| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dilluted Medecine [EOS22 - 11] |
0 | 2'30 | Eric Volpatti | Sound design. Mysterious, tense & glitchy. Piano & electronics. | disturbing mysterious science glitch (texture) | Bm | 162 | |||
|
Laboratory Artifact [EOS22 - 12] |
0 | 3'04 | Eric Volpatti | Sound design. Interrogative, undulating & urgent. Piano & | interrogative investigation mysterious nocturnal | Gbm | 162 | |||
|
Bionic Flavors [EOS21 - 1] |
0 | 2'40 | Samuel Tornqvist | Dreamy & abstract. Piano, synth, sound design. | suspended atmosphere dreamy panoramic relaxation | Fm | 76 | |||
|
Synthetic Chromosomes [EOS21 - 2] |
0 | 3'03 | Samuel Tornqvist | Piano, synth, sound design, glockenspiel. | melancholic panoramic relaxation complex | Fm | 110 | |||
|
Bionic Vision [EOS21 - 3] |
0 | 2'28 | Eric Volpatti | Peaceful & abstract. Piano, synth, sound design. | calm peaceful complex panoramic | Am | 118 | |||
|
Nootropics [EOS21 - 4] |
0 | 2'47 | Samuel Tornqvist | Panoramic & cyclic. Piano, synth, sound design, chimes. | panoramic panorama patient atmospheric | Gm | 68 | |||
|
A Swarm of Robot [EOS21 - 7] |
0 | 2'40 | David Poirier | Abstract & dreamy. Music box, synth, piano, sound design. | complex atmospheric music box calm | Bm | 70 | |||
|
Supramolecular Assembly [EOS21 - 11] |
0 | 3'08 | David Poirier | Dreamy & relax. Electric guitar, sound design, synth, piano. | relaxation dreamy underwater panorama | C | 86 | |||
|
Sound of Sorrow [UBM2271 - 4] |
0 | 1'47 | Daniel Backes, Peter Moslener | Dramatic track, that still conveys hope. Piano, strings. | patient acoustic piano arpeggio cyclic | Gm | 66 | |||
|
Sinister Groove [UBM2271 - 7] |
0 | 1'50 | Daniel Backes, Peter Moslener | Dark track with a steady threat. Synthesizer, percussion. | disturbing synthesizer time (tick-tock) abyss | D | 130 | |||
|
Unfinished Relation [UBM2271 - 8] |
0 | 2'14 | Daniel Backes, Peter Moslener | Optimistic, hopeful track. Ideal for documentaries and positive | teen drama introspective effects unit everyday life | E | 76 | |||
|
High Fidelity [UBM2267 - 6] |
0 | 1'47 | Karsten Lipp, Andre Matov | Electric guitar and drums create a rock-pop atmosphere. Loopable. | neutral electronic percussion percussive sequencing | Fm | 96 | |||
|
White Clearing [UBM2267 - 8] |
0 | 2'16 | Karsten Lipp, Andre Matov | Slow tempo, beautiful piano piece, deep bass, leading track. | desolate suspended atmosphere airy social drama | D | 96 | |||
|
Raindrops [UBM2267 - 16] |
0 | 2'00 | Karsten Lipp, Andre Matov | Synths imitates falling drops. A beautiful, bright track, ideal for | weather report dreamy arpeggiator complex | Gm | 105 | |||
|
Dark Turkey [UBM2266 - 1] |
0 | 1'58 | Achim Zweschper | Threatening mood, influenced by turkish music. Cello, percussion, | hot desert mystical beds arid | Bm | 85 | |||
|
Ticking Threat [UBM2266 - 3] |
0 | 2'16 | Achim Zweschper | Dreary, slow, dark, increasing threat. Turkish vocals, oud. | complex toxic beds fx delay | E | 117 | |||
|
Gloomy Alley [UBM2266 - 4] |
0 | 3'18 | Achim Zweschper | Creepy track, ideal for increasing tension. Vocals, percussion. | arid hot desert desolate beds | D | 88 | |||
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 | |||
|
Creeping Danger [UBM2266 - 9] |
0 | 2'16 | Achim Zweschper | Increasing threat and danger are transported by this melancholy | tropical forest beds complex humid | E | 87 | |||
|
Abandoned Site [UBM2266 - 11] |
0 | 2'48 | Achim Zweschper | Oppressive, gloomy track. Ideal to show isolated, lonely places. | mystical desolate rumbling beds | C | 100 |