| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
How Long is the Road Alternate [CEO2086 - 11] |
3'15 | Bruno Alexiu | Underscore / adventure / police movie. Dark & mysterious intro. | building beds disturbing atmospheric | Cm | 113 | ||||
|
How Long is the Road [CEO2086 - 1] |
Alt. | 3'27 | Bruno Alexiu | Adventure / cinematic. Emotional, inspiring & conquering. Orchestra | adventure panorama moving destiny | Dm | 104 | |||
|
Thermal Mass [CEZ4359 - 9] |
0 | 2'44 | Benoit Cimbé | Corporate. Industry. Technology. Heavy, inexorable & atmospheric. @ | science corporate (all) industry atmospheric | Am | 60 | |||
|
Biodiversity Extinction [CEZ4359 - 12] |
0 | 2'13 | Nicolas Rezaï | Corporate. Melancholic, patient & interrogative. @ 1'03 Swirling. | science suspended atmosphere patient interrogative | Dm | 92 | |||
|
Greenhouse Gases [CEZ4359 - 19] |
0 | 2'31 | Mathieu Laurent | Natural disaster. Sad & heavy. Piano & sequencing. | disturbing suspense insidious interrogative | A | 110 | |||
|
Mercury Emission [CEZ4359 - 21] |
0 | 2'13 | Mathieu Laurent | Corporate. Underscore. Threatening & determined. Sequencing. | spy suspense suspended atmosphere relentless | Em | 118 | |||
|
Effective Microorganism [CEZ4359 - 23] |
0 | 2'24 | Thierry Caroubi, John Greaves | Corporate. Interrogative, mysterious & sparkling. Sequencing, synth & | science interrogative corporate (all) suspended atmosphere | Gbm | 140 | |||
|
Taking Care of Nature [CEO2085 - 7] |
0 | 2'33 | Gregory Cotti | Disturbing & melancholic. Guitar, strings & rhythm. | panorama atmospheric suspended atmosphere geopolitics | Am | 154 | |||
|
Midnight's Children [CEO2084 - 3] |
0 | 1'29 | Tender, peaceful, elegant & dreamy. Solo piano. | melancholic mute piano romantic delicate | G | 62 | ||||
|
Creeping Danger [CEG5010 - 1] |
1'52 | Abaji | Calls. Threatening, tense & panoramic. Trumpet, synths & percussion. | geopolitics hot desert Middle-East & Maghreb panorama | Dm | 90 | ||||
|
Creeping Danger Alternate 1 [CEG5010 - 18] |
Alt. | 1'46 | Abaji | Calls. Landscape. Aftermath. Sad & panoramic. Solo trumpet. | desolate geopolitics panorama panoramic | F | 117 | |||
|
Creeping Danger Alternate 2 [CEG5010 - 19] |
Alt. | 1'52 | Abaji | Calls. Landscape. Threatening, tense & panoramic. Trumpet, synth & | geopolitics hot desert disturbing Middle-East & Maghreb | F | 90 | |||
|
Changing the Borders [CEG5010 - 3] |
2'14 | Abaji | Desolate & sad. Kamancheh, strings, synths, daf & percussion. | geopolitics kemençe desolate panorama | Gm | 60 | ||||
|
Changing the Borders
[CEG5010 - 20] |
Alt. | 2'14 | Abaji | Aftermath. Desolate & sad. Strings, percussion & sequencing. | geopolitics disturbing panorama desolate | Bb | 60 | |||
|
Changing the Borders
[CEG5010 - 21] |
Alt. | 2'14 | Abaji | Aftermath. Investigation. Desolate & obstinate. Kamancheh, strings & | geopolitics kemençe desolate panorama | D | 72 | |||
|
Refugees [CEG5010 - 4] |
1'56 | Abaji | Sad & wandering. Acoustic guitar, cello, kemane, synths, daf & | panorama hot desert geopolitics desolate | Dm | 98 | ||||
|
Refugees Alternate [CEG5010 - 22] |
Alt. | 1'56 | Abaji | Sad & wandering. Acoustic guitar & sequencing. | panorama geopolitics acoustic guitar panoramic | Dm | 102 | |||
|
Ruined Landscapes [CEG5010 - 7] |
3'00 | Abaji | Landscape. Panoramic & sad. Clarinet, synths, viola da gamba & | panorama panoramic tracking shot suspended atmosphere | Cm | 110 | ||||
|
Ruined Landscapes Alternate 1 [CEG5010 - 27] |
Alt. | 1'23 | Abaji | Heavy & accentuated. Goblet drum, req, ud, clarinet, accordion & | walking geopolitics sad Middle-East & Maghreb | A | 100 | |||
|
Ruined Landscapes Alternate 2 [CEG5010 - 28] |
Alt. | 1'14 | Abaji | Solitary & sad. Solo clarinet. | panorama panoramic suspended atmosphere geopolitics | A | 65 | |||
|
The Arms Industry [CEG5009 - 5] |
0 | 2'18 | Abaji | Underscore. Determined & powerful. Electric guitar, rhythm & | action movie powerful & imposing driving investigation | Gb | 118 | |||
|
The Approach [CEG5009 - 11] |
0 | 2'21 | Abaji | Underscore. Sudden & threatening. Percussion, cello, trumpet & | historical conflict action movie disturbing investigation | Fm | 65 | |||
|
Shadow Armies [CEG5009 - 14] |
0 | 2'16 | Abaji | Underscore. Sudden & waiting. Electric guitar, percussion, pulse & | hot desert desolate geopolitics spy | Am | 100 | |||
|
Burning Sensations [CEG5009 - 25] |
0 | 2'31 | Abaji | Underscore. Sparse & desolate. Cello, percussion & sequencing. | sinister desolate scary disturbing | Cm | 81 | |||
|
Fighting Dragons [CEC8001 - 7] |
0 | 0'53 | Bo Tian | Adventure / kung fu. Mysterious, warlike & urgent. Taiko & dizi | lost civilizations adventure taiko China | Am | 95 | |||
|
Waiting for Hours [UBM2298 - 3] |
0 | 2'42 | Elias Cadre | Mid tempo, light industrial suspense could be well portrayed with | science interrogative steady electro minimalism | F | 100 | |||
|
Cloudy Night [UBM2298 - 5] |
0 | 2'04 | Elias Cadre | A slightly slower, sombre, dark piece, great background for dark | wandering investigation suspense electro minimalism | Gm | 64 | |||
|
Cold Lights [UBM2298 - 7] |
0 | 2'25 | Elias Cadre | Slightly monotonous, with light electronic sounds, perfect for deep | science steady electro minimalism electronics | E | 102 |