| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
On the Starting Grid [CEZ4403 - 7] |
0 | 2'17 | Mark Alberts, Morgan Sansous | Hard rock / anthemic rock / stadium rock / heavy metal / action | hard rock mechanical sport fiery anthemic rock / stadium rock | Am | 95 | |||
|
Ready to Take Pole Position [CEZ4403 - 16] |
0 | 2'19 | Mark Alberts, Morgan Sansous | Hard rock / anthemic rock / stadium rock / action movie. Frantic, | mechanical sport hard rock fiery anthemic rock / stadium rock | Em | 172 | |||
|
King Speed [CEZ4403 - 17] |
0 | 3'17 | Morgan Sansous, Kenny Serane | Urgent, explosive & fiery. Heavy metal / hard rock. Ongoing electric | mechanical sport heavy metal relentless aggressive & violent | Fm | 100 | |||
|
Circuit Preview [CEZ4403 - 22] |
0 | 2'21 | Mark Alberts, Morgan Sansous | Driving, powerful & catchy. Anthemic rock / stadium rock / hard rock. | anthemic rock / stadium rock mechanical sport hard rock powerful & imposing | Em | 94 | |||
|
Wild [CEZ4402 - 16] |
0 | 3'31 | Hoosky | Urban modern hip-hop / trap beat. Arty, jerky yet lively. Clubbing, | rhythmic urban relentless advertising | Cm | 136 | |||
|
Dernier Homicide Connu [CEZ4400 - 10] |
0 | 3'00 | David Rieu | 70's TV spy series. Eastern Europe. Sad & melancholic. Rhythm, | 1970 crime movie opening credits TV French TV serie | Bbm | 106 | |||
|
Micmac Est-Ouest [CEZ4400 - 13] |
0 | 3'01 | David Rieu | 70's TV spy series. Suspense. Groovy, mysterious & funky. Cymbalom, | investigation 1970 crime movie opening credits TV | Cm | 99 | |||
|
Glastower [UBM2341 - 2] |
0 | 2'13 | Ryan Gold, Sid Sonic | Subtle backround sound. Expectant and impulsive. | investigation mysterious synthesizer beds | Em | 120 | |||
|
Radiate [CEZ4395 - 2] |
5'32 | Nibana | Chill trap / future beat. Inevitable, nocturnal & panoramic. Pitched | catchy chill trap advertising pitched voice | Em | 130 | ||||
|
Radiate Alternate [CEZ4395 - 27] |
Alt. | 7'17 | Nibana | Chill trap / future beat. Inevitable, nocturnal & panoramic. Pitched | catchy chill trap advertising pitched voice | Em | 130 | |||
|
Sublime Sunshine [CEZ4395 - 3] |
0 | 2'37 | Rémo | Future beat / chill trap. Catchy, confident & dreamy. Pitched voice, | auto-tune modern catchy future beat | Em | 65 | |||
|
The Inner Voice [CEZ4395 - 8] |
0 | 3'48 | Kanchi | Chill trap / future beat. Contemplative, mesmerizing & panoramic. | electro world airy dreamy modern | Em | 90 | |||
|
Routine [CEZ4395 - 15] |
0 | 2'26 | Narumi Omori | Electro ambient / repetitive music. Strict, neutral & suspended. | steady time-lapse electro ambient suspended atmosphere | C | 118 | |||
|
Day One [CEZ4395 - 24] |
2'30 | Powell | Future beat. Confident, catchy & festive. Synth & rhythm. | advertising everyday life arty catchy | Am | 72 | ||||
|
Day One Alternate [CEZ4395 - 30] |
Alt. | 3'10 | Powell | Future beat. Atmospheric intro. Confident, relax & festive. Synth & | arty future beat electro organic relaxed | Am | 72 | |||
|
Voice Without End [CEZ4395 - 26] |
0 | 2'58 | Quentin Arjalas, Ludmila Cassar, André Dalcan | Tech house. Rhythmic, catchy & lively. Choir synth & rhythm. | club modern synth choir lively | Gm | 116 | |||
|
Hoffmanns Trip [UBM2326 - 5] |
0 | 2'45 | Peer Kaschen, Tim Von Lingen | Mysterious Hip Hop track from a different dimension. | boom bap urban landscape urban investigation | Bbm | 84 | |||
|
Vertical [UBM2326 - 9] |
0 | 3'41 | David Mate | Calm, jazzy, late night, fascinating, floating. | downtempo nocturnal swaying wandering | Dm | 117 | |||
|
Dr Coopers Theory [UBM2326 - 10] |
0 | 2'09 | Peer Kaschen, Tim Von Lingen | Perfect Hip Hop track with slow beat. Your head will swing. Just cool. | beat making driving urban landscape urban | Ebm | 90 | |||
|
City Walk [UBM2326 - 25] |
0 | 2'42 | Michael Hornek | An ambient impulsive track with industrial elements that is | rhythmic relentless extreme & fighting sport synthesizer | Gbm | 120 | |||
|
Blue Pearl [UBM2323 - 5] |
0 | 2'03 | David Bernbach, David Mann | Playful and light mallet track in a neutral mode. Great for | investigation anticipation crime movie interrogative | C | 122 | |||
|
Distant Glow [UBM2323 - 11] |
0 | 2'12 | David Bernbach, David Mann | Determined and serious but not too heavy. With lively mallets and | suspended atmosphere interrogative investigation atmospheric | Eb | 102 |