| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Vital Diagnostic [EOS22 - 13] |
0 | 2'09 | Eric Volpatti | Sound design. Inevitable, suspended & tragic. Piano & electronics. | social drama suspended atmosphere inexorable acoustic piano | C | 81 | |||
|
Un Jour comme une Vie [CEO2045 - 1] |
0 | 2'06 | Alice Guerlot Kourouklis | Melancholic, weird & cyclic. Organs, harmonium & strings. | arts & crafts contemporary series cyclic melancholic | C | 130 | |||
|
The Wire [CEZ4295 - 9] |
0 | 1'32 | Emmanuel Rousseau | Electro. Organic, sinuous & mysterious. Synth, electric guitar & | spy investigation disturbing suspense | Em | 120 | |||
|
The Social Ladder [CEO2041 - 11] |
3'10 | Selma Mutal | Delicate, emotional & feminine. Keyboards & electronics. | crystalline social drama delicate introspective | Dm | 84 | ||||
|
The Social Ladder 2 [CEO2041 - 16] |
Alt. | 1'34 | Selma Mutal | Interrogative & melancholic. Electronics. | social drama delicate feminine introspective | Dbm | 87 | |||
|
Marching to Hell [CEZ4285 - 24] |
0 | 1'55 | Gréco Casadesus, Gregory Cotti | Drone. War sound effects & muffled. Electronics. | toxic historical conflict abyss noise music | Cm | 98 | |||
|
Radiation [CEZ4285 - 25] |
0 | 2'28 | Christophe Zurfluh | Drone. Chaotic, panoramic & nocturnal | toxic historical conflict noisy scary | Dm | 154 | |||
|
Bitter Facts [UBM2271 - 16] |
0 | 1'42 | Daniel Backes, Peter Moslener | Steady ticking creates a creepy vibe combined with dark tunes. Eerie. | slow motion airy neutral sound design | Cm | 73 | |||
|
Frozen Bliss [UBM2270 - 24] |
0 | 2'25 | Daniel Backes, Peter Moslener | Chilly sound, neutral and calm. Marimba, piano. | steady neutral patient acoustic piano | F | 100 | |||
|
Manhatten Transfer [UBM2267 - 1] |
0 | 1'50 | Karsten Lipp, Andre Matov | Track with ticking sound, synthesizer, sound effects. Loopable, deep, | spy mysterious electronic percussion police comedy | Cm | 113 | |||
|
Tokyo Exibition [UBM2267 - 7] |
0 | 2'11 | Karsten Lipp, Andre Matov | Percussive and mysterious track with marimba, bass and synthesizer. | marimba patient polyrhythms everyday life | Bb | 99 | |||
|
Raindrops [UBM2267 - 16] |
0 | 2'00 | Karsten Lipp, Andre Matov | Synths imitates falling drops. A beautiful, bright track, ideal for | weather report dreamy arpeggiator complex | Gm | 105 | |||
|
Half-Pipe Contest [CEZ4271 - 6] |
0 | 2'46 | Medical Kit | Dubstep. Heavy, percussive & glitchy. Synth & rhythm. | dubstep street sports extreme & fighting sport rhythmic | Fm | 142 | |||
|
Busy Things [UBM2251 - 4] |
0 | 2'16 | Daniel Backes, Peter Moslener | Fast ticking track, loopable, suitable for images of rational | arpeggiator sci-fi disturbing investigation | Dm | 105 | |||
|
Busy Week [UBM2251 - 11] |
0 | 1'52 | Daniel Backes, Peter Moslener | Busy track with fast synthesizer, hectic, fast, positive and dynamic. | arpeggiator loop steady retrogaming | Am | 127 | |||
|
Busy Whirl [UBM2251 - 13] |
0 | 2'15 | Daniel Backes, Peter Moslener | Technical and electronic sound like working robots. Ideal for images | steady investigation sequencing sci-fi | Cm | 123 | |||
|
Flowered Flow [UBM2251 - 15] |
0 | 1'57 | Daniel Backes, Peter Moslener | Fast, atmospheric track with synthesizer and electric guitar, | atmospheric science sound design arpeggiator | Db | 133 | |||
|
Turnable [UBM2251 - 20] |
0 | 2'20 | Daniel Backes, Peter Moslener | Fast and driving rhythm determined by synthesizer. Time is ticking. | disturbing loop steady industry | D | 76 | |||
|
Mobilisation [UBM2249 - 1] |
0 | 1'55 | Elias Cadre | Subtle serious electronic underscore for images of dark secrets. | complex sci-fi cold science | G | 122 | |||
|
Suspicion [UBM2249 - 2] |
0 | 2'34 | Elias Cadre | Minimal and modern electronic elements for images of digital | complex sci-fi film noir unstable | Bbm | 151 | |||
|
Hard Times [UBM2249 - 3] |
0 | 1'59 | Elias Cadre | Frightening and dark soundtrack with electronic ticking, ideal for | sci-fi intermittent film noir disturbing | Am | 108 |