| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
From Memphis to New-Orleans [CEZ4293 - 10] |
2'45 | Nicolas Moreau | Build-up from country picking guitar to New-Orleans jazz. | picking guitar do-it-yourself confident Country & Western | C | 95 | ||||
|
From Memphis to New-Orleans 2 [CEZ4293 - 31] |
Alt. | 1'02 | Nicolas Moreau | Country rag. Light & bouncy. Finger picking guitar solo. | picking guitar do-it-yourself confident Country & Western | Am | 95 | |||
|
Le Dernier Bal [EOS40 - 1] |
0 | 2'55 | Johane Myran | Circus waltz. Clumsy, tragi-comic & quirky. Fanfare, clarinet & | oom-pah clumsy circus music funny | Bb | 82 | |||
|
Primavera [EOS145 - 9] |
0 | 2'34 | Laurent Rochelle | Confident and cheerful with a touch of nostalgia. Accordion, soprano | funny street theatre chromatic accordion swaying | Gm | 124 | |||
|
Steamboat Bill [CEV3027 - 6] |
0 | 1'53 | Scott Taylor | March in the New Orleans style. Lazy & easy-going. Brass band & piano. | circus music brass ensemble lazy brass section | F | 100 | |||
|
Banjo Rag [CEZ4322 - 16] |
0 | 2'28 | François Fournet, Eric Gemsa | Ragtime. Relaxed & joyful. Small instrumental ensemble. | retro cabaret jazz ragtime 1920 North America | Dm | 86 | |||
|
Last Respects [CEZ4226 - 19] |
1'11 | Simon Goubert | New Orleans procession. Solo drums. 169 bpm. | drums solo strict percussive | Em | 169 | ||||
|
Last Respects 2 [CEZ4226 - 40] |
Alt. | 0'43 | Simon Goubert | New Orleans procession. Solo drums. 184 bpm. | drums solo percussive drum roll | Em | 184 |