| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dualistic Anomaly [CEZ4157 - 9] |
0 | 4'11 | Morgan Sansous | Epic & fighting. Neo Metal. Builds up gradually. | djent metal introduction relentless powerful & imposing | Em | 141 | |||
|
Rock Therapy [CEZ4162 - 3] |
1'57 | Mark Alberts | Solid & catchy classic rock. Rock band. | rock'n'roll riff 1960 catchy | Gm | 164 | ||||
|
Rock Therapy 2 [CEZ4162 - 21] |
Alt. | 1'57 | Mark Alberts | Solid & catchy classic rock. Rock band with male backup vocals. | riff 1960 catchy lively | Gm | 165 | |||
|
Feel Good [CEZ4162 - 9] |
0 | 2'28 | Mark Alberts | Urgent & determined. Rock band. | driving band extreme & fighting sport daytime TV | Am | 117 | |||
|
Street Balls of Fire [EOS12 - 2] |
1'43 | Mathieu Harlaut | Driving & obstinate. Electronics & rhythm. | team sport driving intermittent open air | Gm | 124 | ||||
|
Street Balls of Fire 2 [EOS12 - 10] |
Alt. | 0'08 | Mathieu Harlaut | Loop. Patient. Electronics, electric guitar & rhythm. | loop driving electric guitar instrumental | Bb | 128 | |||
|
Street Balls of Fire 3 [EOS12 - 11] |
Alt. | 0'04 | Mathieu Harlaut | Loop. Obstinate. Rhythm. | extreme & fighting sport loop driving instrumental | Bbm | 126 | |||
|
Street Balls of Fire 4 [EOS12 - 12] |
Alt. | 0'04 | Mathieu Harlaut | Loop. Triumphant. Synth. | loop driving instrumental medium | Dm | 164 | |||
|
Street Balls of Fire 5 [EOS12 - 13] |
Alt. | 0'02 | Mathieu Harlaut | Loop. Triumphant. Synth & electric piano. | loop instrumental medium undulating | Dm | 167 | |||
|
Street Balls of Fire 6 [EOS12 - 14] |
Alt. | 0'02 | Mathieu Harlaut | Loop. Jerky. Electric guitar & rhythm. | loop lively electric guitar instrumental | Ebm | 123 | |||
|
Street Balls of Fire 7 [EOS12 - 15] |
Alt. | 0'03 | Mathieu Harlaut | One shot. Sudden. Electric piano & rhythm. | sting lively corporate video instrumental | F | 131 | |||
|
Street Balls of Fire 8 [EOS12 - 16] |
Alt. | 0'15 | Mathieu Harlaut | Loop. Triumphant. Synth, electric piano & rhythm. | loop driving intermittent uplifting | Gm | 126 | |||
|
Ring Road [CEZ4139 - 2] |
2'36 | Mark Alberts | Inexorable & nocturnal. Electric guitar, e-bow, pads & drums. | sport drama cinematic distorted electric guitar powerful & imposing | Bm | 153 | ||||
|
Ring Road 2 [CEZ4139 - 20] |
Alt. | 1'55 | Mark Alberts | Indie rock. Inexorable & aery. Choirs, piano, electric guitar & drums. | synth choir atmospheric cinematic social drama | Bm | 77 | |||
|
Ring Road 3 [CEZ4139 - 21] |
Alt. | 0'11 | Mark Alberts | Sting. Resolute. Choirs & piano. | sting synth choir instrumental interrogative | Bm | 104 | |||
|
Ring Road 4 [CEZ4139 - 22] |
Alt. | 0'12 | Mark Alberts | Sting. Obstinate. Electric guitar & choirs. | sting synth choir distorted electric guitar instrumental | Bm | 97 | |||
|
Ring Road 5 [CEZ4139 - 23] |
Alt. | 0'15 | Mark Alberts | Link. Resolute. Choirs, piano & electric guitar. | link synth choir distorted electric guitar instrumental | Bm | 145 | |||
|
Never Too Late [CEZ4126 - 11] |
0 | 1'04 | Arnaud de Boisfleury | Lively & tense. Electronics, rhythm & fx chronometer. 132 BPM. | time (tick-tock) urgent fx stopwatch disturbing | Am | 132 | |||
|
Suburban Riots [UBM2192 - 2] |
0 | 2'41 | Reinhard Schaub | Agressive, forceful, incisive rock beats. | heavy metal distorted electric guitar extreme & fighting sport horror | Dm | 89 | |||
|
New Danger [UBM2192 - 7] |
0 | 2'58 | Reinhard Schaub | Tough, angry, percussive, growing heavy. | percussive extreme & fighting sport action movie fx distorsion | Dbm | 115 | |||
|
Hot Rod Race [CEZ4098 - 7] |
0 | 1'37 | Mark Alberts | Garage Rock. Punchy & determined. Garage band. | driving lively garage rock electric guitar | A | 156 | |||
|
Explorer Team [UBM2145 - 5] |
0 | 2'04 | Daniel Backes, Peter Moslener | Low atmosphere & percussive accents speeding up. | sport drama beds atmospheric drone | Ebm | 131 | |||
|
Quantum Wires [UBM2125 - 3] |
0 | 2'21 | Josef Bach, Arne Schumann | Synth layers build into ambient groove. | electro ambient mechanical sport fashion extreme & fighting sport | Ebm | 123 | |||
|
Cul-De-Sac [CEZ4092 - 27] |
2'16 | Hoosky | Mysterious & uneasy. Steady beat with hand-claps & deep synth bass | abstract hip-hop investigation sport drama urban landscape | C | 88 | ||||
|
Cul-De-Sac (Voice Edit) [CEZ4092 - 38] |
Alt. | 2'20 | Hoosky | Dark & haunting. Outro. Synth, samples, pitched voices & rhythm. | abyss muffled hypnotic relentless | C | 88 | |||
|
Vertigo [CEV3012 - 2] |
0 | 4'46 | Jimmy Delsart | Tech House. Voice fx. Break @ 1'44 & 2'33. | club danceable fx sequencing | Bbm | 125 | |||
|
Fashion Girls [CEV3012 - 3] |
0 | 4'22 | Jimmy Delsart | Catchy Tech House. Festive voice fx. Break @ 2'10 & 3'12. | sequencing club sample danceable | Ebm | 128 | |||
|
Raid Round Up [CEZ4056 - 19] |
0 | 2'05 | Nicolas Mizrachi, Jean-Francois Morin | Aggressive & harsh. Big bass & drum loops with synth & guitar washes. | action movie urban landscape psychotic relentless | Em | 100 | |||
|
40 Foot semi-truck [CEZ4054 - 9] |
0 | 2'10 | Nicolas Mizrachi, Jean-Francois Morin | Restless & powerful. Heavy guitars over syncopated groove. | action movie proud fx distorsion garage rock | E | 90 | |||
|
Little Thingy [SUPRA028 - 2] |
2'33 | 130 BPM. Electro House, UK House. From cristallin & circling steel | electronic percussion synthesizer main version rhythm section | 130 | ||||||
|
Little Thingy (Instrumental
[SUPRA028 - 194] |
Alt. | 2'33 | 130 BPM. Electro House, UK House. From a cristallin & circling steel | electronic percussion synthesizer main version rhythm section | 130 | |||||
|
Little Thingy (60 Second edit) [SUPRA028 - 194] |
Alt. | 1'00 | 130 BPM. Electro House, UK House. From a cristallin & circling steel | electronic percussion synthesizer main version confident | 130 | |||||
|
Little Thingy (30 Second edit) [SUPRA028 - 194] |
Alt. | 0'30 | 130 BPM. Electro House, UK House. From a cristallin & circling steel | lively electronic percussion synthesizer main version | 130 | |||||
|
Passionate Desire [SUPRA028 - 4] |
3'07 | 116 BPM. Electro UK Garage. Fresh, ample & fluffy synths pads hook, | synthesizer electronic percussion rhythm section main version | 116 | ||||||
|
Passionate Desire (Underscore
[SUPRA028 - 194] |
Alt. | 3'06 | 116 BPM. Electro UK Garage. Fresh, ample & fluffy synths pads hook, | electronic percussion rhythm section synthesizer main version | 116 | |||||
|
Passionate Desire (60 Second
[SUPRA028 - 194] |
Alt. | 1'00 | 116 BPM. Electro UK Garage. Fresh, ample & fluffy synths pads hook, | synthesizer main version driving relentless | 116 | |||||
|
Passionate Desire (30 Second
[SUPRA028 - 194] |
Alt. | 0'30 | 116 BPM. Electro UK Garage. Fresh, ample & fluffy synths pads hook, | synthesizer confident electronic percussion rhythm section | 116 | |||||
|
Dopamine [SUPRA028 - 5] |
3'14 | Desmond Myers | 66 BPM. UK, 2-step Garage electro beat. Led by male vocals, | electronic percussion synthesizer rhythm section urban | 132 | |||||
|
Dopamine (Instrumental
[SUPRA028 - 194] |
Alt. | 3'14 | Desmond Myers | 66 BPM. UK, 2-step Garage electro beat. Driven continuous-like by a | electronic percussion synthesizer urban urban landscape | 132 | ||||
|
Dopamine (60 Second edit) [SUPRA028 - 194] |
Alt. | 1'00 | Desmond Myers | 66 BPM. UK, 2-step Garage electro beat. Led by male vocals, | electronic percussion synthesizer urban landscape rhythm section | 132 | ||||
|
Dopamine (30 Second edit) [SUPRA028 - 194] |
Alt. | 0'30 | Desmond Myers | 66 BPM. UK, 2-step Garage electro beat. Led by male vocals, | electronic percussion synthesizer rhythm section urban | 132 | ||||
|
The Reason Why [SUPRA028 - 12] |
2'21 | 125 BPM. Electro House, UK Garage, Deep house. Clubbing, summer | electronic percussion rhythm section synthesizer urban | 125 | ||||||
|
The Reason Why (Underscore
[SUPRA028 - 194] |
Alt. | 2'21 | 125 BPM. Electro House, UK Garage, Deep house. Clubbing, summer | electronic percussion rhythm section synthesizer urban | 125 | |||||
|
The Reason Why (60 Second
[SUPRA028 - 194] |
Alt. | 1'00 | 125 BPM. Electro House, UK Garage, Deep house. Clubbing, summer | electronic percussion rhythm section synthesizer main version | 125 | |||||
|
The Reason Why (30 Second
[SUPRA028 - 194] |
Alt. | 0'30 | 125 BPM. Electro House, UK Garage, Deep house. Clubbing, summer | groovy percussive rhythm section main version | 125 |