| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Hutong Memories [CEC8045 - 1] |
1'52 | Zhang Hao, Zhao Junrui | Peaceful, contemplative & dreamy. Acoustic guitars, taiko & sanxian. | China country & garden confident folk guitar | G | 115 | ||||
|
Hutong Memories Alternate [CEC8045 - 11] |
Alt. | 1'51 | Zhang Hao, Zhao Junrui | Alternate version without percussion. | country & garden China folk guitar peaceful | G | 115 | |||
|
Across the Golden Gate [CEZ4601 - 15] |
0 | 3'34 | Renaud Garcia-Fons | Cinematic jazz. Determined, positive &cool in the spirit of the TV | cinematic jazz lively double bass driving | Em | 89 | |||
|
Djumbo Steps [CEZ4600 - 11] |
0 | 3'35 | Renaud Garcia-Fons | Clumsy, fun, quirky & decided. Double bass ensemble featuring lead | interrogative funny double bass childhood | C | 120 | |||
|
City Night Stalking [CEZ4600 - 13] |
0 | 2'16 | Renaud Garcia-Fons | Ominous, anticipating, intriguing & resonant. Double bass, echoed | mysterious disturbing interrogative investigation | Db | 115 | |||
|
Narita Express [CEZ4600 - 15] |
0 | 3'47 | Renaud Garcia-Fons | Jazz world. Catchy, decided & regular with an East-Asian touch. | world jazz tracking shot double bass geopolitics | Dm | 118 | |||
|
Desert Reflection [CEZ4600 - 21] |
0 | 2'43 | Renaud Garcia-Fons | Arid, suspenseful, uneasy & anticipating. Double bass, tom tom rolls | wandering mysterious suspended atmosphere geopolitics | Dm | 65 | |||
|
Grease and Gear [CEM3019 - 10] |
0 | 1'37 | Morgan Sansous, Kenny Serane | Heavy Rock. Anticipating tough guitar with leads. Determined, | uplifting driving confident lively | A | 130 | |||
|
Time Oh Time [MPMA0024 - 4] |
2'21 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 135 | ||||
|
Time Oh Time - 30 [MPMA0024 - 29] |
Alt. | 0'30 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 134 | |||
|
Time Oh Time - 60 [MPMA0024 - 30] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 133 | |||
|
Time Oh Time - Sting [MPMA0024 - 31] |
Alt. | 0'09 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 135 | |||
|
Time Oh Time - Underscore 60 [MPMA0024 - 32] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 133 | |||
|
Time Oh Time - Underscore
[MPMA0024 - 33] |
Alt. | 0'09 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 134 | |||
|
FŽ Bon [MPMA0024 - 5] |
2'25 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano rhythm section string section | C | 135 | ||||
|
FŽ Bon - 30 [MPMA0024 - 34] |
Alt. | 0'30 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano rhythm section string section | C | 136 | |||
|
FŽ Bon - 60 [MPMA0024 - 35] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano rhythm section string section | C | 135 | |||
|
FŽ Bon - Sting [MPMA0024 - 36] |
Alt. | 0'04 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano rhythm section string section | G | 135 | |||
|
FŽ Bon - Underscore [MPMA0024 - 37] |
Alt. | 2'25 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano rhythm section string section | C | 135 | |||
|
FŽ Bon - Underscore 30 [MPMA0024 - 38] |
Alt. | 0'30 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano rhythm section string section | C | 136 | |||
|
FŽ Bon - Underscore 60 [MPMA0024 - 39] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano rhythm section string section | C | 135 | |||
|
FŽ Bon - Underscore Sting [MPMA0024 - 40] |
Alt. | 0'04 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano rhythm section string section | G | 135 | |||
|
Gearin' Up [MPMA0021 - 3] |
0 | 2'42 | Joseph Plunkett | Driving, cinematic, dramatic arrangements building with pounding | investigation synthesizer anticipation disturbing | D | 84 | |||
|
Levity [MPMA0006 - 7] |
0 | 2'26 | Oliver Price | Warm, reflective, ambient soundscapes with keys and synth | sparse atmospheric suspended atmosphere mysterious | C | 136 | |||
|
Wherever Life Leads Us
[CEO2153 - 2] |
0 | 2'03 | Bouncy, naive & confident. Flute, clarinet, harp & string orchestra. | naive original score charming delicate | Bb | 128 | ||||
|
Freshness and Innocence [EOS96 - 8] |
0 | 1'48 | Damien Poupart-Taussat | Light-hearted & playful cello, bass clarinet, piano & choir. | carefree neo-classical music country & garden lively | F | 130 | |||
|
The Hope of Immigrants [EOS96 - 10] |
0 | 3'35 | Damien Poupart-Taussat | Lonely & melancholic cello intro. Then hopeful & poignant piano & | moving intimate introspective peaceful | C | 96 | |||
|
Pending Questions [CEZ4592 - 8] |
0 | 1'30 | Thomas Didier | Suspense bed. Like a pendulum movement, hypnotic yet interrogative. | TV game show quiz time (tick-tock) patient hypnotic | Bbm | 90 | |||
|
Exit Game [CEZ4592 - 12] |
1'40 | Thomas Didier | Suspense bed. Worrying, heavy & suspended. Synth & percussion. Ideal | anticipation patient suspense time (tick-tock) | B | 120 | ||||
|
Exit Game Alternate [CEZ4592 - 25] |
Alt. | 1'40 | Thomas Didier | Alternate no percussion. | beds TV game show quiz mysterious relentless | B | 120 | |||
|
Slug [MPMA0023 - 8] |
0 | 2'48 | Dominic Singh | Trap. Cinematic beat. Heavy, jerky, swaggering, urgent, disturbing & | heavy trap (music) urban relentless | Gbm | 125 | |||
|
Calm [MPMA0003 - 4] |
0 | 1'46 | Oliver Beard | Dreamy, uplifting, minimal orchestral and piano arrangements. | country & garden impressionism peaceful acoustic piano | Eb | 75 | |||
|
Soul Power [CEZ4555 - 7] |
0 | 1'56 | Soul Opener | 70s funk. Positive, groovy & confident. Funky drummer, bass, violins, | confident daytime TV funk groovy | Gbm | 120 | |||
|
Humping and Bumping [CEZ4555 - 10] |
0 | 2'25 | Arno Riva | Organ groove. Laid-back, groovy, second-rate & fun. Funky drummer, | blooper groovy comical confident | Gm | 102 |