| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Abandoned Site [UBM2266 - 11] |
0 | 2'48 | Achim Zweschper | Oppressive, gloomy track. Ideal to show isolated, lonely places. | mystical desolate rumbling beds | C | 100 | |||
|
Dusky India [UBM2266 - 12] |
0 | 3'02 | Achim Zweschper | Threatening, dark, dangerous. Creates suspense and fear. Percussion. | complex horror percussive beds | Gm | 88 | |||
|
Numb Feelings [UBM2266 - 13] |
0 | 1'12 | Achim Zweschper | A musical saw creates a distorted track, that conveys numbness and | sci-fi B movie complex drone | Dm | 129 | |||
|
Delicate Escape [UBM2266 - 14] |
0 | 3'17 | Achim Zweschper | Dynamic yet threatening and gloomy. Creates a feeling of a secret | beds geopolitics mystical arid | D | 88 | |||
|
Dull Places [UBM2266 - 15] |
0 | 3'04 | Achim Zweschper | Dull, wistful, hollow. Ideal for images of abandoned places and | complex beds desolate horror | Gm | 88 | |||
|
Constant Pressure [UBM2266 - 16] |
0 | 2'15 | Achim Zweschper | Oppressive, threatening track. Pressure is constantly built. sitar | tropical forest beds complex humid | E | 117 | |||
|
No Rest [UBM2266 - 17] |
0 | 2'16 | Achim Zweschper | Dark, sinister, frightful ticking. Tibetan glockenspiel. | tropical forest beds complex humid | E | 117 | |||
|
Tiptoeing Around [UBM2266 - 18] |
0 | 3'10 | Achim Zweschper | Desperate, dull. Creates the impression of danger sneaking up. Sitar, | arid hot desert desolate beds | Cm | 100 | |||
|
Deceiving Peace [UBM2266 - 19] |
0 | 1'57 | Achim Zweschper | Ambivalent track. Shifting between emerging hope and threat. Cello, | hunting wild beds tropical forest | Bm | 85 | |||
|
Seeing the Extent [UBM2266 - 20] |
0 | 3'01 | Achim Zweschper | Disillusion, concussion. Suitable for pictures of destruction. | desolate beds complex geopolitics | Gm | 88 | |||
|
Scary Darkness [UBM2266 - 21] |
0 | 3'04 | Achim Zweschper | Total eclipse and bleakness. Desperate, surrendering. | sci-fi abyss desolate horror | Gm | 88 | |||
|
Loneliness [UBM2266 - 22] |
0 | 2'04 | Achim Zweschper | Dreary, sinister. The threat is omnipresent. Creepy ticking. | sci-fi abyss desolate horror | Gm | 88 | |||
|
The Enemy Approaches [UBM2266 - 23] |
0 | 2'09 | Achim Zweschper | Fearful, dark, strained. The enemy approaches. Hopeless. | beds scary horror abyss | G | 84 | |||
|
Pure Hatred [UBM2266 - 24] |
0 | 3'11 | Achim Zweschper | Hateful, gloomy, dangerous. Ideal for images of war and destruction. | desolate beds horror disturbing | C | 100 | |||
|
Preparing for the Fight [UBM2266 - 25] |
0 | 1'23 | Achim Zweschper | Determined, proud. War preparation. Sitar, choir. | rumbling kung fu beds abyss | E | 90 | |||
|
Recovery [UBM2266 - 26] |
0 | 1'20 | Achim Zweschper | Relief, salvation, relaxation. War is over. Flute, strings. | introspective beds desolate flute | Em | 65 | |||
|
Strings United [UBM2265 - 1] |
0 | 0'32 | Daniel Backes, Peter Moslener | Happy feel-good tune. ideal for positive images and advertisement. | heritage string section anachronistic panorama | D | 112 | |||
|
Vacation Tune [UBM2265 - 2] |
0 | 0'40 | Daniel Backes, Peter Moslener | Elated, positive, light. Guitar and xylophone. | interiors & cooking do-it-yourself kitsch & cheesy advertising | G | 117 | |||
|
Mild Awakening [UBM2265 - 3] |
0 | 1'04 | Daniel Backes, Peter Moslener | Reduced marimba track, tension is built up. Ideal for investigative | marimba melodic panorama simple | Em | 97 | |||
|
Cloud Choir [UBM2265 - 4] |
0 | 0'45 | Daniel Backes, Peter Moslener | Airy guitar with a full spherical sound. Relaxing, positive. | airy calm relaxation dreamy | F | 67 |