| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Echoes of the Silk Road [CEC8058 - 3] |
2'11 | Zhang Hao, Peng Qu | Dreamy, undulating, ethereal & contemplative. Saz, ney, darbuka, | hot desert hypnotic Middle-East & Maghreb contemporary middle-eastern music | Fm | 140 | ||||
|
Echoes of the Silk Road
[CEC8058 - 10] |
Alt. | 2'09 | Zhang Hao, Peng Qu | Instrumental version | hot desert hypnotic Middle-East & Maghreb mystical | Fm | 140 | |||
|
The Knife Edge [CEG5051 - 3] |
3'00 | Bruno Alexiu | Heavy, punchy, incisive, distressing & energic. Beat, bass synth & | investigation insidious electro industrial disturbing | Cm | 70 | ||||
|
The Knife Edge Alternate [CEG5051 - 18] |
Alt. | 3'00 | Bruno Alexiu | Version with percussion only. | industry IDM disturbing electronic percussion | Abm | 70 | |||
|
The Knife Edge Edit 1 (60sec) [CEG5051 - 19] |
Alt. | 0'59 | Bruno Alexiu | 60 second cut | insidious electro industrial disturbing investigation | Fm | 70 | |||
|
The Knife Edge Edit 2 (60sec) [CEG5051 - 20] |
Alt. | 0'59 | Bruno Alexiu | 60 second cut | insidious electro industrial disturbing investigation | Cm | 70 | |||
|
The Knife Edge Edit 3 (30sec) [CEG5051 - 21] |
Alt. | 0'30 | Bruno Alexiu | 30 second cut | insidious electro industrial disturbing investigation | Fm | 70 | |||
|
The Knife Edge Edit 4 (30sec) [CEG5051 - 22] |
Alt. | 0'30 | Bruno Alexiu | 30 second cut | insidious electro industrial disturbing investigation | Cm | 70 | |||
|
The Knife Edge Edit 5 (15sec) [CEG5051 - 23] |
Alt. | 0'15 | Bruno Alexiu | 15 second cut | insidious electro industrial disturbing investigation | Fm | 70 | |||
|
The Knife Edge Edit 6 (15sec) [CEG5051 - 24] |
Alt. | 0'15 | Bruno Alexiu | 15 second cut | insidious electro industrial disturbing investigation | Fm | 70 | |||
|
Guitar Bend SFX 1 From A to G [CSDL1021 - 1] |
0'56 | Philippe Briand, Salvador Casais | Sound design element. Clean & floating guitar bends with delay from A | fx delay guitar fx distorted electric guitar mysterious | Em | 155 | ||||
|
Guitar Bend SFX 1 in A [CSDL1021 - 2] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in A | fx delay guitar fx distorted electric guitar mysterious | A | 153 | |||
|
Guitar Bend SFX 1 in B [CSDL1021 - 3] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in B | fx delay guitar fx distorted electric guitar mysterious | B | 151 | |||
|
Guitar Bend SFX 1 in C [CSDL1021 - 4] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in C | fx delay guitar fx distorted electric guitar mysterious | C | 149 | |||
|
Guitar Bend SFX 1 in D [CSDL1021 - 5] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in D | fx delay guitar fx distorted electric guitar mysterious | Dm | 157 | |||
|
Guitar Bend SFX 1 in E [CSDL1021 - 6] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in E | fx delay guitar fx distorted electric guitar mysterious | Em | 162 | |||
|
Guitar Bend SFX 1 in F [CSDL1021 - 7] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in F | fx delay guitar fx distorted electric guitar mysterious | F | 161 | |||
|
Guitar Bend SFX 1 in G [CSDL1021 - 8] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in G | fx delay guitar fx distorted electric guitar mysterious | G | 161 | |||
|
Guitar Bend SFX 2 From A to G [CSDL1021 - 9] |
0'42 | Philippe Briand, Salvador Casais | Sound design element. Fast & vibrating guitar bends with delay from A | fx delay guitar fx distorted electric guitar insidious | G | 81 | ||||
|
Guitar Bend SFX 2 in A [CSDL1021 - 10] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in A | fx delay guitar fx distorted electric guitar insidious | A | 148 | |||
|
Guitar Bend SFX 2 in B [CSDL1021 - 11] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in B | fx delay guitar fx distorted electric guitar insidious | B | 151 | |||
|
Guitar Bend SFX 2 in C [CSDL1021 - 12] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in C | fx delay guitar fx distorted electric guitar insidious | C | 155 | |||
|
Guitar Bend SFX 2 in D [CSDL1021 - 13] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in D | fx delay guitar fx distorted electric guitar insidious | D | 161 | |||
|
Guitar Bend SFX 2 in E [CSDL1021 - 14] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in E | fx delay guitar fx distorted electric guitar insidious | E | 149 | |||
|
Guitar Bend SFX 2 in F [CSDL1021 - 15] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in F | fx delay guitar fx distorted electric guitar insidious | F | 161 | |||
|
Guitar Bend SFX 2 in G [CSDL1021 - 16] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in G | fx delay guitar fx distorted electric guitar insidious | G | 118 | |||
|
Guitar Bend SFX 4 From A to G [CSDL1021 - 25] |
0'42 | Philippe Briand, Salvador Casais | Sound design element. Fast tremolo guitar bends with delay from A to | fx delay guitar fx distorted electric guitar mysterious | Em | 162 | ||||
|
Guitar Bend SFX 4 in A [CSDL1021 - 26] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in A | fx delay guitar fx distorted electric guitar mysterious | Am | 154 | |||
|
Guitar Bend SFX 4 in B [CSDL1021 - 27] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in B | fx delay guitar fx distorted electric guitar mysterious | Bm | 152 | |||
|
Guitar Bend SFX 4 in C [CSDL1021 - 28] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in C | fx delay guitar fx distorted electric guitar mysterious | C | 151 | |||
|
Guitar Bend SFX 4 in D [CSDL1021 - 29] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in D | fx delay guitar fx distorted electric guitar mysterious | Dm | 151 | |||
|
Guitar Bend SFX 4 in E [CSDL1021 - 30] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in E | fx delay guitar fx distorted electric guitar mysterious | Em | 154 | |||
|
Guitar Bend SFX 4 in F [CSDL1021 - 31] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in F | fx delay guitar fx distorted electric guitar mysterious | F | 152 | |||
|
Guitar Bend SFX 4 in G [CSDL1021 - 32] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in G | fx delay guitar fx distorted electric guitar mysterious | Gm | 135 | |||
|
Empty City [AMS5043 - 1] |
3'17 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. 1st part with melancholic guitar & | post-rock tragic climax melancholic | Gbm | 80 | ||||
|
Empty City Alternate 1 [AMS5043 - 11] |
Alt. | 3'17 | Aleksandar Dimitrijevic | Version without bass & drums | post-rock tragic climax melancholic | Gbm | 81 | |||
|
Empty City Alternate 2 [AMS5043 - 12] |
Alt. | 3'17 | Aleksandar Dimitrijevic | Version without melody | post-rock tragic climax melancholic | Gbm | 80 | |||
|
Empty City Edit 1 (30 sec) [AMS5043 - 13] |
Alt. | 0'26 | Aleksandar Dimitrijevic | 30 seconds cut | post-rock tragic climax melancholic | Gbm | 80 | |||
|
Empty City Edit 2 (15 sec) [AMS5043 - 14] |
Alt. | 0'11 | Aleksandar Dimitrijevic | 15 seconds cut | post-rock tragic climax melancholic | Bm | 80 | |||
|
Palmer Eldritch [UBM2548 - 10] |
0 | 1'04 | Achim Zweschper | A holographic manifestation of a silhouette barely recognizable as | mysterious electro ambient disturbing insidious | Abm | 86 | |||
|
Fertile Nile Valley [CEO2174 - 6] |
2'10 | Erella Atlan | Suspended, mysterious & dry as a dream. Piano, synth, kanoun with | hot desert original score geopolitics mysterious | Dm | 74 | ||||
|
Fertile Nile Valley Alternate [CEO2174 - 20] |
Alt. | 2'10 | Erella Atlan | Version without percussion. | hot desert original score geopolitics mysterious | Dm | 72 | |||
|
Synth Swell SFX 10 From A to G [CSDL1018 - 73] |
1'24 | Salvador Casais | Sound design element. Shining & resonant synth swells with stéréo | fx delay fx reverb hypnotic luminous | Em | 118 | ||||
|
Synth Swell SFX 10 in A [CSDL1018 - 74] |
Alt. | 0'12 | Salvador Casais | Shining synth swell in A | fx delay fx reverb hypnotic luminous | A | 148 | |||
|
Synth Swell SFX 10 in B [CSDL1018 - 75] |
Alt. | 0'12 | Salvador Casais | Shining synth swell in B | fx delay fx reverb hypnotic luminous | B | 121 | |||
|
Synth Swell SFX 10 in C [CSDL1018 - 76] |
Alt. | 0'12 | Salvador Casais | Shining synth swell in C | fx delay fx reverb hypnotic luminous | C | 122 | |||
|
Synth Swell SFX 10 in D [CSDL1018 - 77] |
Alt. | 0'12 | Salvador Casais | Shining synth swell in D | fx delay fx reverb hypnotic luminous | D | 107 | |||
|
Synth Swell SFX 10 in E [CSDL1018 - 78] |
Alt. | 0'12 | Salvador Casais | Shining synth swell in E | fx delay fx reverb hypnotic luminous | E | 121 | |||
|
Synth Swell SFX 10 in F [CSDL1018 - 79] |
Alt. | 0'12 | Salvador Casais | Shining synth swell in F | fx delay fx reverb hypnotic luminous | F | 120 | |||
|
Synth Swell SFX 10 in G [CSDL1018 - 80] |
Alt. | 0'12 | Salvador Casais | Shining synth swell in G | fx delay fx reverb hypnotic luminous | G | 100 | |||
|
Team X [ISC083 - 8] |
1'39 | Martin Emilio Insaurgarat | Cinematic. Heavy, powerful & hectic. Electronics, percussion, alarm & | aggressive & violent cinematic heavy percussive | Cm | 135 | ||||
|
Team X Alternate [ISC083 - 18] |
Alt. | 1'39 | Martin Emilio Insaurgarat | No alarms version | aggressive & violent cinematic heavy percussive | Cm | 135 | |||
|
Backwash [AUD036 - 1] |
3'29 | Dominique Grimaldi | Minimal and fascinating. Bright and pulsing minimal bass guitars | hypnotic contemporary art experimental rock cyclic | A | 86 | ||||
|
Backwash (Short Edit) [AUD036 - 6] |
Alt. | 0'42 | Dominique Grimaldi | Minimal and fascinating. Bright and pulsing minimal bass guitars | hypnotic experimental rock contemporary art mysterious | A | 86 | |||
|
Backwash (Full Length) [AUD036 - 11] |
Alt. | 8'46 | Dominique Grimaldi | Minimal and fascinating. Bright and pulsing minimal bass guitars | hypnotic experimental rock contemporary art mysterious | A | 86 | |||
|
Political Intrigues [CEG5047 - 8] |
2'29 | Ben Berkenbosch | Investigation. Anticipating intro evolving with clocklike, piano & | interrogative suspense anticipation mysterious | Em | 120 | ||||
|
Political Intrigues Alternate [CEG5047 - 55] |
Alt. | 2'29 | Ben Berkenbosch | Underscore alternate version. | interrogative suspense anticipation mysterious | Em | 120 | |||
|
Political Intrigues 15 sec
[CEG5047 - 56] |
Alt. | 0'15 | Ben Berkenbosch | 15 second cut. | interrogative suspense anticipation mysterious | Em | 120 | |||
|
Political Intrigues 30 sec
[CEG5047 - 57] |
Alt. | 0'30 | Ben Berkenbosch | 30 second cut. | interrogative suspense anticipation mysterious | Em | 120 | |||
|
Political Intrigues 60 sec
[CEG5047 - 58] |
Alt. | 1'00 | Ben Berkenbosch | 60 second cut. | interrogative suspense anticipation mysterious | Em | 120 | |||
|
Political Intrigues sting [CEG5047 - 59] |
Alt. | 0'06 | Ben Berkenbosch | Sting. | interrogative suspense anticipation mysterious | Em | 116 | |||
|
Corruption Chronicles [CEG5047 - 11] |
2'15 | Ben Berkenbosch | Investigation. Dark, ominous, confidential & questioning. Cyclique & | legal drama crime movie disturbing steady | C | 140 | ||||
|
Corruption Chronicles
[CEG5047 - 72] |
Alt. | 2'14 | Ben Berkenbosch | Underscore alternate version. | legal drama crime movie disturbing investigation | C | 140 | |||
|
Corruption Chronicles 15 sec
[CEG5047 - 73] |
Alt. | 0'15 | Ben Berkenbosch | 15 second cut. | legal drama crime movie disturbing steady | Cm | 140 | |||
|
Corruption Chronicles 30 sec
[CEG5047 - 74] |
Alt. | 0'30 | Ben Berkenbosch | 30 second cut. | legal drama crime movie disturbing steady | C | 140 | |||
|
Corruption Chronicles 60 sec
[CEG5047 - 75] |
Alt. | 1'00 | Ben Berkenbosch | 60 second cut. | legal drama crime movie disturbing steady | Cm | 140 | |||
|
Corruption Chronicles sting [CEG5047 - 76] |
Alt. | 0'13 | Ben Berkenbosch | Sting. | legal drama crime movie disturbing steady | Cm | 91 | |||
|
No Place To Run [CEZ4634 - 4] |
2'03 | Léo Natale, Morgan Sansous, Saint Josh | Trap / Freak Hip Hop. Insidious, cold, spooky, spasmodic & indolent. Lyrics | halloween male singer horror weird | Cm | 130 | ||||
|
No Place To Run Alternate [CEZ4634 - 37] |
Alt. | 2'03 | Léo Natale, Morgan Sansous | Instrumental version. | halloween horror weird attitude | Cm | 130 | |||
|
No Place To Run 15 sec edit [CEZ4634 - 38] |
Alt. | 0'15 | Léo Natale, Morgan Sansous, Saint Josh | 15 second cut. | halloween male singer horror weird | Ebm | 129 | |||
|
No Place To Run Instru 15 sec
[CEZ4634 - 39] |
Alt. | 0'15 | Léo Natale, Morgan Sansous | 15 second instrumental cut. | halloween horror weird attitude | Cm | 130 | |||
|
No Place To Run 30 sec edit [CEZ4634 - 40] |
Alt. | 0'30 | Léo Natale, Morgan Sansous, Saint Josh | 30 second cut. | halloween male singer horror weird | Cm | 130 | |||
|
No Place To Run Instru 30 sec
[CEZ4634 - 41] |
Alt. | 0'30 | Léo Natale, Morgan Sansous | 30 second instrumental cut. | halloween horror weird attitude | Cm | 130 | |||
|
No Place To Run 60 sec edit [CEZ4634 - 42] |
Alt. | 1'00 | Léo Natale, Morgan Sansous, Saint Josh | 60 second cut. | halloween male singer horror weird | Cm | 130 | |||
|
No Place To Run Instru 60 sec
[CEZ4634 - 43] |
Alt. | 1'00 | Léo Natale, Morgan Sansous | 60 second instrumental cut. | halloween horror weird attitude | Cm | 130 | |||
|
No Place To Run sting [CEZ4634 - 44] |
Alt. | 0'10 | Léo Natale, Morgan Sansous | Sting. | halloween horror weird attitude | Abm | 129 | |||
|
Breath of Threat [CEC8049 - 8] |
0 | 2'50 | Zhang Hao, Peng Qu | Peaceful, positive & long intro with piano & distant delayed guitar. | adventure cinematic uplifting panoramic | Bm | 86 | |||
|
The Wild Run [CEO2168 - 3] |
0 | 2'22 | Constant build-up. Relentless, insidious, rhythmic & hypnotic. Synth | mystical mysterious steady social drama | Dm | 120 | ||||
|
Live Forever [MPMA0033 - 3] |
1'56 | Gregg Allen, Sarah Todd | Enchanting and ethereal pop melodies intertwined with atmospheric | catchy dance-pop celebs synthesizer | Cm | 120 | ||||
|
Live Forever - 30 Sec [MPMA0033 - 11] |
Alt. | 0'30 | Gregg Allen, Sarah Todd | Enchanting and ethereal pop melodies intertwined with atmospheric | catchy dance-pop celebs synthesizer | Cm | 120 | |||
|
Live Forever - Instrumental [MPMA0033 - 12] |
Alt. | 1'56 | Gregg Allen, Sarah Todd | Enchanting and ethereal pop melodies intertwined with atmospheric | catchy dance-pop celebs synthesizer | Cm | 118 | |||
|
Her Voice Remains [MPMA0030 - 4] |
2'00 | Mark Himley | Ambient, piano lead melodies for those emotional, building moments. | corporate video resillience destiny uplifting | Fm | 105 | ||||
|
Her Voice Remains - 30 Sec [MPMA0030 - 9] |
Alt. | 0'30 | Mark Himley | Ambient, piano lead melodies for those emotional, building moments. | corporate video resillience destiny uplifting | Fm | 105 | |||
|
Her Voice Remains - 15 Sec [MPMA0030 - 10] |
Alt. | 0'15 | Mark Himley | Ambient, piano lead melodies for those emotional, building moments. | corporate video resillience destiny uplifting | Ab | 105 | |||
|
Her Voice Remains - 60 Sec
[MPMA0030 - 11] |
Alt. | 1'00 | Mark Himley | Ambient, piano lead melodies for those emotional, building moments. | corporate video resillience destiny uplifting | Ab | 105 | |||
|
Her Voice Remains - 60 Sec
[MPMA0030 - 12] |
Alt. | 1'00 | Mark Himley | Ambient, piano lead melodies for those emotional, building moments. | corporate video resillience destiny uplifting | Fm | 105 | |||
|
Her Voice Remains - Sting [MPMA0030 - 13] |
Alt. | 0'07 | Mark Himley | Ambient, piano lead melodies for those emotional, building moments. | corporate video resillience destiny uplifting | Eb | 104 | |||
|
Composition Notebooks [AMS5028 - 4] |
2'09 | Willie Eaglin, Shawn Horton | Boom Bap. Cool, rhythmic & energetic. Brass, drums, electric guitar & | street sports boom bap daytime TV driving | Bm | 94 | ||||
|
Composition Notebooks
[AMS5028 - 28] |
Alt. | 2'09 | Willie Eaglin, Shawn Horton | Alternate without percussion. | street sports boom bap daytime TV driving | Bm | 94 | |||
|
Composition Notebooks
[AMS5028 - 29] |
Alt. | 2'09 | Willie Eaglin, Shawn Horton | Alternate with percussion only. | street sports boom bap daytime TV driving | Ebm | 94 | |||
|
Composition Notebooks
[AMS5028 - 30] |
Alt. | 2'09 | Willie Eaglin, Shawn Horton | Alternate instrumental. | street sports boom bap daytime TV driving | Bm | 94 | |||
|
Composition Notebooks
[AMS5028 - 31] |
Alt. | 2'09 | Willie Eaglin, Shawn Horton | Alternate underscore. | street sports boom bap daytime TV driving | Em | 94 | |||
|
Composition Notebooks Edit 1
[AMS5028 - 32] |
Alt. | 0'30 | Willie Eaglin, Shawn Horton | 30 second cut. | street sports boom bap daytime TV driving | Bm | 94 | |||
|
Composition Notebooks Edit 2
[AMS5028 - 33] |
Alt. | 0'15 | Willie Eaglin, Shawn Horton | 15 second cut. | street sports boom bap daytime TV driving | Bm | 94 | |||
|
Extensive Research [AUD022 - 1] |
2'32 | Matthieu Rabaté | Fast tempo - Pulsing, time passing and suspenseful investigation | investigation spy pulsation disturbing | Dm | 164 | ||||
|
Extensive Research Alternate 1 [AUD022 - 6] |
Alt. | 0'26 | Matthieu Rabaté | Alternative short version. | investigation spy pulsation disturbing | Am | 164 | |||
|
Extensive Research Alternate 2 [AUD022 - 11] |
Alt. | 2'32 | Matthieu Rabaté | Alternative version without percussion. | investigation spy pulsation disturbing | Dm | 164 |