 [CEO2018 - 21] |
Alt. | 2'06 | Marc-Olivier Dupin | desolated, worrying & sparse. Solo violin played tremolo. | sparse cold psychotic tremolo | Ebm | 72 | |||
|
Royal Destiny [CEZ4116 - 4] |
0 | 2'08 | Gréco Casadesus | Dramatic & moving. Symphony orchestra. | French cinema destiny 19th century swashbuckler | Em | 108 |