| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
A Confused Game [CEG5030 - 6] |
0 | 2'00 | Sophia Domancich, Gilles Pezerat | Tense, hot pursuit. Jazz orchestra (big band) with trumpet. Suggested | chase driving anticipation film noir | Am | 126 | |||
|
New York Buddies [CEG5030 - 7] |
0 | 2'06 | Gregory Cotti | Wandering, nocturnal mood reminiscent of US indie movies from the | jazz club nocturnal jazz quartet cinematic jazz | Cm | 115 | |||
|
Close Shadow [CEG5030 - 8] |
0 | 1'19 | Daniel Diaz | 50's / 60's hot pursuit music in the spirit of 50's / 60's Film Noir. | police comedy driving lively snare drum with brushes | Gm | 95 | |||
|
Film Noir [CEG5030 - 9] |
0 | 0'44 | Paul Martin Pritchard | Puzzling, sensual & sophisticated. Tenor sax trio, double bass & | spy film noir nocturnal tenor saxophone | Gm | 108 | |||
|
Gumshoe Blues [CEG5030 - 10] |
0 | 3'06 | Paul Martin Pritchard | Mysterious, interrogative & worrisome in the spirit of 50's / 60's | film noir jazz club nocturnal interrogative | Fm | 71 | |||
|
An Actor, a Legend [CEG5030 - 11] |
0 | 2'13 | Gregory Cotti | Jazz ballad. Melancholic, cosy & thoughtful. Trumpet, strings, piano | jazz ballad intimate mysterious nocturnal | Gm | 68 | |||
|
Clouds of Menace [CEG5030 - 12] |
0 | 2'19 | Laurent Couson | Weighing, oppressing & tragic. Dark ambiance remaining the Film | destiny film noir historical narrative symphony orchestra | Bbm | 129 | |||
|
Polar Blues [CEG5030 - 13] |
0 | 4'48 | Loy Ehrlich, Didier Malherbe, Steve Shehan | Jazz ballad. Relaxed, introspective & sophisticated. Nocturnal | jazz ballad duduk introspective mysterious | Cm | 125 | |||
|
Femme Fatale [CEG5030 - 14] |
0 | 2'40 | André Charlier, Benoît Sourisse | Nocturnal, thoughtful & solitary. Reminiscent of french "polar" from | intimate nocturnal muted trumpet acoustic piano | Em | 65 | |||
|
Les Masques Tombent [CEG5030 - 15] |
0 | 0'49 | Pablo Pico | Intriguing, interrogative & thoughtful. Clarinet, vibraphone & | French cinema interrogative mysterious nocturnal | C | 84 | |||
|
City Limits [CEG5030 - 16] |
0 | 3'50 | André Charlier, Benoît Sourisse | Cool & chic. Jazz quintet with trumpet & sax. In the spirit of the | new wave (cinema) relaxed cinematic jazz jazz club | Ebm | 100 | |||
|
Time Square [CEG5030 - 17] |
0 | 3'07 | André Charlier, Benoît Sourisse | Like a nocturnal spree. Jazz quintet with sax & trumpet. In the | new wave (cinema) driving 1960 jazz club | Gm | 118 | |||
|
Weegee's New-York Street [CEG5030 - 18] |
0 | 1'07 | Marc-Olivier Dupin | Broody, irregular & wandering. Tenor sax duo & piano. | desolate melancholic historical narrative tenor saxophone | Bb | 106 | |||
|
Hot Cat Cool Kitty [CEG5030 - 19] |
0 | 1'27 | John Greaves | Melancholic, nocturnal & lonely. Trumpet & piano. Suggested for | muted trumpet introspective melancholic nocturnal | Am | 68 | |||
|
Stool Pigeon [CEG5030 - 20] |
0 | 1'38 | Paul Martin Pritchard | Suspenseful, tense, mysterious & insidious. Trumpet & double bass. | suspense muted trumpet double bass insidious | Cm | 76 | |||
|
Private [CEG5030 - 21] |
0 | 1'25 | André Charlier, Benoît Sourisse | Jazzy & characteristic of bad places in gangster films. Hammond, | lazy nocturnal jazzy modern jazz | Gm | 96 | |||
|
La Route du Rosé [CEG5030 - 22] |
0 | 1'23 | Pablo Pico | Characteristic rhythm of detective films. Double-bass, snaps, vibes & | mysterious relaxed double bass lazy | Em | 120 | |||
|
The Things I Love [CEG5030 - 24] |
0 | 3'23 | André Charlier, Benoît Sourisse | Late night out in town.Relaxed but a little disturbing. Jazz quartet | jazz club urban landscape relaxed tenor saxophone | Cm | 129 | |||
|
Out of Breath [CEG5030 - 25] |
0 | 3'30 | Sophia Domancich | Urgent, restless, unstable, constant & jolting. Jazz ensemble with | weird film noir crime movie investigation | Bbm | 145 | |||
|
The Setup [CEG5030 - 26] |
0 | 1'38 | Daniel Diaz | Night wandering, mysterious & questioning. Walking bass & snaps. | walking lazy mysterious jazzy | Em | 108 |