| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Purple Fog [EOS06 - 7] |
0 | 2'37 | Olivier Samouillan, Eric Volpatti | Electro minimalism. Patient & confident. Electronics, pizzicati, | science time (tick-tock) atmospheric steady | D | 116 | |||
|
Tribal Science [EOS06 - 11] |
0 | 2'21 | Olivier Samouillan, Eric Volpatti | Electro minimalism. Obstinate & patient. Electronics, pizzicati & | science time (tick-tock) beds driving | D | 120 | |||
|
Voxy (part 1) [CEZ4014 - 21] |
0 | 0'23 | Gilles Racot | Eccentric & percussive. Sampled voices noises. | contemporary art blooper link complex | Gm | 81 | |||
|
Just in Time [CEZ4014 - 85] |
0 | 0'29 | Bruno Letort | urgent & tense. Electronics. | investigation jingle strict loop | Eb | 88 | |||
|
Do-It-Yourself [CEZ4095 - 11] |
0 | 1'49 | Dominique Depret, Claire Vailler | Airy & cyclic. Electronics & rhythm. | interiors & cooking daytime TV fashion steady | E | 120 | |||
|
Always on the Run [CEZ4084 - 7] |
0 | 1'54 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Airy & repetitive. Electric guitar & electronics. | cyclic hypnotic social drama clean electric guitar | D | 105 | |||
|
Rhythm Of Rain [CEZ4084 - 17] |
0 | 2'02 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Simple & restrained. Electric guitar & electronics. | luminous cyclic social drama acoustic organic | Em | 104 | |||
|
It's Fantastic [CEV3019 - 25] |
2'24 | La Fine Equipe | Progressive Hip-hop with a latin feel. Male & female vocal. BPM 94.Lyrics | rap 2000 beat making fx vinyl | Em | 94 | ||||
|
It's Fantastic [CEV3019 - 26] |
Alt. | 2'25 | La Fine Equipe | Progressive Hip-hop with a latin feel. Unusual. Female voice. BPM 94. | beat making hip-hop (all) fashion 2000 | Am | 94 | |||
|
Micro Groove [CEZ4059 - 27] |
0 | 2'59 | Sébastien Roux | Moody & emotional. Lo-fi guitar samples & sound design. | contemporary art architecture & design natural disaster 2000 | Fm | 103 | |||
|
The Lighthouse [CEZ4057 - 31] |
0 | 3'05 | Christof Déjean | Constant & mysterious. Circling fx with simple guitar theme. | natural disaster desolate wandering acoustic organic | Gm | 60 | |||
|
Corporate Slaughter [CEZ4056 - 24] |
0 | 2'03 | Nicolas Mizrachi, Jean-Francois Morin | Sad feel with angry rhythm. Heavy guitars & busy drum loops @ 0'33. | social drama sequencing sad driving | Em | 162 | |||
|
Memories or Dreams [CEZ4052 - 4] |
0 | 2'00 | Vincent Leibovitz | Light and unnerving. Loose piano & bass with cyclic drone. | patient cyclic drone suspended atmosphere | Em | 114 | |||
|
Echoes of Images [CEZ4046 - 13] |
0 | 2'46 | Christof Déjean | Reflective & neutral. Slow delayed piano with reverse loop & digital | electro ambient electro minimalism steady desolate | Cm | 60 | |||
|
Voyage [CEZ4046 - 20] |
0 | 2'44 | Christof Déjean | Encapsulating & circling. Reverse loop with occasional piano & sparse | interrogative suspended atmosphere fx backwards slow motion | Dm | 126 | |||
|
Knowledge Can Be Cool [CEZ4702 - 5] |
2'11 | Louis Edlinger | Electronica bed. Lively, cool & fun. Synth & rhythm. Ideal for | patient teaching strict beds | D | 87 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 37] |
Alt. | 2'09 | Louis Edlinger | Alternate no bass. | D | 117 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 38] |
Alt. | 2'05 | Louis Edlinger | Alternate underscore. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 60
[CEZ4702 - 39] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 30
[CEZ4702 - 40] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit 20
[CEZ4702 - 41] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit
[CEZ4702 - 42] |
Alt. | 0'12 | Louis Edlinger | Sting. | D | 87 | ||||
|
Airline Lovers [AUD053 - 3] |
2'30 | Frederic Sicart | French Touch. Laid-back, cool & carefree. Keyboards, brass, groovy | cocktail bar French touch solar confident | G | 103 | ||||
|
Airline Lovers (Short Edit) [AUD053 - 8] |
Alt. | 0'28 | Frederic Sicart | Short edit version | cocktail bar French touch solar confident | G | 102 | |||
|
Airline Lovers (No Theme) [AUD053 - 13] |
Alt. | 2'30 | Frederic Sicart | Underscore version | cocktail bar French touch solar confident | G | 103 | |||
|
Solar Funk [AUD053 - 4] |
2'08 | Frederic Sicart | French Touch. Flowing, funky & sensual. Synth bass hook, synths, | cocktail bar French touch celebs relaxed | Dm | 115 | ||||
|
Solar Funk (Short Edit) [AUD053 - 9] |
Alt. | 0'27 | Frederic Sicart | Short edit version | cocktail bar French touch celebs relaxed | Dm | 113 | |||
|
Solar Funk (No Theme) [AUD053 - 14] |
Alt. | 2'08 | Frederic Sicart | Underscore version | cocktail bar French touch celebs relaxed | Dm | 115 | |||
|
RAPTOR [CEM3026 - 5] |
1'46 | Léo Natale | Phonk. Slow. Powerful, ambitious, imposing, dark, arrogant & | walking electroclash powerful & imposing fashion | Em | 100 | ||||
|
RAPTOR Alternate 1 [CEM3026 - 53] |
Alt. | 1'46 | Léo Natale | Instrumental version | walking electroclash powerful & imposing fashion | Em | 100 | |||
|
RAPTOR Alternate 2 [CEM3026 - 54] |
Alt. | 2'04 | Léo Natale | Slowed version | electroclash walking powerful & imposing fashion | Dbm | 86 | |||
|
RAPTOR Alternate 3 [CEM3026 - 55] |
Alt. | 2'02 | Léo Natale | Instrumental slowed version | walking electroclash powerful & imposing fashion | Dbm | 86 | |||
|
RAPTOR Edit 1 (60 sec) [CEM3026 - 56] |
Alt. | 1'00 | Léo Natale | 60 second cut | walking electroclash powerful & imposing fashion | Em | 100 | |||
|
RAPTOR Edit 2 (30 sec) [CEM3026 - 57] |
Alt. | 0'30 | Léo Natale | 30 second cut | walking electroclash powerful & imposing fashion | Em | 100 | |||
|
RAPTOR Edit 3 (20 sec) [CEM3026 - 58] |
Alt. | 0'20 | Léo Natale | 20 second cut | walking electroclash powerful & imposing fashion | Em | 100 | |||
|
RAPTOR Edit 4 (sting) [CEM3026 - 59] |
Alt. | 0'11 | Léo Natale | Sting | walking electroclash powerful & imposing fashion | B | 131 | |||
|
RAPTOR Edit 5 (60 sec slowed) [CEM3026 - 60] |
Alt. | 1'00 | Léo Natale | 60 second slowed cut | walking electroclash powerful & imposing fashion | Dbm | 85 | |||
|
RAPTOR Edit 6 (30 sec slowed) [CEM3026 - 61] |
Alt. | 0'30 | Léo Natale | 30 second slowed cut | walking electroclash powerful & imposing fashion | Bm | 86 | |||
|
RAPTOR Edit 7 (20 sec slowed) [CEM3026 - 62] |
Alt. | 0'20 | Léo Natale | 20 second slowed cut | walking electroclash powerful & imposing fashion | Bm | 86 | |||
|
RAPTOR Edit 8 (sting slowed) [CEM3026 - 63] |
Alt. | 0'13 | Léo Natale | Slowed sting | walking electroclash powerful & imposing fashion | Abm | 114 | |||
|
ÚLTIMA AURA [CEM3026 - 7] |
1'25 | Léo Natale | Brazilian Phonk. Speed. Ambitious, proud & rhythmic. Synth, bass | proud masculine attitude brazilian phonk | Em | 130 | ||||
|
ÚLTIMA AURA Alternate 1 [CEM3026 - 73] |
Alt. | 1'25 | Léo Natale | Instrumental version | proud masculine attitude brazilian phonk | B | 130 | |||
|
ÚLTIMA AURA Alternate 2 [CEM3026 - 74] |
Alt. | 1'39 | Léo Natale | Slowed version | walking proud masculine slow motion | Abm | 111 | |||
|
ÚLTIMA AURA Alternate 3 [CEM3026 - 75] |
Alt. | 1'39 | Léo Natale | Instrumental slowed version | proud masculine attitude brazilian phonk | Dbm | 111 | |||
|
ÚLTIMA AURA Edit 1 (60 sec) [CEM3026 - 76] |
Alt. | 1'00 | Léo Natale | 60 second cut | proud masculine attitude brazilian phonk | Em | 130 | |||
|
ÚLTIMA AURA Edit 2 (30 sec) [CEM3026 - 77] |
Alt. | 0'30 | Léo Natale | 30 second cut | proud masculine attitude brazilian phonk | Bm | 130 | |||
|
ÚLTIMA AURA Edit 3 (20 sec) [CEM3026 - 78] |
Alt. | 0'20 | Léo Natale | 20 second cut | proud masculine attitude brazilian phonk | Em | 130 | |||
|
ÚLTIMA AURA Edit 4 (sting) [CEM3026 - 79] |
Alt. | 0'10 | Léo Natale | Sting | proud masculine attitude brazilian phonk | Bm | 129 | |||
|
ÚLTIMA AURA Edit 5 (60 sec
[CEM3026 - 80] |
Alt. | 1'00 | Léo Natale | 60 second slowed cut | proud masculine attitude brazilian phonk | Abm | 111 | |||
|
ÚLTIMA AURA Edit 6 (30 sec
[CEM3026 - 81] |
Alt. | 0'30 | Léo Natale | 30 second slowed cut | proud masculine attitude brazilian phonk | Abm | 111 | |||
|
ÚLTIMA AURA Edit 7 (20 sec
[CEM3026 - 82] |
Alt. | 0'20 | Léo Natale | 20 second slowed cut | proud masculine attitude brazilian phonk | Abm | 111 | |||
|
ÚLTIMA AURA Edit 8 (sting
[CEM3026 - 83] |
Alt. | 0'12 | Léo Natale | Slowed sting | proud masculine attitude brazilian phonk | Abm | 111 | |||
|
PHONK OFF [CEM3025 - 4] |
1'45 | B4D3.mp3 | Drift phonk. Speed. Stimulating, choppy, rebellious, tense & | phonk modern aggressive & violent heavy | D | 99 | ||||
|
PHONK OFF Alternate 1 [CEM3025 - 45] |
Alt. | 1'45 | B4D3.mp3 | Instrumental version | phonk modern aggressive & violent heavy | D | 99 | |||
|
PHONK OFF Alternate 2 [CEM3025 - 46] |
Alt. | 2'03 | B4D3.mp3 | Slowed version | heavy walking modern powerful & imposing | Bm | 127 | |||
|
PHONK OFF Alternate 3 [CEM3025 - 47] |
Alt. | 2'03 | B4D3.mp3 | Slowed instrumental version | phonk modern aggressive & violent heavy | Bm | 127 | |||
|
PHONK OFF Edit 1 (60 sec) [CEM3025 - 48] |
Alt. | 1'00 | B4D3.mp3 | 60 second cut | phonk modern aggressive & violent heavy | D | 148 | |||
|
PHONK OFF Edit 2 (30 sec) [CEM3025 - 49] |
Alt. | 0'30 | B4D3.mp3 | 30 second cut | phonk modern aggressive & violent heavy | D | 148 | |||
|
PHONK OFF Edit 3 (20 sec) [CEM3025 - 50] |
Alt. | 0'20 | B4D3.mp3 | 20 second cut | phonk modern aggressive & violent heavy | Dm | 99 | |||
|
PHONK OFF Edit 4 (sting) [CEM3025 - 51] |
Alt. | 0'08 | B4D3.mp3 | Sting | phonk modern aggressive & violent heavy | D | 98 | |||
|
PHONK OFF Edit 5 (60 sec
[CEM3025 - 52] |
Alt. | 1'00 | B4D3.mp3 | 60 second slowed cut | phonk modern aggressive & violent heavy | Bm | 127 | |||
|
PHONK OFF Edit 6 (30 sec
[CEM3025 - 53] |
Alt. | 0'30 | B4D3.mp3 | 30 second slowed cut | phonk modern aggressive & violent heavy | Bm | 127 | |||
|
PHONK OFF Edit 7 (20 sec
[CEM3025 - 54] |
Alt. | 0'20 | B4D3.mp3 | 20 second slowed cut | phonk modern aggressive & violent heavy | Bm | 127 | |||
|
PHONK OFF Edit 8 (sting
[CEM3025 - 55] |
Alt. | 0'09 | B4D3.mp3 | Slowed sting | phonk modern aggressive & violent heavy | B | 126 |