| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Radio Interference [CEO2101 - 15] |
0 | 1'16 | Alice Guerlot Kourouklis | Weird, minimalist & sparse. Drone & radio glitch. | fx interference fx radio glitch (texture) mysterious | G | 118 | |||
|
Time is Running Out [UBM2302 - 5] |
0 | 1'53 | Luke Davoll | A slightly threatening, building, bombastic orchestral track. | anticipation spy disturbing time (tick-tock) | B | 120 | |||
|
Compromised Agent [UBM2302 - 6] |
0 | 2'02 | Luke Davoll | Mysterious, dark and enigmatic cinematic score. Building excitment | disturbing suspense anticipation crime movie | D | 80 | |||
|
Countdown [UBM2302 - 10] |
0 | 1'58 | Luke Davoll | A throbbing sense of tension. The clock is ticking to the deadline. | spy relentless suspense action movie | Dbm | 162 | |||
|
Zombies Awake [CEZ4379 - 22] |
0 | 2'04 | Gregory Cotti | Halloween. Frightening, mysterious & abstract atmosphere @ 0'38. | halloween horror scary mysterious | Fm | 90 | |||
|
A Night on the Road [CEZ4374 - 7] |
0 | 3'10 | Laetitia Frenod | Electro rock. Interrogative, suspended & nocturnal. Synth, electric | interrogative social drama suspended atmosphere nocturnal | Gm | 85 | |||
|
Giant Trees [CEG5015 - 12] |
0 | 2'23 | Baptiste Thiry | Anticipation, punctuated but suspended. Constant progression. | cinematic tropical forest panorama beds | A | 68 | |||
|
At the End of the Universe [CEG5014 - 8] |
0 | 2'12 | Gréco Casadesus, Delphine Malaussena | Desolate, worrying & panoramic. String orchestra & sound design. The | space cosmic music airy disturbing | Dm | 65 | |||
|
Creation of Mankind [MAG6039 - 11] |
0 | 1'37 | Sebastien Forrester | Electro ambient. Interrogative then cyclic @ 0'34. Electric guitar & | synth choir suspended atmosphere interrogative panorama | Em | 85 | |||
|
Night Flight [CEG5012 - 8] |
0 | 4'04 | Vincent Leibovitz | House. Catchy, lively & arty. Sampled female voice, synth & rhythm. | house catchy club arty | Am | 127 | |||
|
Data Energy [UBM2307 - 4] |
0 | 2'03 | Ryan Gold, Sid Sonic | Busy electronics over mid-tempo beat. Retro futurism. | investigation cybernetics spy relentless | D | 126 | |||
|
Data Part [UBM2307 - 8] |
0 | 1'51 | Ryan Gold, Sid Sonic | Choppy, jerky, emotionless. Somewhat experimental structure. | cybernetics electro minimalism investigation relentless | C | 120 | |||
|
Data Chip [UBM2307 - 11] |
0 | 1'56 | Ryan Gold, Sid Sonic | Technological, neutral, pulsating. Purely electronic music for the | steady cybernetics electro minimalism interrogative | Gm | 112 | |||
|
Data World [UBM2307 - 13] |
0 | 1'33 | Ryan Gold, Sid Sonic | Secret data world. | anticipation spy investigation relentless | Dm | 100 | |||
|
Data Feeling [UBM2307 - 14] |
0 | 2'05 | Ryan Gold, Sid Sonic | Thoughtful data transfer with choir, long drawn out sequence. | interrogative hypnotic relentless cybernetics | Dm | 162 | |||
|
Data Horror [UBM2307 - 16] |
0 | 2'13 | Ryan Gold, Sid Sonic | Secret data, anxious and scary. | suspended atmosphere atmospheric mysterious underground | F | 90 | |||
|
Data Force [UBM2307 - 19] |
0 | 1'41 | Ryan Gold, Sid Sonic | DNA analysis, pulsating and mysterious. | heavy relentless suspense electro minimalism | F | 100 | |||
|
Data Obscuring [UBM2307 - 22] |
0 | 1'54 | Ryan Gold, Sid Sonic | Slow, expectant and secret. | cybernetics spy disturbing suspense | A | 81 | |||
|
Data Medical [UBM2307 - 24] |
0 | 2'05 | Ryan Gold, Sid Sonic | Analog sequences for a secret experiment. | corporate (all) science confident steady | F | 89 | |||
|
Data Space [UBM2307 - 29] |
0 | 2'00 | Ryan Gold, Sid Sonic | Pulsating, secret and sad, also a light tension is conveyed | pulsation punctuated relentless science | D | 93 |