| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Yevorekhekho [UBM2273 - 2] |
0 | 1'46 | David Bernbach, Traditional | Slowly developing melody, dramatic increase, solemnly sustained | Yiddish acoustic piano Israel strict | Dm | 166 | |||
|
Notturno [UBM2250 - 6] |
0 | 1'49 | Andrea Gattico | Slow oboe and piano creates a nocturnal atmosphere. Pensive and | nocturnal Italian cinema oboe introspective | Bb | 124 | |||
|
Sound of Sorrow [UBM2271 - 4] |
0 | 1'47 | Daniel Backes, Peter Moslener | Dramatic track, that still conveys hope. Piano, strings. | patient acoustic piano arpeggio cyclic | Gm | 66 | |||
|
Mystic Castle [UBM2271 - 5] |
0 | 2'56 | Daniel Backes, Peter Moslener | Mysterious track that fits any abandoned place with a majestic touch. | airy neutral dreamy sparse | D | 136 | |||
|
Chanting Bowls [UBM2271 - 9] |
0 | 2'00 | Daniel Backes, Peter Moslener | Steady ticking and a dark, mysterious background create an ideal | suspense anticipation rumbling investigation | Dm | 64 | |||
|
Comic Tap Dance [UBM2264 - 4] |
0 | 0'43 | Daniel Backes, Peter Moslener | Banjo and hoof-like claps for Western-themed images. | animation & cartoons comedy funny animals funny | G | 122 | |||
|
Pyramid Station [EOS20 - 8] |
0 | 2'08 | Anthony Mowat | Nocturnal & intriguing. Drums, bass, synth, electric guitar. | electric guitar nocturnal drums disturbing | Am | 88 | |||
|
Academism [CEZ4281 - 12] |
0 | 2'10 | Marc-Olivier Dupin | Slow waltz. Old-fashionned & casual. Clarinet & piano duet. | 19th century arts intimate romantic music | Fm | 65 | |||
|
Busy Whirl [UBM2251 - 13] |
0 | 2'15 | Daniel Backes, Peter Moslener | Technical and electronic sound like working robots. Ideal for images | steady investigation sequencing sci-fi | Cm | 123 | |||
|
No Time Like the Present [UBM2248 - 16] |
0 | 1'24 | Luke Davoll | Fast tempo, energetic, solo piano, works good for quick cuts, fast | arpeggio whirling industry cyclic | C | 140 | |||
|
Dark Business [UBM2258 - 15] |
0 | 1'24 | Felix Halbe | Epic track, loopable with synthesizer. | suspense disturbing arpeggiator steady | D | 100 | |||
|
Mi Ron [CEZ4233 - 6] |
1'36 | Pana Black, Sr Ortegon | Explicit language. Hip hop & Cuban son mix sung in Spanish. Urban, Lyrics | sung in Spanish Cuba danceable swaying | Cm | 135 | ||||
|
Mi Ron Underscore [CEZ4233 - 19] |
Alt. | 1'32 | Pana Black, Sr Ortegon | Hip hop & Cuban son mix. Urban, exotic & nocturnal. Latin percussion, | Cuba danceable swaying exotic | Cm | 135 | |||
|
Amazing [UBM2234 - 3] |
0 | 3'01 | Axel Coon, Linus Sandberg | Imposing & nocturnal. Synth, electronic percussion, electronics. | electronic percussion powerful & imposing synthesizer danceable | Bbm | 172 | |||
|
Dark Pole [UBM2205 - 16] |
0 | 1'35 | Daniel Backes, Peter Moslener | Nocturnal & neutral. Electronic percussion, synth. | steady neutral nocturnal science | Em | 96 | |||
|
A Fairytale [UBM2201 - 6] |
0 | 2'35 | Reinhard Schaub | Sentimental & intimate. String section, violin, harp, Rhodes, | sentimental intimate romantic music romantic | Bb | 82 | |||
|
Alaska - Yukon [UBM2246 - 10] |
0 | 1'50 | Karsten Lipp, Andre Matov | Echoing lone guitar notes create an atmosphere of loneliness, | desolate suspended atmosphere sci-fi atmospheric | Em | 108 | |||
|
Displaced People [UBM2244 - 4] |
0 | 2'26 | Tony Delmonte, Anselm Kreuzer | Troubled & abstract. Underscore. Strings, piano. | complex natural disaster social drama suspended atmosphere | Em | 90 | |||
|
Undoubted Winner [UBM2243 - 11] |
0 | 2'30 | Anselm Kreuzer | Triumphant & epic. Cinematic orchestra. String section, percussion, | adventure cinematic climax cinematic orchestra | D | 140 | |||
|
Fausta's Theme [CEO2033 - 3] |
0 | 1'39 | Selma Mutal | Expectating & panoramic. Piano & guitar. | suspended atmosphere geopolitics steady sparse | Bbm | 90 | |||
|
Ederly (Opening) [CEO2032 - 2] |
1'46 | Selma Mutal | Arid, wandering & introspective. Piano, cymbalo, electronics & | atmospheric desolate introspective undulating | Fm | 93 | ||||
|
Ederly (Opening 2) [CEO2032 - 10] |
Alt. | 2'31 | Selma Mutal | Waving, desolate & introspective. Piano, cymbalo, glass harmonica & | atmospheric desolate introspective undulating | Fm | 90 |