| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Friend or Foe [CEZ4000 - 15] |
0 | 1'12 | Jean Michel Hervé | Intriguiging strings & sound design. | crescendo desolate action movie high seas | B | 136 | |||
|
Nuclear Menace [CEZ4051 - 11] |
0 | 1'24 | Denis Levaillant | Slow & ever present. Threatening. Resonating deep drone. | steady desolate suspended atmosphere natural disaster | D | 103 | |||
|
La Valse Déglinguée [CEZ4047 - 21] |
0 | 1'53 | Michel Musseau | Bizarre, freakish & uncomfortable. Barrel organ. | small barrel organ unclassifiable quirky funfair | Gm | 100 | |||
|
Day After Day [CEZ4044 - 14] |
0 | 2'02 | Line Adam | Melancholic & instrospective. Piano & cello. | destiny melancholic social drama introspective | Fm | 117 | |||
|
A Lovely War [CEZ4043 - 32] |
0 | 2'19 | Piotr Moss | Determined in the face of adversity. Solo piano playing classical | 1900 silent movie Eastern Europe honky-tonk piano | Gm | 117 | |||
|
Words [CEZ4041 - 10] |
0 | 1'13 | Marc-Olivier Dupin | Freeform slow to fast. Trumbling thoughts. Solo double bass. | interrogative intermittent silence abstract art | Em | 112 | |||
|
Shock Therapy [CEZ4041 - 31] |
0 | 1'29 | Piotr Moss | Harsh & uncomfortable. Ambient. Resonant metallic Fx. | psychotic strident toxic complex | Abm | 65 | |||
|
Between Emotions [CEZ4041 - 35] |
0 | 2'33 | Loïs Blanca | Dark & threatening. Unknown. Slow strings & piano. | steady cold desolate horror | Db | 111 | |||
|
Dreams On Tape [CEZ4707 - 4] |
0 | 3'16 | Barash Vow, quietflow | Hopecore. Introspective, constant, calming, deep & atmospheric. Loops | narrative atmospheric destiny luminous | E | 82 | |||
|
Supernova 7 [CEZ4672 - 17] |
0 | 3'18 | Kevin Seddiki | Sparkling, cosmic & quircky with a psychedelic touch. Solo electric | clean electric guitar bustling hypnotic luminous | Bm | 166 | |||
|
Expectations [CEO2181 - 16] |
0 | 0'42 | Antoine Glatard | Waiting & hoping. Longing. Piano & double bass. Suggested for serious | resillience destiny anticipation original score | Am | 96 | |||
|
Mindfulness of the Present
[EOS111 - 3] |
0 | 2'54 | Damien Poupart-Taussat | Calm & suspended, then narratif & poignant. Solo cello. Suggested | cello suspended atmosphere atmospheric calm | A | 72 | |||
|
From the Depths of the
[EOS129 - 3] |
0 | 5'19 | Ingrid Obled | Abyssal & pure then tense & deep. Nyckelharpa & double bass. | underwater fx whale song nyckelharpa disturbing | E | 129 | |||
|
Yllas [AUD035 - 2] |
1'58 | Gaetan Maire | Like a delicate game of hide and seek between a delicate piano and | cinematic intimate acoustic piano refined | Dm | 60 | ||||
|
Yllas Edit [AUD035 - 7] |
Alt. | 0'31 | Gaetan Maire | 30 second cut. | cinematic intimate acoustic piano refined | Bb | 60 | |||
|
Beautiful Ignorance [EOS92 - 2] |
0 | 3'01 | Federico Nathan Sabetay | Quirky, cheeky & lively. Violin & vibraphone. | abstract art funny animals vibraphone swirling | Am | 100 | |||
|
The Search Within [EOS106 - 11] |
0 | 2'41 | Eric Volpatti | Luminous, hopeful& serious. Cyclic. Synth & electronics. | science atmospheric suspended atmosphere mysterious | A | 98 | |||
|
Mapping the Future [EOS106 - 12] |
0 | 2'40 | Eric Volpatti | Reflective, luminous & analytic. Synth & electronics. | science cyclic sequencing dreamy | Gbm | 98 | |||
|
Shadow Play [CEC8028 - 9] |
0 | 2'30 | Guo Gan | Traditional Chinese music. Bizarre, eerie & frightening. Erhu & | complex intermittent sparse grating | Em | 65 | |||
|
DIY Minded Alternate [CEZ4531 - 16] |
0 | 1'47 | Louis Edlinger, Andreas Suttner | Bed. Minimalist alternate version. Rhythmic but restrained, | beds cybernetics luminous patient | Cm | 107 | |||
|
Inevitability [CEZ4492 - 31] |
1'38 | Julien Vega | Originale version. | acoustic piano destiny moving poignant | Bm | 70 | ||||
|
Inevitability (Thomas Lucas
[CEZ4492 - 13] |
Alt. | 2'28 | Thomas Lucas & Julien Vega | Neo-classical & minimal electro. Bright, motivating & contemporary. | confident electro beat nocturnal urban landscape | Bm | 84 |