| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Bug Night [CEZ4033 - 4] |
0 | 1'27 | Christian Zanesi | Hovering & close. Night insect noises with digital fluttering noise. | insects sound design fantasy electroacoustic music | Em | 65 | |||
|
Hollow Words [CEZ4033 - 5] |
0 | 3'49 | Christian Zanesi | Eerie & emotional. Collage of circling whispers & synths. Mouth music. | cold windy fx wind paranormal | E | 72 | |||
|
Angels Whisper [CEZ4033 - 11] |
0 | 3'17 | Christian Zanesi | Delicate & shimmering tones with playful female whispering. | magical fantasy sci-fi sound design | G | 62 | |||
|
Knowledge Can Be Cool [CEZ4702 - 5] |
2'11 | Louis Edlinger | Electronica bed. Lively, cool & fun. Synth & rhythm. Ideal for | patient teaching strict beds | D | 87 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 37] |
Alt. | 2'09 | Louis Edlinger | Alternate no bass. | D | 117 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 38] |
Alt. | 2'05 | Louis Edlinger | Alternate underscore. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 60
[CEZ4702 - 39] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 30
[CEZ4702 - 40] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit 20
[CEZ4702 - 41] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit
[CEZ4702 - 42] |
Alt. | 0'12 | Louis Edlinger | Sting. | D | 87 | ||||
|
Yes or No [CEZ4702 - 6] |
2'03 | Louis Edlinger | Electronica bed. Bouncy, curious & jerky. Synth & rhythm. Ideal for | beds interrogative teaching strict | Bb | 115 | ||||
|
Yes or No Alternate 1 [CEZ4702 - 43] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Alternate 2 [CEZ4702 - 44] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Edit 60 sec [CEZ4702 - 45] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Bb | 115 | ||||
|
Yes or No Edit 30 sec [CEZ4702 - 46] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Bb | 115 | ||||
|
Yes or No Edit 20 sec [CEZ4702 - 47] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Bb | 115 | ||||
|
Yes or No Edit Sting [CEZ4702 - 48] |
Alt. | 0'09 | Louis Edlinger | Sting. | Bb | 117 | ||||
|
The Tutorial [CEZ4702 - 7] |
1'52 | Louis Edlinger | Electronica bed. Interrogative, kind & simple. Synth & rhythm. Ideal | teaching confident driving neutral | C | 114 | ||||
|
The Tutorial Alternate 1 [CEZ4702 - 49] |
Alt. | 1'52 | Louis Edlinger | Alternate version. | C | 114 | ||||
|
The Tutorial Alternate 2 [CEZ4702 - 50] |
Alt. | 1'51 | Louis Edlinger | Alternate underscore. | Gm | 114 | ||||
|
The Tutorial Edit 60 sec [CEZ4702 - 51] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 113 | ||||
|
The Tutorial Edit 30 sec [CEZ4702 - 52] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 114 | ||||
|
The Tutorial Edit 20 sec [CEZ4702 - 53] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 113 | ||||
|
The Tutorial Edit Sting [CEZ4702 - 54] |
Alt. | 0'11 | Louis Edlinger | Sting. | C | 113 | ||||
|
The Critical Question [CEZ4702 - 9] |
2'32 | Louis Edlinger | Electronica bed. Suspenseful, discontinuous & aery. Synth & rhythm. | interrogative patient suspense airy | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 61] |
Alt. | 2'31 | Louis Edlinger | Alternate no bells. | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 62] |
Alt. | 2'31 | Louis Edlinger | Alternate version. | Dm | 162 | ||||
|
The Critical Question Edit 60
[CEZ4702 - 63] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Dm | 157 | ||||
|
The Critical Question Edit 30
[CEZ4702 - 64] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Dm | 156 | ||||
|
The Critical Question Edit 20
[CEZ4702 - 65] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Dm | 155 | ||||
|
The Critical Question Edit
[CEZ4702 - 66] |
Alt. | 0'13 | Louis Edlinger | Sting. | Dm | 155 | ||||
|
Training the Mind [CEZ4702 - 10] |
2'03 | Louis Edlinger | Electronica bed. Animated, intellectual & focused. Synth & rhythm. | patient teaching strict beds | C | 100 | ||||
|
Training the Mind Alternate 1 [CEZ4702 - 67] |
Alt. | 2'03 | Louis Edlinger | Alternate no percs. | C | 100 | ||||
|
Training the Mind Alternate 2 [CEZ4702 - 68] |
Alt. | 1'39 | Louis Edlinger | Underscore version. | C | 100 | ||||
|
Training the Mind Edit 60 sec [CEZ4702 - 69] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 100 | ||||
|
Training the Mind Edit 30 sec [CEZ4702 - 70] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 100 | ||||
|
Training the Mind Edit 20 sec [CEZ4702 - 71] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 100 | ||||
|
Training the Mind Edit Sting [CEZ4702 - 72] |
Alt. | 0'14 | Louis Edlinger | Sting. | C | 133 | ||||
|
Going to Press [CEG5061 - 4] |
2'27 | Jon Du | Cinematic. Pressing, reflextive & light tension. Break @ 0'57 with | original score crime movie insidious investigation | Bbm | 135 | ||||
|
Going to Press Alternate 1 [CEG5061 - 18] |
Alt. | 2'27 | Jon Du | Version without beat | original score crime movie insidious investigation | Bbm | 135 | |||
|
Going to Press Alternate 2 [CEG5061 - 19] |
Alt. | 2'28 | Jon Du | Underscore version | original score crime movie insidious investigation | Bbm | 135 | |||
|
Dark Hole [AMS5069 - 4] |
2'22 | Dario Ferrante, Jure Jerebic | Cinematic Synthwave. Insidious, inexorable but courageous. Drum | sci-fi 1980 cyclic electronic score | Cm | 126 | ||||
|
Dark Hole Alternate 1 [AMS5069 - 21] |
Alt. | 2'22 | Dario Ferrante, Jure Jerebic | Version without lead synth. | sci-fi 1980 cyclic electronic score | Cm | 80 | |||
|
Dark Hole Alternate 2 [AMS5069 - 22] |
Alt. | 2'22 | Dario Ferrante, Jure Jerebic | Underscore version. | sci-fi 1980 cyclic electronic score | C | 80 | |||
|
Dark Hole Edit 1 30 sec [AMS5069 - 23] |
Alt. | 0'30 | Dario Ferrante, Jure Jerebic | 30 second cut. | sci-fi 1980 cyclic electronic score | Cm | 80 | |||
|
Dark Hole Edit 2 15 sec [AMS5069 - 24] |
Alt. | 0'15 | Dario Ferrante, Jure Jerebic | 15 second cut. | sci-fi 1980 cyclic electronic score | Gm | 80 | |||
|
Hold You Close [CCB1074 - 2] |
3'16 | Bleu Foncé Music, Pauline Diamond | Afrobeats song. Sentimental, tender & warm. Electric guitar, female Lyrics | sensual romantic relaxed afropop | Cm | 100 | ||||
|
Hold You Close Alternate [CCB1074 - 10] |
Alt. | 3'16 | Bleu Foncé Music, Pauline Diamond | Instrumental version. | sensual romantic relaxed afropop | Cm | 100 | |||
|
Everyone's a Target [CEG5064 - 9] |
2'26 | Jérémy Vino | Electro beat. Fatal, determined & obstinate. Synth & rhythm. Ideal | inexorable legal drama nocturnal electronic score | Em | 98 | ||||
|
Everyone's a Target Alternate [CEG5064 - 22] |
Alt. | 2'26 | Jérémy Vino | Alternate no drums. | inexorable legal drama nocturnal electronic score | Em | 98 | |||
|
Smart Camera [CEG5064 - 12] |
0 | 2'07 | Claude Samard | Ambient. Atmospheric, cyclic & evasive. Synth. Ideal for | suspense cyclic cybernetics electronic score | Em | 100 | |||
|
Poolscape [UBM2482 - 6] |
0 | 1'57 | Christoph Lienemann | Relax at the infinity pool, let your thoughts run free, enjoy life: | cocktail bar relaxed synthesizer atmospheric | Em | 100 | |||
|
Rebirth [EOS147 - 6] |
0 | 2'16 | Simon Gruwé | Resilient, confident & determined. Corporate. Strings, electric | synthesizer electronic percussion atmospheric confident | Abm | 115 | |||
|
Kosmische Musik Part 5 [AUD050 - 5] |
2'09 | Dominique Grimaldi | Kosmische Musik / Krautrock. 1970s. Floating, echoing & errie. Analog | insidious krautrock analog synth cyclic | G | 152 | ||||
|
Kosmische Musik Part 5 (Short
[AUD050 - 10] |
Alt. | 0'28 | Dominique Grimaldi | Short edit version. | insidious krautrock analog synth cyclic | G | 152 | |||
|
Kosmische Musik Part 5 (No Fx) [AUD050 - 15] |
Alt. | 2'09 | Dominique Grimaldi | Version without fx. | insidious krautrock analog synth cyclic | G | 152 | |||
|
Dark Voodoo [CEZ4694 - 10] |
3'20 | Gwadakongo | Afrofuturism. Dark & mysterious intro. Electrifying & hypnotic @ | investigation blaxploitation disturbing urban landscape | Dm | 166 | ||||
|
Dark Voodoo Alternate [CEZ4694 - 29] |
Alt. | 3'20 | Gwadakongo | Underscore version | blaxploitation disturbing investigation urban landscape | Dm | 83 | |||
|
Dark Voodoo Edit 30 sec [CEZ4694 - 30] |
Alt. | 0'30 | Gwadakongo | 30 second cut | blaxploitation disturbing investigation urban landscape | Dm | 165 | |||
|
Shakin’ on the Dance Floor [CEZ4681 - 4] |
2'43 | Iain Harper | Funk talkbox. Catchy, groovy & 1980s sexy funky from start to finish. Lyrics | funk luminous sensual electric bass | Bbm | 111 | ||||
|
Shakin’ on the Dance Floor
[CEZ4681 - 28] |
Alt. | 2'43 | Iain Harper, Reggie B | Instrumental Version (without lead vocal & talkbox) | catchy funk attitude club | Abm | 111 | |||
|
Shakin’ on the Dance Floor
[CEZ4681 - 29] |
Alt. | 1'00 | Iain Harper, Reggie B | 60 second cut | catchy funk attitude club | Abm | 111 | |||
|
Shakin’ on the Dance Floor
[CEZ4681 - 30] |
Alt. | 0'30 | Iain Harper, Reggie B | 30 second cut | catchy funk attitude club | Abm | 110 | |||
|
Shakin’ on the Dance Floor
[CEZ4681 - 31] |
Alt. | 0'20 | Iain Harper, Reggie B | 20 second cut | catchy funk attitude club | Ebm | 111 | |||
|
Shakin’ on the Dance Floor
[CEZ4681 - 32] |
Alt. | 0'12 | Iain Harper, Reggie B | Sting | catchy funk attitude club | Abm | 111 | |||
|
Wonderland [CEZ4696 - 3] |
2'45 | Cheik Sound, SukiLélé | K-Pop, Dance pop. Playful, catchy, sunny & bouncy. Korean female Lyrics | Korea modern lively advertising | Bm | 120 | ||||
|
Wonderland Alternate 1 [CEZ4696 - 15] |
Alt. | 2'44 | Cheik Sound | Instrumental version. | modern Korea lively advertising | Bm | 120 | |||
|
Wonderland Alternate 2 [CEZ4696 - 16] |
Alt. | 2'45 | Cheik Sound | Underscore version | modern Korea lively advertising | Gbm | 120 | |||
|
Wonderland Edit 30 sec [CEZ4696 - 17] |
Alt. | 0'30 | Cheik Sound | 30 second cut. | modern Korea lively advertising | Bm | 120 | |||
|
Broken Nation [CET9108 - 4] |
2'47 | Giorgos Lorantakis | Electro trailer. Eerie intro. Glitchy build-up @ 0'27 with determined | heavy cinematic insidious action game | Em | 81 | ||||
|
Broken Nation Alternate [CET9108 - 14] |
Alt. | 2'47 | Giorgos Lorantakis | Version without beat. | heavy insidious action game relentless | Em | 81 |