| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Beijing Never Sleeps [CEC8013 - 3] |
0 | 2'18 | San Mao | Nocturnal & arty. Electro world. Electronics, gong, mandarin voice fx | fashion mysterious urban nocturnal | Am | 96 | |||
|
2000's Generation [CEC8013 - 13] |
0 | 1'53 | San Mao | Arty, percusive & uplifting. Electronic, pipa, erhu and rhythmic. | catchy confident driving urban | Am | 145 | |||
|
Glossy Mambo [CEZ4466 - 1] |
0 | 3'18 | Paul Winslow | Psychedelic pop. Light-hearted, hazy & warm. Swaying. Electric organ, | pop (all) catchy advertising open air | Ebm | 119 | |||
|
Tiger Road [CET9031 - 10] |
0 | 1'35 | Emmanuel Rousseau | Anticipating & fateful ethnic drum intro. African percussion build-up | warlike relentless percussive chase | Fm | 172 | |||
|
Le Concours de Beauté [CEO2114 - 17] |
0 | 02'49 | Pierre-André Athané, Pablo Pico, Yan Volsy | Childhood. Children. Confident & childish. Asia. Pizz, piano, | childhood animation & cartoons carefree confident | Gm | 120 | |||
|
Dreams of Glass [CCB1045 - 10] |
0 | 5'28 | Raura Suzuki | Wonderful, delicate, ethereal, sparkling & zen. Crystal bols, guitare | crystal bowl Ambient (all) crystalline cold desert | G | 118 | |||
|
Famous Hit [UBM2350 - 4] |
0 | 2'55 | Yu Namikoshi | A percussive track that varies from light to deep tension. | cinematic driving anticipation percussion ensemble | Fm | 100 | |||
|
Hiroshima [UBM2350 - 13] |
0 | 3'06 | Yu Namikoshi | Epic and lightly bombastic scenes come to mind with this orchestral | driving uplifting panorama panoramic | G | 86 | |||
|
Koto Impression [UBM2350 - 14] |
0 | 1'49 | Yu Namikoshi | Simple yet deep and flowing with a light tension as a great backdrop | cinematic driving interrogative Japan | Bm | 90 | |||
|
Kourakuen [UBM2350 - 15] |
0 | 2'30 | Yu Namikoshi | Strong, simple and a lightly monotonous uneasy feeling for suspense | driving relentless cyclic Japan | Gm | 162 | |||
|
Komagome [UBM2350 - 16] |
0 | 1'42 | Yu Namikoshi | An easy flowing contemplative traditional track. | shakuhashi Japan mysterious driving | Gm | 161 | |||
|
East Drums [UBM2350 - 17] |
0 | 1'55 | Yu Namikoshi | Strong dominant percussive composition. | relentless percussive driving anticipation | Dm | 86 | |||
|
Asian Units [UBM2350 - 18] |
0 | 1'56 | Yu Namikoshi | A strong lightly threatening percussive soundscape. | percussive relentless chase urgent | Fm | 120 | |||
|
Film Taiko [UBM2350 - 19] |
0 | 2'53 | Yu Namikoshi | Epical orchestrated strong percussive dominated composition for | percussive cinematic warlike inexorable | Dm | 90 | |||
|
Tres Taiko [UBM2350 - 20] |
0 | 2'06 | Yu Namikoshi | Suspense and tension filled elements in this percussive piece. | relentless percussive taiko disturbing | Fm | 110 | |||
|
Forest Kingdom [CEZ4410 - 12] |
0 | 3'30 | Aurélien Ung | Future beat / electro world. Catchy, modern & uplifting. World. | modern future beat confident urban landscape | Cm | 145 | |||
|
Fun Facts [MAG6041 - 1] |
0 | 2'02 | Jaymie Silk | Future beat. Rigorous, luminous & urban. Synth, programming and | catchy future beat modern electro world | Dbm | 81 | |||
|
Batanes Archipelago [CEO2104 - 4] |
0 | 2'11 | Gregory Cotti | Solemn, accentuated & melancholic. Staccato strings, ethnic flute & | adventure uplifting historical narrative panorama | Am | 126 | |||
|
Swift' s Nests [CEO2104 - 6] |
0 | 1'39 | Gregory Cotti | Joyful & airy. Electronics, ethnic flute & percussion. | airy adventure docu fiction panorama | F | 98 | |||
|
Native Habitat [CEO2104 - 8] |
0 | 1'41 | Gregory Cotti | Peaceful & restrained. Piano, electronics, ethnic flute, percussion & | peaceful calm suspended atmosphere panorama | G | 70 |