| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Louisiana Waltz [CEV3034 - 20] |
0 | 1'50 | Christian Lancry, Vincent Blin | Cajun waltz. Lazy & peaceful. Fiddle, melodeon @ 0'50, banjo, guitar | cajun traditional instrumental ensemble Louisiana melodeon | Bm | 115 | |||
|
La Belle Province [CEV3034 - 21] |
0 | 1'25 | Christian Lancry, Vincent Blin | Quebec reel. Fiddle & guitar. | square dance fiddle violin Canada ethnic & traditional (all) | D | 100 | |||
|
Celtic Roots [CEV3034 - 22] |
0 | 2'43 | Christian Lancry | Bluegrass. Dancing & carefree. Guitar, mandolin, fiddle & rhythm. | traditional instrumental ensemble fiddle violin folk (all) American mandolin | Em | 102 | |||
|
Banjo Hoedown [CEV3034 - 23] |
0'56 | Christian Lancry, Gianfranco Le Guilcher | Old-time bluegrass. Urgent & bouncy. Solo banjo. | banjos (all) old time United States of America rodeo | Em | 130 | ||||
|
Hoedown Banjo [CEV3034 - 31] |
Alt. | 0'56 | Gianfranco Le Guilcher | Old-time. Urgent & bouncy. Banjo & spoons. | traditional instrumental ensemble rodeo banjos (all) spoons | Em | 131 | |||
|
Lonesome Banjo [CEV3034 - 24] |
0 | 0'43 | Thomas Bewicke Copley | Old-time bluegrass. Serious & nostalgic. Solo banjo. | old time banjos (all) United States of America western | Am | 110 | |||
|
Pick And Pegs [CEV3034 - 25] |
0 | 0'42 | Thomas Bewicke Copley | Bluegrass. Playful & mischievous. Solo banjo. | banjos (all) United States of America rodeo country ballad | D | 107 | |||
|
Frailing Banjo [CEV3034 - 26] |
0 | 1'25 | Gianfranco Le Guilcher | Old-time (clawhammer/ Frailing). Serious & concentrated. Solo banjo. | banjos (all) United States of America old time ethnic & traditional (all) | Gm | 96 | |||
|
Slap That Bass [CEV3034 - 27] |
0 | 1'06 | Laurent Gonzales, Christian Lancry | Country-Swing. Suspense. Constant & groovy. Double-bass & finger | 1960 investigation sensual romantic comedy | G | 85 | |||
|
Industrial Landscape [CEZ4100 - 1] |
0 | 3'18 | Mathias Delplanque | Electro-indus. Determined & serious. | electro industrial steady industry mechanical | Am | 120 | |||
|
Chemical Plant [CEZ4100 - 2] |
0 | 2'38 | Mathias Delplanque | Positive & fizzy. Electronics. | sequencing cyclic industry mechanical | Gm | 131 | |||
|
Happy Factory [CEZ4100 - 3] |
0 | 1'44 | Dominique Depret, Claire Vailler | Bright & determined. Electronics. | open air everyday life corporate video industry | G | 142 | |||
|
Silicon Valley [CEZ4100 - 4] |
0 | 2'20 | Mathias Delplanque | Electro-glitch. Restrained but determined progression. | investigation electro glitch industry science | Am | 120 | |||
|
Oil Refinery [CEZ4100 - 5] |
0 | 2'02 | John Greaves | Inexorable & grating. Electronics & bass. | inexorable investigation industry confident | Gb | 83 | |||
|
Computing Platform [CEZ4100 - 6] |
0 | 2'45 | Mathias Delplanque | Electro-indus. Mechanical & inexorable. | industry robotic electro industrial nocturnal | Gm | 104 | |||
|
Cycle Time Variation [CEZ4100 - 7] |
0 | 2'08 | Alice Guerlot Kourouklis | Electro-pop. Positive & mechanical progression. | industry corporate (all) suspended atmosphere cyclic | Am | 130 | |||
|
Gears In Motion [CEZ4100 - 8] |
0 | 2'32 | Mathias Delplanque | Electro up-beat. Inexorable & circular. | 2000 cyclic sequencing robotic | Am | 130 | |||
|
The Night Shift [CEZ4100 - 9] |
0 | 2'13 | Dominique Depret, Claire Vailler | Industrial & constant. Electronics. | industry spy robotic hypnotic | Ebm | 117 | |||
|
Coal Train [CEZ4100 - 10] |
0 | 2'12 | Dominique Depret, Claire Vailler | Mechanical & oniric. Electronics & rhythm. | mechanical flash back fx backwards hypnotic | Bm | 90 | |||
|
The Punching Machine [CEZ4100 - 11] |
0 | 2'36 | Mathias Delplanque | Electro-indus. Robotic & sparse. | industry robotic cyclic driving | Gm | 110 | |||
|
The Poetry Of Atoms [CEZ4100 - 12] |
0 | 2'17 | Dominique Depret, Claire Vailler | Dreamy but mechanical. Electric guitar, electronics & rhythm. | cyclic suspended atmosphere slow motion social drama | E | 100 |