| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Replacing [UBM2570 - 12] |
0 | 1'27 | Christoph Lienemann | Ticking hi-hats and bell-like sounds create the perfect soundscape | mysterious urban landscape trap (music) cyclic | B | 153 | |||
|
Turn Back Time [UBM2570 - 15] |
0 | 2'03 | Christoph Lienemann | Ticking track for investigative journalism and thought-provoking | social drama investigation time (tick-tock) trap (music) | Dm | 140 | |||
|
Knuckle Down [UBM2570 - 16] |
0 | 1'46 | Christoph Lienemann | The phrase "knuckle down" means to commit yourself seriously and | original score investigation mechanical mysterious | Cm | 120 | |||
|
Newsflash [UBM2559 - 1] |
0 | 2'04 | Axel Coon, Ralf Goebel | Breaking news: Brought to you brisk and piping hot. Stay tuned for | breaking news urgent anticipation cinematic | Bm | 86 | |||
|
Hidden Agenda [UBM2559 - 2] |
0 | 1'56 | Axel Coon, Ralf Goebel | Turn by turn, powerful international players are moving their troops | patient beds steady legal drama | Em | 144 | |||
|
Dark Revelations [UBM2559 - 4] |
0 | 1'34 | Axel Coon, Ralf Goebel | Shadow men, their minions and their sinister machinations: | politics steady legal drama anticipation | G | 90 | |||
|
Cracking The Code [UBM2559 - 7] |
0 | 2'02 | Axel Coon, Ralf Goebel | Click by click: Armed with a stethoscope, a safecracker carefully | legal drama anticipation steady cold | Gm | 84 | |||
|
Expose The Lies [UBM2559 - 10] |
0 | 2'02 | Axel Coon, Ralf Goebel | Nothing but lies: Like the mycelium of a fungal organism, a dense web | suspense disturbing mysterious sparse | Gm | 86 | |||
|
Top Story [UBM2559 - 11] |
0 | 1'48 | Axel Coon, Ralf Goebel | Top news items subject to an embargo period are the family silver of | anticipation steady investigation relentless | C | 164 | |||
|
Part Of Me [CEZ4645 - 8] |
3'57 | Iain Harper | Future garage. Shimmering, relaxed & disjointed. Chopped vocals, | future garage urban landscape urban mysterious | Bb | 130 | ||||
|
Part Of Me Alternate [CEZ4645 - 70] |
Alt. | 3'57 | Iain Harper | No main vocals version | future garage urban landscape urban mysterious | Bbm | 130 | |||
|
Part Of Me Edit 1 (15 sec) [CEZ4645 - 71] |
Alt. | 0'15 | Iain Harper | 15 seconds cut | future garage urban landscape urban mysterious | Fm | 130 | |||
|
Part Of Me Edit 2 (15 sec
[CEZ4645 - 72] |
Alt. | 0'15 | Iain Harper | 15 seconds no main vocals cut | future garage urban landscape urban mysterious | Fm | 130 | |||
|
Part Of Me Edit 3 (30 sec) [CEZ4645 - 73] |
Alt. | 0'30 | Iain Harper | 30 seconds cut | future garage urban landscape urban mysterious | Bbm | 130 | |||
|
Part Of Me Edit 4 (30 sec
[CEZ4645 - 74] |
Alt. | 0'30 | Iain Harper | 30 seconds no main vocals cut | future garage urban landscape urban mysterious | Bbm | 130 | |||
|
Part Of Me Edit 5 (60 sec) [CEZ4645 - 75] |
Alt. | 1'00 | Iain Harper | 60 seconds cut | future garage urban landscape urban mysterious | Bbm | 130 | |||
|
Part Of Me Edit 6 (60 sec
[CEZ4645 - 76] |
Alt. | 1'00 | Iain Harper | 60 seconds no main vocals cut | future garage urban landscape urban mysterious | Bbm | 130 | |||
|
Part Of Me Edit 7 (sting) [CEZ4645 - 77] |
Alt. | 0'07 | Iain Harper | No main vocals sting | future garage urban landscape urban mysterious | Fm | 73 | |||
|
Part Of Me Edit 8 (sting
[CEZ4645 - 78] |
Alt. | 0'07 | Iain Harper | Sting | future garage urban landscape urban mysterious | Fm | 73 | |||
|
Advanced Diagnostics [UBM2468 - 9] |
0 | 1'48 | Daniel Backes, Peter Moslener | With the help of new technologies, new forms of diagnostics and | science interrogative strict driving | Abm | 124 | |||
|
Misdiagnosis [UBM2468 - 14] |
0 | 2'01 | Daniel Backes, Peter Moslener | A diagnosis can be confusing. Medical terminology, contradictory | anticipation science investigation clumsy | Ebm | 167 | |||
|
Empathic Healing [UBM2468 - 15] |
0 | 1'50 | Daniel Backes, Peter Moslener | The human psyche fascinates researchers and individuals alike. This | medecine atmospheric anticipation interrogative | Dbm | 104 | |||
|
Chemical Rush [CEZ4641 - 3] |
3'05 | Apollo Noir | Ambient electro, analog horror. Disturbing, insistant & psychotic | experimental electro disturbing weird hypnotic | C | 120 | ||||
|
Chemical Rush Alternate [CEZ4641 - 13] |
Alt. | 2'36 | Apollo Noir | Alternate ambient. | disturbing weird hypnotic toxic | C | 120 | |||
|
Enchanted Rickshaw [CEC8057 - 4] |
2'41 | Bo Tian | Tragicomic. Fun, whimsical, restrained & narrative. Pizzicato, bass, | steady dramedy tragi-comic animation & cartoons | Em | 102 | ||||
|
Enchanted Rickshaw Alternate [CEC8057 - 14] |
Alt. | 2'40 | Bo Tian | Version without percussion | steady dramedy tragi-comic animation & cartoons | Em | 102 | |||
|
Boutique Shop [AMS5039 - 4] |
1'55 | Ilan Kunik | Jazzy dramedy. Stealthy, laidback & elegant. Intro with finger snaps | cinematic jazz daytime TV interrogative funny | Em | 125 | ||||
|
Boutique Shop Alternate 1 [AMS5039 - 29] |
Alt. | 1'55 | Ilan Kunik | No percussion version | cinematic jazz daytime TV interrogative funny | Em | 124 | |||
|
Boutique Shop Alternate 2 [AMS5039 - 30] |
Alt. | 1'55 | Ilan Kunik | Percussion only version | cinematic jazz daytime TV interrogative funny | Abm | 125 | |||
|
Boutique Shop Alternate 3 [AMS5039 - 31] |
Alt. | 1'55 | Ilan Kunik | Bed | cinematic jazz daytime TV interrogative funny | Em | 125 | |||
|
Boutique Shop Alternate 4 [AMS5039 - 32] |
Alt. | 1'55 | Ilan Kunik | Underscore | cinematic jazz daytime TV interrogative funny | Em | 125 | |||
|
Boutique Shop Alternate 5 [AMS5039 - 33] |
Alt. | 0'30 | Ilan Kunik | 30 seconds cut | cinematic jazz daytime TV interrogative funny | Em | 124 | |||
|
Boutique Shop Alternate 6 [AMS5039 - 34] |
Alt. | 0'15 | Ilan Kunik | 15 seconds cut | cinematic jazz daytime TV interrogative funny | Em | 125 | |||
|
Perilous Descent [AUD041 - 5] |
2'16 | Lee Volfoni | Electronic score. Weird, dark & malefic. Electronics & synth pads. A | electronic score inexorable suspense scary | Cm | 90 | ||||
|
Perilous Descent Alternate 1 [AUD041 - 10] |
Alt. | 0'32 | Lee Volfoni | Short edit | electronic score inexorable suspense scary | Bm | 90 | |||
|
Perilous Descent Alternate 2 [AUD041 - 15] |
Alt. | 2'16 | Lee Volfoni | Alternative version | electronic score inexorable suspense scary | Cm | 101 | |||
|
Nebelehk [AUD040 - 2] |
2'24 | Matthieu Rabaté | Zeuhl / Prog Rock. Confident, continuous & swaying. Rhodes, Moog & | relentless progressive rock ufo 1970 | Fm | 132 | ||||
|
Nebelehk (Short Edit) [AUD040 - 7] |
Alt. | 0'35 | Matthieu Rabaté | Short edit | relentless progressive rock ufo 1970 | Fm | 132 | |||
|
Nebelehk (No Theme) [AUD040 - 12] |
Alt. | 2'24 | Matthieu Rabaté | No theme version | relentless progressive rock ufo 1970 | Fm | 132 | |||
|
The Law of Chance [CEC8056 - 7] |
3'17 | Pei Zhao, Haojie Zheng | Electronic score. Ethereal, mellow & shimmering. Spacey intro with | anticipation hypnotic downtempo spy | Bm | 150 | ||||
|
The Law of Chance Edit 1 (60
[CEC8056 - 37] |
Alt. | 1'00 | Pei Zhao, Haojie Zheng | 60 second cut | anticipation hypnotic downtempo spy | Bm | 150 | |||
|
The Law of Chance Edit 2 (30
[CEC8056 - 38] |
Alt. | 0'30 | Pei Zhao, Haojie Zheng | 30 second cut | anticipation hypnotic downtempo spy | Bm | 150 | |||
|
The Law of Chance Edit 3 (15
[CEC8056 - 39] |
Alt. | 0'15 | Pei Zhao, Haojie Zheng | 15 second cut | anticipation hypnotic downtempo spy | Bm | 149 | |||
|
Midnight Escape [CEC8054 - 3] |
2'38 | Zhang Hao, Peng Qu | Mysterious, then determined & proud @ 1'14. Bass synth, arpeggiator, | crime movie cinematic powerful & imposing climax | G | 130 | ||||
|
Midnight Escape Edit 1 (60
[CEC8054 - 17] |
Alt. | 1'00 | Zhang Hao, Peng Qu | 60 second cut | crime movie cinematic powerful & imposing climax | G | 130 | |||
|
Midnight Escape Edit 2 (60
[CEC8054 - 18] |
Alt. | 1'00 | Zhang Hao, Peng Qu | 60 second cut | crime movie cinematic powerful & imposing climax | G | 86 | |||
|
Midnight Escape Edit 3 (30
[CEC8054 - 19] |
Alt. | 0'30 | Zhang Hao, Peng Qu | 30 second cut | crime movie cinematic powerful & imposing climax | G | 130 | |||
|
Midnight Escape Edit 4 (30
[CEC8054 - 20] |
Alt. | 0'30 | Zhang Hao, Peng Qu | 30 second cut | crime movie cinematic powerful & imposing climax | G | 86 | |||
|
Midnight Escape Edit 5 (15
[CEC8054 - 21] |
Alt. | 0'15 | Zhang Hao, Peng Qu | 15 second cut | crime movie cinematic powerful & imposing climax | G | 130 | |||
|
Midnight Escape Edit 6 (15
[CEC8054 - 22] |
Alt. | 0'15 | Zhang Hao, Peng Qu | 15 second cut | crime movie cinematic powerful & imposing climax | G | 86 |