| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ticking Threat [UBM2266 - 3] |
0 | 2'16 | Achim Zweschper | Dreary, slow, dark, increasing threat. Turkish vocals, oud. | complex toxic beds fx delay | E | 117 | |||
|
Gloomy Alley [UBM2266 - 4] |
0 | 3'18 | Achim Zweschper | Creepy track, ideal for increasing tension. Vocals, percussion. | arid hot desert desolate beds | D | 88 | |||
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 | |||
|
Creeping Danger [UBM2266 - 9] |
0 | 2'16 | Achim Zweschper | Increasing threat and danger are transported by this melancholy | tropical forest beds complex humid | E | 87 | |||
|
Numb Feelings [UBM2266 - 13] |
0 | 1'12 | Achim Zweschper | A musical saw creates a distorted track, that conveys numbness and | sci-fi B movie complex drone | Dm | 129 | |||
|
Constant Pressure [UBM2266 - 16] |
0 | 2'15 | Achim Zweschper | Oppressive, threatening track. Pressure is constantly built. sitar | tropical forest beds complex humid | E | 117 | |||
|
No Rest [UBM2266 - 17] |
0 | 2'16 | Achim Zweschper | Dark, sinister, frightful ticking. Tibetan glockenspiel. | tropical forest beds complex humid | E | 117 | |||
|
Tiptoeing Around [UBM2266 - 18] |
0 | 3'10 | Achim Zweschper | Desperate, dull. Creates the impression of danger sneaking up. Sitar, | arid hot desert desolate beds | Cm | 100 | |||
|
Seeing the Extent [UBM2266 - 20] |
0 | 3'01 | Achim Zweschper | Disillusion, concussion. Suitable for pictures of destruction. | desolate beds complex geopolitics | Gm | 88 | |||
|
The Enemy Approaches [UBM2266 - 23] |
0 | 2'09 | Achim Zweschper | Fearful, dark, strained. The enemy approaches. Hopeless. | beds scary horror abyss | G | 84 | |||
|
Pure Hatred [UBM2266 - 24] |
0 | 3'11 | Achim Zweschper | Hateful, gloomy, dangerous. Ideal for images of war and destruction. | desolate beds horror disturbing | C | 100 | |||
|
Underground Echoes [EOS20 - 1] |
0 | 3'43 | Anthony Mowat, Olivier Samouillan | Mysterious & strange. Sequencing, synth, electronic percussion, bass, | investigation mysterious crime movie disturbing | B | 86 | |||
|
Building Bubbles [UBM2251 - 8] |
0 | 2'07 | Daniel Backes, Peter Moslener | Positive sound bubbles, sounds like glockenspiel with synthesizer, | arpeggiator industry mechanical sport video game | Am | 127 | |||
|
Mechanical Timelapse [UBM2251 - 17] |
0 | 1'53 | Daniel Backes, Peter Moslener | Music for images of business, industry and economic growth: hectic, | arpeggiator retrogaming steady industry | Bm | 135 | |||
|
Melancholic Timelapse [UBM2251 - 18] |
0 | 1'51 | Daniel Backes, Peter Moslener | Music for human portraits, career plans and images of industry as | arpeggiator retrogaming steady industry | Em | 100 | |||
|
Bongos for BC [MAG6017 - 9] |
0 | 3'01 | Karl Fousek | Minimalism electro. Constant, strange & obstinate. Analog synth. | modular synth electro organic contemporary art steady | Gm | 167 | |||
|
Forensic Evidence [CEZ4242 - 9] |
0 | 2'27 | Christophe Zurfluh | Minimalist & mysterious. Electronics. | abyss space investigation natural disaster | Ebm | 100 | |||
|
This is Massive [UBM2234 - 17] |
0 | 3'00 | Axel Coon, Linus Sandberg | Exotic & powerful. Synth, electronic percussion, sampled male's | attitude club trap (music) electro beat | Gbm | 162 | |||
|
Loving Animals [UBM2201 - 16] |
0 | 1'58 | Anselm Kreuzer | Positive & carefree. Fx animals, alto saxophone, synthesizer, | pets confident fx animals lazy | D | 124 | |||
|
Blurred Feelings [UBM2244 - 11] |
0 | 2'20 | Tony Delmonte, Anselm Kreuzer | Constant & atmospheric. Underscore. Violin, piano, drum machine, | sequencing social drama mysterious atmospheric | Dm | 115 |