| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Collateral Effect [CET9003 - 7] |
2'29 | Baptiste Thiry | Moody intro with sudden impact evolving towards nervous & relentless | trailer cinematic spy investigation | Dm | 91 | ||||
|
Collateral Effect Without
[CET9003 - 21] |
Alt. | 2'29 | Baptiste Thiry | Moody intro with a sudden impact evolving towards nervous & | trailer cinematic suspense spy | Dm | 91 | |||
|
Stange Apocalypse [EOS24 - 3] |
0 | 2'40 | Clinton Charles, Sandy Mahut | Introspective & desolate. Acoustic guitar, synth choir, piano, | abyss social drama acoustic guitar nocturnal | D | 93 | |||
|
Far Away Invasion [EOS24 - 6] |
0 | 2'39 | Clinton Charles, Sandy Mahut | Mysterious & intriguing. Synth, bass, sound design, piano, | mysterious synthesizer electric bass desolate | Dm | 110 | |||
|
Man in the Middle [CEZ4295 - 2] |
0 | 2'19 | Thomas Didier | Trip hop / downtempo. Dark, urgent & inexorable. Synth & rhythm. | chase action movie relentless spy | Dm | 120 | |||
|
Nootropics [EOS21 - 4] |
0 | 2'47 | Samuel Tornqvist | Panoramic & cyclic. Piano, synth, sound design, chimes. | panoramic panorama patient atmospheric | Gm | 68 | |||
|
Displaced Population [CEZ4285 - 22] |
0 | 2'28 | Christophe Zurfluh | Accentuated & sad. Electronics & percussion. | historical conflict war (movies) sinister suspended atmosphere | Cm | 86 | |||
|
Rubble of War [CEZ4285 - 23] |
0 | 1'51 | Gréco Casadesus, Gregory Cotti | Drone. War sounds effects. sudden. Electronics. | muffled historical conflict war (movies) toxic | C | 60 | |||
|
Marching to Hell [CEZ4285 - 24] |
0 | 1'55 | Gréco Casadesus, Gregory Cotti | Drone. War sound effects & muffled. Electronics. | toxic historical conflict abyss noise music | Cm | 98 | |||
|
Radiation [CEZ4285 - 25] |
0 | 2'28 | Christophe Zurfluh | Drone. Chaotic, panoramic & nocturnal | toxic historical conflict noisy scary | Dm | 154 | |||
|
A Life in Hell [CEZ4285 - 26] |
2'04 | Sebastijan Duh | Powerful & infernal. Constant Crescendo. Electronics, cinematic | warlike aggressive & violent noisy historical conflict | Abm | 124 | ||||
|
A Life in Hell Alternate
[CEZ4285 - 34] |
Alt. | 1'59 | Sebastijan Duh | Powerful & infernal. Electronics & percussion. | scary aggressive & violent historical conflict horror | Abm | 124 | |||
|
Sinister Groove [UBM2271 - 7] |
0 | 1'50 | Daniel Backes, Peter Moslener | Dark track with a steady threat. Synthesizer, percussion. | disturbing synthesizer time (tick-tock) abyss | D | 130 | |||
|
Chanting Bowls [UBM2271 - 9] |
0 | 2'00 | Daniel Backes, Peter Moslener | Steady ticking and a dark, mysterious background create an ideal | suspense anticipation rumbling investigation | Dm | 64 | |||
|
Cloud Bells [UBM2271 - 11] |
0 | 1'38 | Daniel Backes, Peter Moslener | Airy, delicate track that evokes the picture of clouds going by. | arpeggiator science neutral percussive | G | 62 | |||
|
Raindrops [UBM2267 - 16] |
0 | 2'00 | Karsten Lipp, Andre Matov | Synths imitates falling drops. A beautiful, bright track, ideal for | weather report dreamy arpeggiator complex | Gm | 105 | |||
|
Mysterious Choir [UBM2266 - 10] |
0 | 3'17 | Achim Zweschper | Sinister, creepy, daunting. Ideal for impressive images and scenes. | synth choir drone complex mysterious | D | 88 | |||
|
The Enemy Approaches [UBM2266 - 23] |
0 | 2'09 | Achim Zweschper | Fearful, dark, strained. The enemy approaches. Hopeless. | beds scary horror abyss | G | 84 | |||
|
Pure Hatred [UBM2266 - 24] |
0 | 3'11 | Achim Zweschper | Hateful, gloomy, dangerous. Ideal for images of war and destruction. | desolate beds horror disturbing | C | 100 | |||
|
Underground Echoes [EOS20 - 1] |
0 | 3'43 | Anthony Mowat, Olivier Samouillan | Mysterious & strange. Sequencing, synth, electronic percussion, bass, | investigation mysterious crime movie disturbing | B | 86 | |||
|
Down at the Station [EOS20 - 5] |
0 | 2'23 | Anthony Mowat | Urban & mysterious. Sequencing, synth, electronic percussion. | investigation urban film noir crime movie | Db | 72 | |||
|
Ticking Tingle [UBM2251 - 2] |
0 | 2'11 | Daniel Backes, Peter Moslener | Warm sound of xylophone, ideal for images of citylife: structured, | crime movie investigation time (tick-tock) steady | Dm | 64 |