| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Le Long de la Seine [CCB1025 - 5] |
0 | 4'47 | Renaud Garcia-Fons | Nostalgic & introspective Parisian ballad. Double-bass, vibes & | bowed double bass French retro comedy jamming melancholic | Gm | 88 | |||
|
Nothing to Lose [CEO2041 - 6] |
0 | 1'10 | Selma Mutal | Melancholic, intimate & tender. Piano, cello & electronics. | melancholic social drama intimate contemporary series | F | 138 | |||
|
No Time no Fear [CEO2041 - 10] |
0 | 1'23 | Selma Mutal | Urgent, obstinate but moving. Piano, guitar, shaker & marimba. | social drama French cinema relentless moving | Gbm | 145 | |||
|
A Strange Traveller [EOS20 - 7] |
0 | 3'22 | Anthony Mowat | Patient & rhythmic. Drums, bass, synth, electric guitar. | film noir neutral drums steady | Dm | 162 | |||
|
A Stranger Traveller [EOS20 - 15] |
0 | 3'28 | Anthony Mowat | Patient & rhythmic. Drums, bass, synth, electric guitar. | film noir drums steady investigation | Dm | 162 | |||
|
The Explosion of Forms [CEZ4281 - 25] |
0 | 1'52 | Marc-Olivier Dupin | Abstract & sudden. Alto sax, piano & percussion. | arty contemporary jazz complex film noir | A | 100 | |||
|
Weegee's New-York Street [CEZ4281 - 32] |
0 | 1'09 | Marc-Olivier Dupin | Sad & wandering. Tenor sax, piano & cymbals. | wandering film noir 1950 crime movie | Bb | 106 | |||
|
No Half Stepping [CEZ4278 - 11] |
0 | 2'24 | Gabriel Saban, Philippe Briand | Urban drama. Frightning & dark. Synth, cinematic string & hip hop | cinematic beat social drama sinister disturbing | Cm | 120 | |||
|
Curtains Up [CEZ4268 - 1] |
1'57 | Laurent Couson | Opening. Joyful & lively. Soft & tender @ 1'16. Brass band, piano & | retro cabaret introduction variety orchestra circus music | Am | 150 | ||||
|
Curtains Up 2 [CEZ4268 - 10] |
Alt. | 0'53 | Laurent Couson | Jazz opening. Joyful & lively. Piano, strings & drums. | retro cabaret introduction revue 1930 | Dm | 110 | |||
|
Curtains Up 3 [CEZ4268 - 11] |
Alt. | 1'15 | Laurent Couson | Jazz opening. Joyful & lively. Jazz guitar, strings & drums. | introduction revue variety orchestra retro cinema | Dm | 110 | |||
|
Curtains Up 4 [CEZ4268 - 12] |
Alt. | 0'46 | Laurent Couson | Tender & sentimental. Woodwind ensemble & piano. | revue 1930 retro cinema old-fashioned | F | 101 | |||
|
Into the Ring [CEZ4268 - 2] |
0 | 2'06 | Laurent Couson | Opening. Joyful & lively. Brass band & rhythm. | retro cabaret introduction variety orchestra circus music | Am | 120 | |||
|
Pierrot and Colombine [CEZ4268 - 9] |
0 | 1'04 | Laurent Couson | Tender & melancholic. Clarinet & piano. | 1930 retro cabaret old-fashioned romantic | Fm | 72 | |||
|
Sunset on Happiness [CEZ4267 - 12] |
0 | 3'57 | Laurent Couson | Melancholic & moving. Clarinet, oboe, solo violin à 3'07 & strings. | romantic sentimental destiny hollywood classic | A | 61 | |||
|
What Makes Him Tick [UBM2249 - 12] |
0 | 2'36 | Elias Cadre | Threatening, criminal, thrilling, frightening, dark sound for secret | complex film noir sci-fi abyss | Bm | 104 | |||
|
Signals From Underground [UBM2249 - 14] |
0 | 1'49 | Elias Cadre | Technical, snarring, threatening, loopable electronic spheres for | sci-fi film noir abyss complex | Ab | 112 | |||
|
The Burden [UBM2262 - 6] |
0 | 2'18 | Anselm Kreuzer, Sebastian Parche | Track that works for images of dramatic strokes of fate and stressful | film noir disturbing mysterious desolate | Em | 100 | |||
|
Dull Skies [UBM2260 - 10] |
0 | 2'41 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Deep and slow strings create a profound atmosphere of threat or a | film noir disturbing mysterious string orchestra | Cm | 102 | |||
|
Insatisfaction Personnelle [CEO2037 - 10] |
0 | 1'16 | Baptiste Thiry | Melancholic & solitary. String orchestra & piano. | romantic sentimental calm French cinema | Bb | 114 | |||
|
D' Amour en Amour [CEO2037 - 14] |
0 | 1'22 | Baptiste Thiry | Interrogative & pensive. French movies from the 60's. Organ, strings | France sentimental 1970 French cinema | Gm | 100 | |||
|
Bardot Amoureuse Final [CEO2037 - 16] |
0 | 1'51 | Baptiste Thiry | Tender & melancholic. Piano, acoustic guitar & symphony orchestra. | intimate French cinema peaceful patient | Am | 102 | |||
|
Cuban Café [CEZ4258 - 9] |
0 | 1'34 | Señor Ortegón & his Orchestra | Neo-retro cha cha cha. Relax & smiley. Organ, keyboards, acoustic & | cha cha cha funny interiors & cooking 1950 | E | 130 |