| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Hazy Forest [UBM2271 - 15] |
0 | 1'53 | Daniel Backes, Peter Moslener | Obscure track that creates an oppressive feeling. Ideal for dark and | nocturnal cold desert desolate suspended atmosphere | E | 110 | |||
|
Frozen Ages [UBM2271 - 20] |
0 | 2'00 | Daniel Backes, Peter Moslener | Cold, wintry sound that creates a chilly feeling. Synthesizer, | airy neutral sound design synth choir | Gbm | 83 | |||
|
Question Marks [UBM2267 - 11] |
0 | 1'45 | Karsten Lipp, Andre Matov | Synthesizer with a dripping, bright sound. Loopable. | sequencing arpeggiator weather report jerky | F | 113 | |||
|
Ticking Threat [UBM2266 - 3] |
0 | 2'16 | Achim Zweschper | Dreary, slow, dark, increasing threat. Turkish vocals, oud. | complex toxic beds fx delay | E | 117 | |||
|
Dusky India [UBM2266 - 12] |
0 | 3'02 | Achim Zweschper | Threatening, dark, dangerous. Creates suspense and fear. Percussion. | complex horror percussive beds | Gm | 88 | |||
|
Cosmic Dust [MAG6019 - 13] |
0 | 3'10 | Eddie Ladoire | Pad. Science, technology & space. Disturbing, weird & suspended. | atmospheric horror scary suspended atmosphere | Gm | 118 | |||
|
Dark Facts [UBM2251 - 6] |
0 | 2'04 | Daniel Backes, Peter Moslener | Dark and ticking sound with deep bass, good for sense of menace and | suspense crime movie disturbing investigation | Bbm | 97 | |||
|
Busy Whirl [UBM2251 - 13] |
0 | 2'15 | Daniel Backes, Peter Moslener | Technical and electronic sound like working robots. Ideal for images | steady investigation sequencing sci-fi | Cm | 123 | |||
|
Mobilisation [UBM2249 - 1] |
0 | 1'55 | Elias Cadre | Subtle serious electronic underscore for images of dark secrets. | complex sci-fi cold science | G | 122 | |||
|
Hard Times [UBM2249 - 3] |
0 | 1'59 | Elias Cadre | Frightening and dark soundtrack with electronic ticking, ideal for | sci-fi intermittent film noir disturbing | Am | 108 | |||
|
Questionable Advisor [UBM2249 - 4] |
0 | 1'48 | Elias Cadre | Electronic sound with elements of echo, characterized by modern and | abyss film noir cold mysterious | Dbm | 117 | |||
|
Shady Promotion [UBM2249 - 7] |
0 | 2'57 | Elias Cadre | Mysterious and dangerous sound with electronic ticking for images of | abyss sci-fi science complex | Bbm | 69 | |||
|
Cover Up [UBM2249 - 9] |
0 | 2'02 | Elias Cadre | Ticking drops and electronic spheres sound like images of secret | complex film noir sci-fi muffled | Bbm | 120 | |||
|
Conflict of Interests [UBM2249 - 15] |
0 | 1'44 | Elias Cadre | Dynamic, mid-tempo, loopable, electronic, snarring moments. | film noir sci-fi abyss complex | Dm | 61 | |||
|
Original Footage [UBM2258 - 10] |
0 | 1'40 | Felix Halbe | This threatful track starts with electronic sounds. The hunted is in | abyss cold disturbing complex | F | 132 | |||
|
AutobahnKirche [MAG6017 - 1] |
0 | 5'00 | Clemens Hourriere | Electronica / Ambient electro. Mysterious suspended & suspense. | electro ambient electronic score suspended atmosphere cyclic | Bb | 82 | |||
|
Dodekaeder [MAG6017 - 5] |
0 | 5'40 | David Edren | Electronica / Ambient electro. Playful, humid & organic. Analog synth. | humid modular synth electronic score steady | Dm | 64 | |||
|
Glass Light [CEZ4241 - 4] |
0 | 2'58 | Gréco Casadesus, Gregory Cotti | Interrogative & minimalist. Constant progression. Electronics. | cybernetics crystalline space interrogative | C | 124 | |||
|
Glass Fusion [CEZ4241 - 10] |
0 | 1'53 | Martin Duru, Jean-Sebastien Nouveau | Mysterious & minimalist. Electronics & glass fx. | cold desert suspended atmosphere cold luminous | F | 107 | |||
|
Fish Conversations [CEZ4241 - 16] |
0 | 2'52 | Mathias Delplanque | Minimalist & sparse. Electronics & water fx. | atmospheric sparse space fx water | Abm | 118 |