| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Urban Spree [CEG5052 - 10] |
2'37 | Louis Edlinger | Minimal ambient. Repetitive, pulsating & dripping. Synth, electronics | electro minimalism science interrogative relentless | Db | 110 | ||||
|
Urban Spree Alternate 1 [CEG5052 - 31] |
Alt. | 2'30 | Louis Edlinger | Version without rhythm. | electro minimalism science interrogative relentless | Db | 110 | |||
|
Urban Spree Alternate 2 [CEG5052 - 32] |
Alt. | 2'31 | Louis Edlinger | Version without lead synth & hits. | electro minimalism science interrogative cybernetics | Db | 110 | |||
|
Scandal in the Digital World [CEG5049 - 2] |
2'11 | Felix Halbe | Suspense. Mysterious, haunting & insidious. Synth sequences, | inexorable relentless cinematic suspense | Cm | 140 | ||||
|
Scandal in the Digital World
[CEG5049 - 14] |
Alt. | 2'02 | Felix Halbe | Reduced version without main synth ostinato. | inexorable relentless cinematic suspense | C | 142 | |||
|
The Fall [CEG5049 - 12] |
1'53 | Felix Halbe | Funeral, tragic & gloomy. Synths, strings, percussion, FX, brass & | spy insidious cinematic scary | Ab | 115 | ||||
|
The Fall Alternate [CEG5049 - 27] |
Alt. | 1'42 | Felix Halbe | Reduced version with less high strings & high woodwinds. | spy insidious cinematic scary | Ab | 75 | |||
|
The Inquisition [UBM2559 - 5] |
0 | 1'53 | Axel Coon, Ralf Goebel | Reading the daily newspaper in the morning: a dying ritual, as | sparse narrative electro organic suspense | A | 96 | |||
|
Something In The Air [CEZ4645 - 1] |
2'08 | Iain Harper | Future garage. Ethereal, surreal & inspirational. Muffled synthetic | future garage nocturnal urban urban landscape | Em | 135 | ||||
|
Something In The Air Alternate [CEZ4645 - 11] |
Alt. | 2'08 | Iain Harper | Instrumental version | future garage nocturnal urban urban landscape | Em | 135 | |||
|
Something In The Air Edit 1
[CEZ4645 - 12] |
Alt. | 0'15 | Iain Harper | 15 seconds cut | future garage nocturnal urban urban landscape | Gm | 135 | |||
|
Something In The Air Edit 2
[CEZ4645 - 13] |
Alt. | 0'15 | Iain Harper | 15 seconds instrumental cut | future garage nocturnal urban urban landscape | Gm | 135 | |||
|
Something In The Air Edit 3
[CEZ4645 - 14] |
Alt. | 0'30 | Iain Harper | 30 seconds cut | future garage nocturnal urban urban landscape | Gm | 135 | |||
|
Something In The Air Edit 4
[CEZ4645 - 15] |
Alt. | 0'30 | Iain Harper | 30 seconds instrumental cut | future garage nocturnal urban urban landscape | Em | 134 | |||
|
Something In The Air Edit 5
[CEZ4645 - 16] |
Alt. | 1'00 | Iain Harper | 60 seconds cut | future garage nocturnal urban urban landscape | Gm | 134 | |||
|
Something In The Air Edit 6
[CEZ4645 - 17] |
Alt. | 1'00 | Iain Harper | 60 seconds instrumental cut | future garage nocturnal urban urban landscape | Em | 134 | |||
|
Something In The Air Edit 7
[CEZ4645 - 18] |
Alt. | 0'08 | Iain Harper | Sting | future garage nocturnal urban urban landscape | G | 133 | |||
|
Something In The Air Edit 8
[CEZ4645 - 19] |
Alt. | 0'08 | Iain Harper | Instrumental sting | future garage nocturnal urban urban landscape | Em | 135 | |||
|
On My Way [CEZ4645 - 7] |
2'21 | Iain Harper | Future garage. Glossy, fast, elegant & upbeat. Muffled intro. Chopped | future garage lively fashion driving | Em | 141 | ||||
|
On My Way Alternate [CEZ4645 - 61] |
Alt. | 2'21 | Iain Harper | Instrumental version | future garage lively fashion driving | Em | 141 | |||
|
On My Way Edit 1 (15 sec) [CEZ4645 - 62] |
Alt. | 0'15 | Iain Harper | 15 seconds cut | future garage lively fashion driving | Em | 141 | |||
|
On My Way Edit 2 (15 sec
[CEZ4645 - 63] |
Alt. | 0'15 | Iain Harper | 15 seconds instrumental cut | future garage lively fashion driving | Em | 141 | |||
|
On My Way Edit 3 (30 sec) [CEZ4645 - 64] |
Alt. | 0'30 | Iain Harper | 30 seconds cut | future garage lively fashion driving | Em | 71 | |||
|
On My Way Edit 4 (30 sec
[CEZ4645 - 65] |
Alt. | 0'30 | Iain Harper | 30 seconds instrumental cut | future garage lively fashion driving | Em | 141 | |||
|
On My Way Edit 5 (60 sec) [CEZ4645 - 66] |
Alt. | 1'00 | Iain Harper | 60 seconds cut | future garage lively fashion driving | Em | 71 | |||
|
On My Way Edit 6 (60 sec
[CEZ4645 - 67] |
Alt. | 1'00 | Iain Harper | 60 seconds instrumental cut | future garage lively fashion driving | Em | 71 | |||
|
On My Way Edit 7 (sting) [CEZ4645 - 68] |
Alt. | 0'06 | Iain Harper | Sting | future garage lively fashion driving | Em | 141 | |||
|
On My Way Edit 8 (sting) [CEZ4645 - 69] |
Alt. | 0'06 | Iain Harper | Sting without main beat | future garage lively fashion driving | Em | 140 | |||
|
Part Of Me [CEZ4645 - 8] |
3'57 | Iain Harper | Future garage. Shimmering, relaxed & disjointed. Chopped vocals, | future garage urban landscape urban mysterious | Bb | 130 | ||||
|
Part Of Me Alternate [CEZ4645 - 70] |
Alt. | 3'57 | Iain Harper | No main vocals version | future garage urban landscape urban mysterious | Bbm | 130 | |||
|
Part Of Me Edit 1 (15 sec) [CEZ4645 - 71] |
Alt. | 0'15 | Iain Harper | 15 seconds cut | future garage urban landscape urban mysterious | Fm | 130 | |||
|
Part Of Me Edit 2 (15 sec
[CEZ4645 - 72] |
Alt. | 0'15 | Iain Harper | 15 seconds no main vocals cut | future garage urban landscape urban mysterious | Fm | 130 | |||
|
Part Of Me Edit 3 (30 sec) [CEZ4645 - 73] |
Alt. | 0'30 | Iain Harper | 30 seconds cut | future garage urban landscape urban mysterious | Bbm | 130 | |||
|
Part Of Me Edit 4 (30 sec
[CEZ4645 - 74] |
Alt. | 0'30 | Iain Harper | 30 seconds no main vocals cut | future garage urban landscape urban mysterious | Bbm | 130 | |||
|
Part Of Me Edit 5 (60 sec) [CEZ4645 - 75] |
Alt. | 1'00 | Iain Harper | 60 seconds cut | future garage urban landscape urban mysterious | Bbm | 130 | |||
|
Part Of Me Edit 6 (60 sec
[CEZ4645 - 76] |
Alt. | 1'00 | Iain Harper | 60 seconds no main vocals cut | future garage urban landscape urban mysterious | Bbm | 130 | |||
|
Part Of Me Edit 7 (sting) [CEZ4645 - 77] |
Alt. | 0'07 | Iain Harper | No main vocals sting | future garage urban landscape urban mysterious | Fm | 73 | |||
|
Part Of Me Edit 8 (sting
[CEZ4645 - 78] |
Alt. | 0'07 | Iain Harper | Sting | future garage urban landscape urban mysterious | Fm | 73 | |||
|
The World Looks Red [EOS125 - 16] |
0 | 2'30 | Anthony Mowat | Mysterious, cosmic & atmospheric. Synth. | suspended atmosphere sci-fi atmospheric space | G | 118 | |||
|
Goodbye [AMS5043 - 4] |
3'09 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. Build-up with nostalgic electric | melancholic post-rock climax horror | Abm | 100 | ||||
|
Goodbye Alternate 1 [AMS5043 - 25] |
Alt. | 3'09 | Aleksandar Dimitrijevic | Version without bass & drums | melancholic post-rock climax horror | Abm | 100 | |||
|
Goodbye Alternate 2 [AMS5043 - 26] |
Alt. | 3'09 | Aleksandar Dimitrijevic | Underscore version | melancholic post-rock climax horror | Abm | 100 | |||
|
Goodbye Alternate 3 [AMS5043 - 27] |
Alt. | 3'09 | Aleksandar Dimitrijevic | Version without guitars | melancholic post-rock climax horror | Abm | 100 | |||
|
Goodbye Edit 1 (30 sec) [AMS5043 - 28] |
Alt. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | melancholic post-rock horror disturbing | Abm | 100 | |||
|
Goodbye Edit 2 (15 sec) [AMS5043 - 29] |
Alt. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | melancholic post-rock climax horror | Eb | 100 | |||
|
The Road [AMS5043 - 10] |
2'42 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. Intro with dark bass, synth pads, | post-rock resillience uplifting distorted electric guitar | Gm | 60 | ||||
|
The Road Alternate 1 [AMS5043 - 54] |
Alt. | 2'26 | Aleksandar Dimitrijevic | Version without bass & drums | post-rock resillience uplifting distorted electric guitar | Gm | 60 | |||
|
The Road Alternate 2 [AMS5043 - 55] |
Alt. | 2'39 | Aleksandar Dimitrijevic | Version with bass & drums only | post-rock resillience uplifting inexorable | Cm | 60 | |||
|
The Road Alternate 3 [AMS5043 - 56] |
Alt. | 2'39 | Aleksandar Dimitrijevic | Version without guitars | post-rock resillience uplifting inexorable | Gm | 60 | |||
|
The Road Edit 1 (30 sec) [AMS5043 - 57] |
Alt. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | post-rock resillience uplifting distorted electric guitar | Gm | 119 | |||
|
The Road Edit 2 (15 sec) [AMS5043 - 58] |
Alt. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | post-rock resillience uplifting distorted electric guitar | Gm | 60 | |||
|
Black Cards [UBM2378 - 5] |
0 | 2'43 | Marwin Farwig | Dark, serious track, the intensity of which gradually increases. | attitude trap (music) steady sport drama | Ab | 91 | |||
|
Alienized [UBM2378 - 11] |
0 | 2'22 | Marwin Farwig | Retro hiphop beat with strings and analog sounding drums. Mysterious, | driving investigation relentless beat making | Ebm | 96 | |||
|
Terraforming [UBM2548 - 9] |
0 | 2'01 | Achim Zweschper | Aerial view of a man-made oasis under a gigantic glass dome: A thin | panorama 1970 cyclic electro ambient | G | 86 | |||
|
Jory [UBM2548 - 14] |
0 | 1'55 | Achim Zweschper | An eerie, powerful presence announces itself with a metallic rumble. | anticipation horror insidious 1990 | D | 65 | |||
|
Advanced Diagnostics [UBM2468 - 9] |
0 | 1'48 | Daniel Backes, Peter Moslener | With the help of new technologies, new forms of diagnostics and | science interrogative strict driving | Abm | 124 | |||
|
Pharma Lobby [UBM2468 - 10] |
0 | 1'43 | Daniel Backes, Peter Moslener | Suspenseful electronic track for investigative formats and consumer | anticipation interrogative investigation medecine | Fm | 89 | |||
|
Aqua Gymnastics [UBM2468 - 13] |
0 | 2'10 | Daniel Backes, Peter Moslener | Bubbling track for consumer magazines and features on alternative | confident electric guitar driving lively | F | 108 | |||
|
Urbanisation [UBM2301 - 2] |
0 | 4'02 | Michael Hornek | Starting with an ambient atmosphere, the track slowly builds into a | action movie retrogaming time-lapse drum & bass | Cm | 137 | |||
|
Altitude [UBM2301 - 3] |
0 | 2'06 | David Mate | Airy, neutral, light. A nice easy going backdrop. | atmospheric architecture & design confident time-lapse | Am | 126 | |||
|
Jewelery [UBM2301 - 7] |
0 | 2'40 | David Mate | Laid-back, airy, atmospheric. With a light drum and bass feel for | relentless urban landscape jerky drum & bass | Bbm | 85 |