| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
L'Imposture 2 [CEZ4012 - 38] |
0 | 1'14 | Marc-Olivier Dupin | Insidious & unstable. Wind & string ensemble. | contemporary serious music (all) abstract art complex woodwind ensemble | D | 90 | |||
|
Sewer Chase [CEZ4000 - 7] |
0 | 2'20 | Bruno Letort, Romuald Tual | Chase. Thriller. String & keyboard orchestra. | cyclic fantasy disturbing urgent | Em | 172 | |||
|
Dada [CEZ4047 - 20] |
0 | 0'53 | Didier Goret | Burlesque, absurd & eccentric. Clarinets, violin, piano & bass drum. | animation & cartoons abstract art clumsy German realism | Bb | 92 | |||
|
Reflexions [CEZ4047 - 28] |
0 | 1'56 | Marc-Olivier Dupin | Suspense. Reflective & simple. Solo piano. | narrative historical conflict psychological drama sparse | Gm | 104 | |||
|
Mort à Berlin [CEZ4047 - 30] |
0 | 0'55 | Jean-Yves Bosseur | Sarcastic but disturbing. Brass section with accordion & percussion. | German realism geopolitics solemn 1920 | Am | 101 | |||
|
History of Conflict [CEZ4043 - 2] |
0 | 2'34 | Line Adam | Tense & emotional string section. Circling stressful theme. Archive | archive footage poignant destiny 1900 | Bb | 76 | |||
|
Inevitable Consequence [CEZ4043 - 12] |
0 | 0'59 | Marc-Olivier Dupin | Slow & quirky. Resignation to war. Soulful violin/ cello duet. | historical narrative disturbing tragic destiny | Gm | 99 | |||
|
Errance [CEZ4043 - 26] |
0 | 1'14 | Anne-Marie Fijal | Lonely & lost. Sole survivor. Solo clarinet. | wandering desolate sparse introspective | Em | 86 | |||
|
Childhood [CEZ4041 - 1] |
0 | 1'13 | Marc-Olivier Dupin | Simple & innocent. A blank canvas. String quartet. | childhood pastoral country & garden charming | D | 87 | |||
|
Hurricane [CEZ4032 - 7] |
0 | 1'37 | Philippe Hersant | Determined, fiery & stormy. | disturbing noisy chaotic fiery | Cm | 111 | |||
|
An Ant [CEZ4032 - 12] |
0 | 0'35 | Philippe Hersant | Playful, ironical & sparse. Solo piano. | abstract art unstable intermittent insects | Bbm | 113 | |||
|
A Thrilling Uncertainty [CEO2172 - 1] |
2'10 | Marc-Olivier Dupin | Fearful, frightening & worried. Cello played with tremolo & alto | psychological drama disturbing mysterious scary | Gbm | 110 | ||||
|
A Thrilling Uncertainty
[CEO2172 - 10] |
Alt. | 1'25 | Marc-Olivier Dupin | Alternate version. Solo cello played with tremolo. Suggested for | disturbing mysterious tormented psychological drama | Gbm | 65 | |||
|
Era of Darkness [CEO2172 - 7] |
0 | 2'25 | Marc-Olivier Dupin | Dramatic, tragic & tormented. Solo cello. Suggested for psychodrama & | psychological drama solo tormented tragic | Gm | 112 | |||
|
Gnossienne Revisited [CEZ4610 - 10] |
0 | 2'45 | Erik Satie | Anachronistic, enigmatic, questioning & a little bit quirky. | impressionism dreamy classical arrangement suspended atmosphere | Fm | 85 | |||
|
The Age of Empires [CEZ4508 - 10] |
0 | 2'09 | Antoine Glatard | Stubborn, hectic & eerie gradually building to a relentless, fatal & | cinematic contemporary history disturbing historical narrative | Bb | 82 | |||
|
Jupiter from the Planets [CEZ4503 - 10] |
2'21 | Bruno Alexiu from P.D. | From Jupiter, the Bringer of Joy, Gustav Holst's orchestral suite The | church organ protestantism religious celebration solemn | Eb | 114 | ||||
|
Jupiter from the Planets
[CEZ4503 - 52] |
Alt. | 2'16 | Bruno Alexiu from P.D. | In a church environment. | church organ protestantism religious celebration solemn | Eb | 115 | |||
|
Jupiter from the Planets
[CEZ4503 - 53] |
Alt. | 2'16 | Bruno Alexiu from P.D. | In a temple or chapel environment. | church organ protestantism religious celebration solemn | Eb | 115 | |||
|
New Age [UBM2342 - 2] |
0 | 1'57 | Boris Fogelman | Hesitant beautiful piano theme with increasingly dramatic string | acoustic piano destiny moving melancholic | Am | 108 | |||
|
In Commemoration of a Fallen
[UBM2342 - 4] |
0 | 1'57 | Boris Fogelman | Solemn lament for a fallen lover as an instrumental part. Also | moving airy romantic delicate | Dm | 67 | |||
|
Arlette Mon Amour [UBM2342 - 9] |
0 | 2'27 | Boris Fogelman | Graceful waltz for piano, violin and accordion, playing variations on | old-fashioned France waltz movement acoustic piano | Am | 74 | |||
|
A Tribute to Nino Rota [UBM2342 - 10] |
0 | 2'15 | Boris Fogelman | Bowing to the Golden Age of Italian film, this sostenuto piece calls | acoustic Italian cinema duet Europe | Em | 89 |