| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Contestation [CEZ4056 - 16] |
0 | 2'14 | Nicolas Mizrachi, Jean-Francois Morin | Confusing. Acoustic guitar & aggressive synths riff with strings. | crime movie disturbing relentless investigation | Bm | 118 | |||
|
Clubbed [CEZ4056 - 25] |
0 | 1'33 | Nicolas Mizrachi, Jean-Francois Morin | Sensory overload. Confused layers of loops & guitars with melodic | heavy aggressive & violent action movie synthesizer | Bbm | 107 | |||
|
Canopea [CEZ4055 - 4] |
0 | 2'39 | Silvano Michelino | Panoramic & serious. 12 sting guitar, violin & percussion. | panorama dreamy airy tropical forest | Dm | 106 | |||
|
Primary Forest [CEZ4055 - 8] |
0 | 2'11 | Silvano Michelino | Lone & meditative. Guitar & percussion. | Amazon investigation mysterious calm | Am | 86 | |||
|
Le Dernier de ses Crimes [CEZ4012 - 39] |
0 | 1'37 | Denis Levaillant | Solemn & anachronic. Electric guitar & brass quintet. | anachronistic unclassifiable distorted electric guitar brass ensemble | Dm | 69 | |||
|
We Rock, You Roll [CEZ4054 - 8] |
0 | 2'37 | Nicolas Mizrachi, Jean-Francois Morin | Hard & heavy guitar chords with broken loops & strong groove. | action movie fx distorsion heavy relentless | Gbm | 107 | |||
|
Chilli Dog [CEZ4054 - 10] |
0 | 2'21 | Lionel Seillier | Ringing chords & funk chops dude... Moody guitar funk. | interrogative investigation urban landscape urban | Em | 164 | |||
|
Citizen Band [CEZ4054 - 13] |
0 | 1'58 | Nicolas Mizrachi, Jean-Francois Morin | Hypnotic. Slow & strong rock groove with powerful vibrating guitars. | urban landscape steady proud fx distorsion | Em | 74 | |||
|
Dust Bowl Ballad [CEZ4054 - 15] |
0 | 2'48 | Vincent Leibovitz | Wandering & introspective. Nylon string guitar, percussion & drone. | wandering country ballad folk ballad hot desert | Bm | 86 | |||
|
Dead Heat [CEZ4054 - 19] |
0 | 1'17 | Lionel Seillier | Oppressive heat, death valley. Dry shakers & dissonant guitar chords. | wandering interrogative investigation suspense | E | 103 | |||
|
Rollin' Free [CEZ4053 - 3] |
0 | 2'02 | Nicolas Mizrachi, Jean-Francois Morin | Adventure to come. Clear chiming guitar over busy atmospheric riff & | road movie rising panoramic tracking shot | A | 86 | |||
|
Wandering Home [CEZ4053 - 7] |
0 | 3'05 | Nicolas Mizrachi, Jean-Francois Morin | Longing to be home. Slow-paced AOR with ebbing guitar chords. | lazy road movie steady country rock | Gbm | 136 | |||
|
Hillbilly Folks [CEZ4053 - 9] |
0 | 1'19 | Silvain Vanot | Old-time music. Auto-harp, acoustic guitar & harmonica. playing a | old time United States of America carefree 1960 | G | 137 | |||
|
Lake Shimmer [CEZ4053 - 13] |
0 | 2'33 | Vincent Leibovitz, Claude Samard | Natural, atmospheric & acoustic. Strings drones, simple guitar & | atmospheric suspended atmosphere peaceful panorama | G | 65 | |||
|
Rio Grande [CEZ4053 - 22] |
0 | 2'32 | Pajaro Canzani, Daniel Diaz | Primal. Atmospheric blues. Improvised bass & acoustic guitar with | animal documentary panorama drone sparse | E | 72 | |||
|
Alone in the Crowd [CEZ4052 - 7] |
0 | 1'46 | Nicolas Mizrachi, Jean-Francois Morin | Sad. Thick slow groove with muffled distorted fx & strings. | muffled atmospheric downtempo social drama | Em | 100 | |||
|
Las Dos Américas [CEZ4049 - 3] |
0 | 2'47 | Pajaro Canzani, Daniel Diaz | The wild and endless route towards the frontier. Panoramic. The vast | arid interrogative calm steady | E | 152 | |||
|
Samba de Nao Sei [CEZ4049 - 24] |
0 | 2'54 | Pajaro Canzani | Samba de favella. Sophisticated, nostalgic & jazzy. Melodica, cuica, | bossa nova exotic carefree South America | G | 93 | |||
|
carnival Negro [CEZ4048 - 10] |
0 | 3'41 | Pajaro Canzani | Candombe. Carnival rhythm from Montevideo. Exuberant & colourful. | candombe carnival South America festive | Bm | 100 | |||
|
El Pericon [CEZ4048 - 11] |
0 | 4'49 | Pajaro Canzani, Daniel Diaz | "Traditional dance from "La Banda Oriental" (south of Uruguay). | exotic Uruguay world music folk ball | D | 100 |