| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Danger [UBM2211 - 9] |
0 | 0'57 | Christoph Lienemann | Obstinate & rigid. Synth & rhythm. | beds driving inexorable investigation | Am | 120 | |||
|
Menace [UBM2211 - 10] |
0 | 1'10 | Christoph Lienemann | Wandering & nocturnal. Changing. Synth, piano & rhythm. | changing beds intermittent wandering | Cm | 120 | |||
|
Freak [UBM2211 - 11] |
0 | 1'11 | Christoph Lienemann | Insidious & suspect. Synth, piano, strings & rhythm. | insidious investigation inexorable disturbing | C | 119 | |||
|
Twilight [UBM2211 - 12] |
0 | 1'01 | Christoph Lienemann | Heavy & sinuous. Synth & strings. | cold natural disaster disturbing beds | Cm | 60 | |||
|
Victim [UBM2211 - 13] |
0 | 1'10 | Christoph Lienemann | Inexorable & tense. Synth & rhythm. | natural disaster final inexorable disturbing | Gm | 120 | |||
|
Fingerprints [UBM2211 - 14] |
0 | 1'02 | Christoph Lienemann | Disturbing & mysterious. Synth, piano & rhythm. | insidious natural disaster disturbing interrogative | Cm | 120 | |||
|
Survivor [UBM2211 - 15] |
0 | 1'20 | Christoph Lienemann | Tense but uplifting. Synth & rhythm. | disturbing spy uplifting relentless | Cm | 120 | |||
|
Fear [UBM2211 - 16] |
0 | 1'20 | Christoph Lienemann | Interrogative & tense. Synth & rhythm. | cold insidious interrogative crystalline | F | 120 | |||
|
Patrol [UBM2211 - 19] |
0 | 0'59 | Christoph Lienemann | Urban & rhythmic. Synth, piano & rhythm. | cyclic driving investigation beds | Em | 120 | |||
|
Survival [UBM2211 - 20] |
0 | 1'01 | Christoph Lienemann | Determined & progressive. Synth, piano & rhythm. | driving social drama uplifting acoustic piano | C | 119 | |||
|
Night Birds [MAG6003 - 3] |
0 | 2'59 | DoubtingThomas | Ambiant. Efficient & floating. Trumpet, synth & rhythm. | crime movie cinematic jazz driving nocturnal | G | 117 | |||
|
Ritual Mechanics [CEZ4171 - 28] |
0 | 2'32 | Christophe Zurfluh | Hypnotic & filtered. Electronic percussion. | electronic percussion percussive beds industry | Ebm | 91 | |||
|
Penthouse Party [CEZ4165 - 1] |
0 | 3'31 | Patchworks | Chic & heady. Stings, Fender Rhodes, wah-wah guitar & rhythm. | electro jazz danceable festive groovy | Am | 119 | |||
|
Before in Formentera [CEZ4165 - 12] |
0 | 3'38 | Patchworks | Calm & serene. Electric guitar, Fender Rhodes, synth & rhythm. | calm cocktail bar confident chill-out music | Bm | 110 | |||
|
After the After [CEZ4165 - 18] |
0 | 2'24 | Patchworks | Square & serious. Harp, Fender Rhodes, wah-wah guitar & rhythm. | electro jazz lively chill-out music dreamy | Dm | 100 | |||
|
Peace of Mind [EOS14 - 1] |
0 | 1'29 | Johane Myran | Confident & applied. Piano, strings & synth. | confident suspended atmosphere patient acoustic piano | Eb | 162 | |||
|
Ghost Town [CEZ4163 - 20] |
0 | 2'07 | Gréco Casadesus | Panoramic & quiet. Guitar, banjo, brass & electronics. | suspended atmosphere synth pad panorama calm | Am | 118 | |||
|
The Last Duel [CEZ4163 - 28] |
2'15 | Claude Samard | Proud & mysterious. Harmonica, banjo, electric guitar, synth & | diatonic harmonica Italian western proud mysterious | Am | 150 | ||||
|
The Last Duel 2 [CEZ4163 - 29] |
Alt. | 2'27 | Claude Samard | Proud & mysterious. Harmonica, banjo, whip fx, electric guitar, synth | diatonic harmonica mysterious building Italian western | Am | 150 | |||
|
It's Like This [MAG6001 - 7] |
0 | 2'56 | Chomsk', Oogo | R'n'B. Chic & moody. Male and female sampled voices, electronics & | interiors & cooking fashion celebs R' & B' | Cm | 104 | |||
|
Meeting in Heaven [MAG6001 - 10] |
0 | 4'23 | Chomsk' | R'n'B. Ethereal & patient. Progression. Pitched male voice, piano, | R' & B' pitched voice night activity dreamy | E | 71 |