| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Tragic Outcome [CEZ4186 - 28] |
0 | 2'13 | Frédéric Dunis, Bernard Grimaldi | Anguish & mysterious. Drone & strings. Build-up & climax @ 1'08. | climax tragic crescendo disturbing | Dm | 117 | |||
|
Sphere MG 02 [UBM2140 - 15] |
0 | 2'40 | Ralv Gielen | Melodic arpeggio, making progress, new device. | fx delay disturbing patient science | Dbm | 88 | |||
|
The Two-Edge Sword [CEO2027 - 26] |
0 | 1'28 | Frédéric Dunis, Bernard Grimaldi | Mysterious, threatening & violent. Orchestra, electronics, choir & | percussive aggressive & violent chaotic cinematic | Dm | 105 | |||
|
Too Late to Flee [CEO2026 - 21] |
1'17 | Gréco Casadesus | Suspens. Disturbing & interrogative. String orchestra. | insidious interrogative historical narrative string orchestra | Em | 105 | ||||
|
Too Late to Flee 2 [CEO2026 - 38] |
Alt. | 1'17 | Gréco Casadesus | Suspens. Disturbing & interrogative. String orchestra. | scary suspended atmosphere disturbing investigation | Em | 105 | |||
|
Too Late to Flee 3 [CEO2026 - 39] |
Alt. | 1'20 | Gréco Casadesus | Suspens. Disturbing & interrogative. String orchestra & timpani. | beds historical narrative calm suspended atmosphere | Em | 104 | |||
|
False Alarm [CEO2026 - 23] |
0 | 0'45 | Gréco Casadesus | Restrained & interrogative. String orchestra. | historical narrative suspended atmosphere wandering interrogative | Am | 65 | |||
|
Nacht [CEO2026 - 26] |
0 | 1'09 | Gréco Casadesus | Drone. Desolate & tense. String orchestra. | atmospheric scary disturbing suspended atmosphere | Cm | 65 | |||
|
Brain Processing [CEZ4175 - 20] |
0 | 2'33 | Emmanuel Geoffroy | Mysterious & abstract. Piano & electronics. | bustling atmospheric dark ambient fx insects | Gm | 77 | |||
|
Curiosity Kills the Cat [CEZ4176 - 12] |
2'00 | Julien Vega | Suspense. Restrained & amusing. Pizz & small instrumental ensemble. | dramedy ironical & mischievous suspended atmosphere mysterious | E | 89 | ||||
|
Curiosity Kills the Cat 2 [CEZ4176 - 17] |
Alt. | 1'58 | Julien Vega | Suspense. Restrained & amusing. Solo pizz. | pizzicato dramedy ironical & mischievous suspense | E | 89 | |||
|
Danger Most Real [CEZ4174 - 2] |
0 | 1'33 | Silvano Michelino | Nervous & disturbing. Djembe & beds. | shamanistic ethnic percussion ensemble beds natural disaster | C | 123 | |||
|
The Question of Doping [CEO2022 - 6] |
0 | 1'30 | Bruno Alexiu | Mechanical & grave. Slowing down @ 0'47. Orchestra & electronic. | jerky sport drama contemporary history investigation | Gm | 123 | |||
|
Profiler [UBM2225 - 20] |
0 | 2'50 | Axel Coon, Linus Sandberg | Impatient & suspended. Cinematic orchestra with synth & rhythm. | fx timer suspense team sport atmospheric | D | 107 | |||
|
Pharma Crime [UBM2223 - 3] |
0 | 2'27 | Anselm Kreuzer, Queens Road | Wandering then obstinate. Synth, piano & rhythm. | driving disturbing mysterious wandering | Am | 96 | |||
|
Illegal Cooking [UBM2223 - 15] |
0 | 1'23 | Anselm Kreuzer, Queens Road | Suspicious & secret. Synth, glockenspiel & rhythm. | mysterious disturbing investigation suspense | Dm | 77 | |||
|
Uncanny Danger [UBM2222 - 2] |
0 | 1'59 | Daniel Backes, Peter Moslener | Heavy & inevitable. Electric guitar, synth & rhythm. | atmospheric steady inexorable investigation | Bbm | 72 | |||
|
Bells of Ruins [UBM2222 - 3] |
0 | 1'33 | Daniel Backes, Peter Moslener | Urgent & obstinate. Electric guitar, synth & rhythm. Fx delay. | atmospheric natural disaster disturbing investigation | D | 120 | |||
|
Cold Contamination [UBM2222 - 12] |
0 | 2'06 | Daniel Backes, Peter Moslener | Intriguing & stressful. Synth & rhythm. | natural disaster horror inexorable disturbing | Em | 172 | |||
|
Pollution Impact [UBM2222 - 14] |
0 | 1'59 | Daniel Backes, Peter Moslener | Perilous & floating. Synth. | interrogative investigation suspense beds | A | 90 | |||
|
Spooky Threat [UBM2222 - 15] |
0 | 1'51 | Daniel Backes, Peter Moslener | Dark & sinister. Synth. | horror sinister atmospheric desolate | Em | 62 | |||
|
Creeping Armies [UBM2221 - 5] |
0 | 1'48 | Anselm Kreuzer, Queens Road | Percussive & warlike. Drums, synth & piano. | warlike percussive rhythmic powerful & imposing | Cm | 117 | |||
|
Darkest Room [UBM2221 - 6] |
0 | 2'16 | Anselm Kreuzer, Queens Road | Sinister & cold. Piano & synth. | inexorable wandering sinister sparse | Ab | 108 |