| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Winter Walking Reverie [CEZ4597 - 2] |
2'55 | Bruno Alexiu | Charming, tender, delicate, peaceful & intimate. Piano, strings, | tender dreamy country & garden delicate | C | 118 | ||||
|
Winter Walking Reverie
[CEZ4597 - 13] |
Alt. | 2'56 | Bruno Alexiu | Alternate version without strings. | tender dreamy country & garden delicate | C | 118 | |||
|
Cache-cache [EOS98 - 1] |
0 | 2'24 | Laurent Rochelle | Playful, lively & light-hearted. Piano, electric organ, light | happy & joyful funny animation & cartoons acoustic piano | Bm | 144 | |||
|
Chasing the Fool [EOS98 - 4] |
0 | 2'06 | Laurent Rochelle | Determined, cyclic & quirky. Piano, flute, clarinette, accordion & | funny animation & cartoons happy & joyful acoustic piano | Fm | 104 | |||
|
Close Up View [CEZ4601 - 16] |
0 | 3'23 | Renaud Garcia-Fons | Retro cinematic jazz. Sophisticated, intriguing & strolling. Double | cinematic jazz lazy relaxed suspense | Cm | 84 | |||
|
Jewish Tarantella [CEZ4600 - 4] |
0 | 2'48 | Renaud Garcia-Fons | Bouncing, optimistic, festive, danceable & ethnic. Mix of Jewish & | tarentella danceable lively double bass | Gm | 132 | |||
|
Lemurian Groove [CEZ4600 - 5] |
0 | 2'07 | Renaud Garcia-Fons | Jazz world. Stealthy, bouncy, playful & exotic. Double bass, Fender | exotic interrogative investigation world jazz | Dm | 144 | |||
|
The Open Road [CEZ4600 - 12] |
0 | 3'10 | Renaud Garcia-Fons | Jazz world. Lively, decided & driving. Double bass ensemble & | world jazz lively society driving | Gm | 120 | |||
|
Narita Express [CEZ4600 - 15] |
0 | 3'47 | Renaud Garcia-Fons | Jazz world. Catchy, decided & regular with an East-Asian touch. | world jazz tracking shot double bass geopolitics | Dm | 118 | |||
|
Towards a New World [CEZ4600 - 18] |
0 | 2'55 | Renaud Garcia-Fons | Jazz world. Decided & driving in a spirit of adventure. Double bass, | lively world jazz confident driving | Am | 138 | |||
|
Tale of a Golden Koi [CEC8042 - 4] |
0 | 2'03 | Zhang Hao, Zhao Junrui | Peaceful, pastoral, light & sentimental. Guzheng, pipa, piano & | childhood intimate traditional Asian calm | C | 107 | |||
|
The Thread of Time [CEC8042 - 9] |
0 | 2'01 | Zhang Hao, Zhao Junrui | Mystical, narrative & dreamy. Guzheng & bianzhong (Chinese bells). | narrative traditional Asian China delicate | Am | 62 | |||
|
Birds Fly Over the Mountain [CEC8041 - 1] |
0 | 2'28 | Bo Tian | Airy, charming, peaceful & pastoral. Introduction played on bamboo | China charming panorama panoramic | D | 62 | |||
|
River of Sighs [CEC8041 - 3] |
0 | 2'53 | Bo Tian | Suspended, majestic, dreamy & tender. Xiao Chinese flute, bells, | chinese cinema China charming relaxation | Em | 68 | |||
|
Ages Like Wine [MPMA0024 - 3] |
2'40 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | Am | 113 | ||||
|
Ages Like wine - 30 [MPMA0024 - 22] |
Alt. | 0'29 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | G | 114 | |||
|
Ages Like Wine - 60 [MPMA0024 - 23] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | Am | 114 | |||
|
Ages Like Wine - Sting [MPMA0024 - 24] |
Alt. | 0'07 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | Am | 114 | |||
|
Ages Like Wine - Underscore [MPMA0024 - 25] |
Alt. | 2'40 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | Am | 114 | |||
|
Ages Like Wine - Underscore 30 [MPMA0024 - 26] |
Alt. | 0'29 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | G | 114 | |||
|
Ages Like Wine - Underscore 60 [MPMA0024 - 27] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | Am | 113 | |||
|
Ages Like Wine - Underscore
[MPMA0024 - 28] |
Alt. | 0'07 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | Am | 113 | |||
|
Time Oh Time [MPMA0024 - 4] |
2'21 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 135 | ||||
|
Time Oh Time - 30 [MPMA0024 - 29] |
Alt. | 0'30 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 134 | |||
|
Time Oh Time - 60 [MPMA0024 - 30] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 133 | |||
|
Time Oh Time - Sting [MPMA0024 - 31] |
Alt. | 0'09 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 135 | |||
|
Time Oh Time - Underscore 60 [MPMA0024 - 32] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 133 | |||
|
Time Oh Time - Underscore
[MPMA0024 - 33] |
Alt. | 0'09 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 134 | |||
|
Point Blank [MPMA0021 - 1] |
0 | 2'52 | Brian Hodges | Driving, cinematic, dramatic arrangements building with pounding | inexorable disturbing mysterious relentless | Cm | 89 | |||
|
Hybrid Chase [MPMA0021 - 12] |
0 | 2'43 | Mitchell Finglas | Driving, cinematic, dramatic arrangements building with pounding | cinematic epic disturbing relentless | Gm | 107 | |||
|
Back Into Light [MPMA0018 - 1] |
2'00 | Patrick Bolster, Scott Steven | Upbeat, heartfelt, sweet pop tunes for love stories and feel good | romantic cinematic pop resillience dreamy | A | 123 | ||||
|
Back Into Light Instrumental [MPMA0018 - 7] |
Alt. | 2'00 | Patrick Bolster, Scott Steven | Upbeat,, Heartfelt, Sweet pop tunes for love stories and feel good | independent cinema cinematic pop pop ballad resillience | A | 123 | |||
|
Feel Your Heart [MPMA0018 - 2] |
2'54 | Patrick Bolster, Scott Steven | Upbeat,, Heartfelt, Sweet pop tunes for love stories and feel good | cinematic pop dreamy independent cinema confident | A | 107 | ||||
|
Feel Your Heart Instrumental [MPMA0018 - 8] |
Alt. | 2'54 | Patrick Bolster, Scott Steven | Upbeat,, Heartfelt, Sweet pop tunes for love stories and feel good | cinematic pop dreamy independent cinema confident | A | 107 | |||
|
Birds Dancing in the Sky [CEZ4593 - 9] |
2'05 | Benoit Cimbé | Emotional electro. Cyclic, swirling, radiant & determined. Build-up @ | cinematic mysterious cybernetics space | Gm | 120 | ||||
|
Birds Dancing in the Sky
[CEZ4593 - 22] |
Alt. | 2'04 | Benoit Cimbé | Alternate version without percussion. | cinematic mysterious cybernetics space | Gm | 120 |