| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
When Your Guitars Dream [CEZ4707 - 8] |
0 | 2'20 | Barash Vow, quietflow | Hopecore. Calm, meditative & enveloping. Evolving electric guitar | clean electric guitar dreamy contemporary series cyclic | G | 125 | |||
|
Television Sky [CEZ4707 - 9] |
0 | 2'11 | quietflow, Thomas Lucas | Hopecore. Dreamlike, rhythmic, dynamic & evolving. Guitar loop | cybernetics steady suspended atmosphere atmospheric | Gb | 140 | |||
|
Ghosts of the Afternoon [CEZ4707 - 10] |
0 | 1'54 | Benjamin Doherty, quietflow | Hopecore. Bright, melancholic & sensitive. Guitar loops, long reverb | airy independent cinema introspective destiny | Bm | 132 | |||
|
The Last Colours [CEZ4707 - 11] |
0 | 2'07 | Jérémy Dirat, quietflow | Hopecore. Slow, organic & dreamy. Acoustic guitar loops with warm | narrative dreamy original score country & garden | G | 128 | |||
|
Fugitive Thoughts [CEZ4707 - 12] |
0 | 2'26 | Barash Vow, quietflow | Hopecore. Dreamlike, constant & enveloping. Guitars with reverb & | original score independent cinema suspended atmosphere introspective | Am | 131 | |||
|
The Basics [CEZ4702 - 1] |
2'06 | Louis Edlinger | Electronica bed. Lively, playful & measured. Synth & rhythm with | lively confident driving teaching | D | 130 | ||||
|
The Basics Alternate 1 [CEZ4702 - 13] |
Alt. | 2'06 | Louis Edlinger | Alternate version. | D | 130 | ||||
|
The Basics Alternate 2 [CEZ4702 - 14] |
Alt. | 2'06 | Louis Edlinger | Alternate no bass. | D | 130 | ||||
|
The Basics Edit 60 sec [CEZ4702 - 15] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | D | 130 | ||||
|
The Basics Edit 30 sec [CEZ4702 - 16] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 129 | ||||
|
The Basics Edit 20 sec [CEZ4702 - 17] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 129 | ||||
|
The Basics Edit Sting [CEZ4702 - 18] |
Alt. | 0'18 | Louis Edlinger | Sting. | D | 129 | ||||
|
Fun in Learning [CEZ4702 - 2] |
1'55 | Louis Edlinger | Electronica bed. Positive, happy & coloured. Synth, humming voice & | teaching driving lively happy & joyful | A | 109 | ||||
|
Fun in Learning Alternate 1 [CEZ4702 - 19] |
Alt. | 1'55 | Louis Edlinger | Alternate no vocals. | A | 109 | ||||
|
Fun in Learning Alternate 2 [CEZ4702 - 20] |
Alt. | 1'44 | Louis Edlinger | Alternate underscore. | Em | 109 | ||||
|
Fun in Learning Edit 60 sec [CEZ4702 - 21] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 109 | ||||
|
Fun in Learning Edit 30 sec [CEZ4702 - 22] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Em | 109 | ||||
|
Fun in Learning Edit 20 sec [CEZ4702 - 23] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Em | 109 | ||||
|
Fun in Learning Edit Sting [CEZ4702 - 24] |
Alt. | 0'11 | Louis Edlinger | Sting. | A | 108 | ||||
|
Reaction Time [CEZ4702 - 3] |
2'04 | Louis Edlinger | Electronica bed. Suspended, interrogative & patient. Synth & rhythm. | patient teaching cyclic beds | Dm | 110 | ||||
|
Reaction Time Alternate 1 [CEZ4702 - 25] |
Alt. | 2'04 | Louis Edlinger | Alternate underscore. | Dm | 147 | ||||
|
Reaction Time Alternate 2 [CEZ4702 - 26] |
Alt. | 2'04 | Louis Edlinger | Alternate version. | Dm | 110 | ||||
|
Reaction Time Edit 60 sec [CEZ4702 - 27] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Dm | 110 | ||||
|
Reaction Time Edit 30 sec [CEZ4702 - 28] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Dm | 110 | ||||
|
Reaction Time Edit 20 sec [CEZ4702 - 29] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Dm | 110 | ||||
|
Reaction Time Edit Sting [CEZ4702 - 30] |
Alt. | 0'10 | Louis Edlinger | Sting. | Dm | 110 | ||||
|
A Talent for Analysis [CEZ4702 - 4] |
1'51 | Louis Edlinger | Electronica bed. Relax, confident but serious. Synth & rhythm. Ideal | teaching patient beds confident | Gm | 90 | ||||
|
A Talent for Analysis
[CEZ4702 - 31] |
Alt. | 1'51 | Louis Edlinger | Alternate no perc. | Gm | 90 | ||||
|
A Talent for Analysis
[CEZ4702 - 32] |
Alt. | 1'51 | Louis Edlinger | Alternate underscore. | Fm | 90 | ||||
|
A Talent for Analysis Edit 60
[CEZ4702 - 33] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Gm | 178 | ||||
|
A Talent for Analysis Edit 30
[CEZ4702 - 34] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Gm | 90 | ||||
|
A Talent for Analysis Edit 20
[CEZ4702 - 35] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Gm | 90 | ||||
|
A Talent for Analysis Edit
[CEZ4702 - 36] |
Alt. | 0'13 | Louis Edlinger | Sting. | Gm | 178 | ||||
|
Knowledge Can Be Cool [CEZ4702 - 5] |
2'11 | Louis Edlinger | Electronica bed. Lively, cool & fun. Synth & rhythm. Ideal for | patient teaching strict beds | D | 87 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 37] |
Alt. | 2'09 | Louis Edlinger | Alternate no bass. | D | 117 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 38] |
Alt. | 2'05 | Louis Edlinger | Alternate underscore. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 60
[CEZ4702 - 39] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 30
[CEZ4702 - 40] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit 20
[CEZ4702 - 41] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit
[CEZ4702 - 42] |
Alt. | 0'12 | Louis Edlinger | Sting. | D | 87 | ||||
|
Yes or No [CEZ4702 - 6] |
2'03 | Louis Edlinger | Electronica bed. Bouncy, curious & jerky. Synth & rhythm. Ideal for | beds interrogative teaching strict | Bb | 115 | ||||
|
Yes or No Alternate 1 [CEZ4702 - 43] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Alternate 2 [CEZ4702 - 44] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Edit 60 sec [CEZ4702 - 45] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Bb | 115 | ||||
|
Yes or No Edit 30 sec [CEZ4702 - 46] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Bb | 115 | ||||
|
Yes or No Edit 20 sec [CEZ4702 - 47] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Bb | 115 | ||||
|
Yes or No Edit Sting [CEZ4702 - 48] |
Alt. | 0'09 | Louis Edlinger | Sting. | Bb | 117 | ||||
|
The Tutorial [CEZ4702 - 7] |
1'52 | Louis Edlinger | Electronica bed. Interrogative, kind & simple. Synth & rhythm. Ideal | teaching confident driving neutral | C | 114 | ||||
|
The Tutorial Alternate 1 [CEZ4702 - 49] |
Alt. | 1'52 | Louis Edlinger | Alternate version. | C | 114 | ||||
|
The Tutorial Alternate 2 [CEZ4702 - 50] |
Alt. | 1'51 | Louis Edlinger | Alternate underscore. | Gm | 114 | ||||
|
The Tutorial Edit 60 sec [CEZ4702 - 51] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 113 | ||||
|
The Tutorial Edit 30 sec [CEZ4702 - 52] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 114 | ||||
|
The Tutorial Edit 20 sec [CEZ4702 - 53] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 113 | ||||
|
The Tutorial Edit Sting [CEZ4702 - 54] |
Alt. | 0'11 | Louis Edlinger | Sting. | C | 113 | ||||
|
Training Centre [CEZ4702 - 8] |
2'01 | Louis Edlinger | Electronica bed. Atmospheric, futuristic & groovy. Synth & rhythm. | confident teaching science interiors & cooking | Gm | 120 | ||||
|
Training Centre Alternate 1 [CEZ4702 - 55] |
Alt. | 2'02 | Louis Edlinger | Alternate no rhythm. | Cm | 156 | ||||
|
Training Centre Alternate 2 [CEZ4702 - 56] |
Alt. | 2'02 | Louis Edlinger | Underscore version. | Gm | 120 | ||||
|
Training Centre Edit 60 sec [CEZ4702 - 57] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Gm | 120 | ||||
|
Training Centre Edit 30 sec [CEZ4702 - 58] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Gm | 120 | ||||
|
Training Centre Edit 20 sec [CEZ4702 - 59] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Gm | 120 | ||||
|
Training Centre Edit Sting [CEZ4702 - 60] |
Alt. | 0'18 | Louis Edlinger | Sting. | Gm | 120 | ||||
|
The Critical Question [CEZ4702 - 9] |
2'32 | Louis Edlinger | Electronica bed. Suspenseful, discontinuous & aery. Synth & rhythm. | interrogative patient suspense airy | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 61] |
Alt. | 2'31 | Louis Edlinger | Alternate no bells. | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 62] |
Alt. | 2'31 | Louis Edlinger | Alternate version. | Dm | 162 | ||||
|
The Critical Question Edit 60
[CEZ4702 - 63] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Dm | 157 | ||||
|
The Critical Question Edit 30
[CEZ4702 - 64] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Dm | 156 | ||||
|
The Critical Question Edit 20
[CEZ4702 - 65] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Dm | 155 | ||||
|
The Critical Question Edit
[CEZ4702 - 66] |
Alt. | 0'13 | Louis Edlinger | Sting. | Dm | 155 | ||||
|
Training the Mind [CEZ4702 - 10] |
2'03 | Louis Edlinger | Electronica bed. Animated, intellectual & focused. Synth & rhythm. | patient teaching strict beds | C | 100 | ||||
|
Training the Mind Alternate 1 [CEZ4702 - 67] |
Alt. | 2'03 | Louis Edlinger | Alternate no percs. | C | 100 | ||||
|
Training the Mind Alternate 2 [CEZ4702 - 68] |
Alt. | 1'39 | Louis Edlinger | Underscore version. | C | 100 | ||||
|
Training the Mind Edit 60 sec [CEZ4702 - 69] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 100 | ||||
|
Training the Mind Edit 30 sec [CEZ4702 - 70] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 100 | ||||
|
Training the Mind Edit 20 sec [CEZ4702 - 71] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 100 | ||||
|
Training the Mind Edit Sting [CEZ4702 - 72] |
Alt. | 0'14 | Louis Edlinger | Sting. | C | 133 | ||||
|
Clear Instructions [CEZ4702 - 11] |
2'08 | Louis Edlinger | Electronica bed. Shimmering, clanking & active. Synth. Rhythm @ 0'53. | teaching confident driving luminous | Gm | 100 | ||||
|
Clear Instructions Alternate 1 [CEZ4702 - 73] |
Alt. | 1'55 | Louis Edlinger | Alternate no bells. | Gm | 100 | ||||
|
Clear Instructions Alternate 2 [CEZ4702 - 74] |
Alt. | 1'47 | Louis Edlinger | Underscore version. | Gm | 100 | ||||
|
Clear Instructions Edit 60 sec [CEZ4702 - 75] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Gm | 100 | ||||
|
Clear Instructions Edit 30 sec [CEZ4702 - 76] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Gm | 100 | ||||
|
Clear Instructions Edit 20 sec [CEZ4702 - 77] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Gm | 100 | ||||
|
Clear Instructions Edit Sting [CEZ4702 - 78] |
Alt. | 0'10 | Louis Edlinger | Sting. | Gm | 134 | ||||
|
Test It Check It [CEZ4702 - 12] |
2'47 | Louis Edlinger | Electronica bed. Ethereal, pensive & serious. Synth. Ideal for | teaching airy suspended atmosphere strict | Dm | 76 | ||||
|
Test It Check It Alternate 1 [CEZ4702 - 79] |
Alt. | 2'38 | Louis Edlinger | Alternate version. | G | 151 | ||||
|
Test It Check It Alternate 2 [CEZ4702 - 80] |
Alt. | 2'41 | Louis Edlinger | Underscore version. | Dm | 151 | ||||
|
Test It Check It Edit 60 sec [CEZ4702 - 81] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Dm | 150 | ||||
|
Test It Check It Edit 30 sec [CEZ4702 - 82] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Dm | 151 | ||||
|
Test It Check It Edit 20 sec [CEZ4702 - 83] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Dm | 149 | ||||
|
Test It Check It Edit Sting [CEZ4702 - 84] |
Alt. | 0'12 | Louis Edlinger | Sting. | Dm | 75 | ||||
|
Signature Larsen SFX 1 [CSDL1047 - 1] |
1'24 | Salvador Casais | Sound design element. Middle pitched & distorted larsen synth with | aggressive & violent high-pitched disturbing instrumental | Fm | 143 | ||||
|
Signature Larsen SFX 1 1 [CSDL1047 - 2] |
Alt. | 0'12 | Salvador Casais | Middle pitched & distorted larsen synth in A | aggressive & violent high-pitched disturbing instrumental | Dbm | 126 | |||
|
Signature Larsen SFX 1 2 [CSDL1047 - 3] |
Alt. | 0'12 | Salvador Casais | Middle pitched & distorted larsen synth in B | aggressive & violent high-pitched disturbing instrumental | Bb | 111 | |||
|
Signature Larsen SFX 1 3 [CSDL1047 - 4] |
Alt. | 0'12 | Salvador Casais | Middle pitched & distorted larsen synth in C | aggressive & violent high-pitched disturbing instrumental | Fm | 86 | |||
|
Signature Larsen SFX 1 4 [CSDL1047 - 5] |
Alt. | 0'12 | Salvador Casais | Middle pitched & distorted larsen synth in D | aggressive & violent high-pitched disturbing instrumental | Db | 97 | |||
|
Signature Larsen SFX 1 5 [CSDL1047 - 6] |
Alt. | 0'12 | Salvador Casais | Middle pitched & distorted larsen synth in E | aggressive & violent high-pitched disturbing instrumental | Gm | 125 | |||
|
Signature Larsen SFX 1 6 [CSDL1047 - 7] |
Alt. | 0'12 | Salvador Casais | Middle pitched & distorted larsen synth in F | aggressive & violent high-pitched disturbing instrumental | A | 124 | |||
|
Signature Larsen SFX 1 7 [CSDL1047 - 8] |
Alt. | 0'12 | Salvador Casais | Middle pitched & distorted larsen synth in G | aggressive & violent high-pitched disturbing instrumental | B | 141 | |||
|
Signature Larsen SFX 2 [CSDL1047 - 9] |
1'24 | Salvador Casais | Sound design element. High-pitched & distorted larsen synth with | aggressive & violent high-pitched disturbing instrumental | Bm | 148 | ||||
|
Signature Larsen SFX 2 1 [CSDL1047 - 10] |
Alt. | 0'12 | Salvador Casais | High-pitched & distorted larsen synth in A | aggressive & violent high-pitched disturbing instrumental | E | 136 | |||
|
Signature Larsen SFX 2 2 [CSDL1047 - 11] |
Alt. | 0'12 | Salvador Casais | High-pitched & distorted larsen synth in B | aggressive & violent high-pitched disturbing instrumental | Gb | 145 | |||
|
Signature Larsen SFX 2 3 [CSDL1047 - 12] |
Alt. | 0'12 | Salvador Casais | High-pitched & distorted larsen synth in C | aggressive & violent high-pitched disturbing instrumental | G | 163 | |||
|
Signature Larsen SFX 2 4 [CSDL1047 - 13] |
Alt. | 0'12 | Salvador Casais | High-pitched & distorted larsen synth in D | aggressive & violent high-pitched disturbing instrumental | A | 132 | |||
|
Signature Larsen SFX 2 5 [CSDL1047 - 14] |
Alt. | 0'12 | Salvador Casais | High-pitched & distorted larsen synth in E | aggressive & violent high-pitched disturbing instrumental | B | 116 | |||
|
Signature Larsen SFX 2 6 [CSDL1047 - 15] |
Alt. | 0'12 | Salvador Casais | High-pitched & distorted larsen synth in F | aggressive & violent high-pitched disturbing instrumental | Db | 104 | |||
|
Signature Larsen SFX 2 7 [CSDL1047 - 16] |
Alt. | 0'12 | Salvador Casais | High-pitched & distorted larsen synth in G | aggressive & violent high-pitched disturbing instrumental | D | 87 | |||
|
Signature Larsen SFX 3 [CSDL1047 - 17] |
1'24 | Salvador Casais | Sound design element. Low-pitched larsen synth with compression, | aggressive & violent high-pitched disturbing instrumental | Em | 97 | ||||
|
Signature Larsen SFX 3 1 [CSDL1047 - 18] |
Alt. | 0'12 | Salvador Casais | Low-pitched larsen synth in A | aggressive & violent high-pitched disturbing instrumental | Am | 122 | |||
|
Signature Larsen SFX 3 2 [CSDL1047 - 19] |
Alt. | 0'12 | Salvador Casais | Low-pitched larsen synth in B | aggressive & violent high-pitched disturbing instrumental | B | 91 | |||
|
Signature Larsen SFX 3 3 [CSDL1047 - 20] |
Alt. | 0'12 | Salvador Casais | Low-pitched larsen synth in C | aggressive & violent high-pitched disturbing instrumental | C | 116 | |||
|
Signature Larsen SFX 3 4 [CSDL1047 - 21] |
Alt. | 0'12 | Salvador Casais | Low-pitched larsen synth in D | aggressive & violent high-pitched disturbing instrumental | G | 82 | |||
|
Signature Larsen SFX 3 5 [CSDL1047 - 22] |
Alt. | 0'12 | Salvador Casais | Low-pitched larsen synth in E | aggressive & violent high-pitched disturbing instrumental | A | 94 | |||
|
Signature Larsen SFX 3 6 [CSDL1047 - 23] |
Alt. | 0'12 | Salvador Casais | Low-pitched larsen synth in F | aggressive & violent high-pitched disturbing instrumental | Bb | 123 | |||
|
Signature Larsen SFX 3 7 [CSDL1047 - 24] |
Alt. | 0'12 | Salvador Casais | Low-pitched larsen synth in G | aggressive & violent high-pitched disturbing instrumental | Gm | 107 |