| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dense Diffusion [UBM2251 - 12] |
0 | 1'51 | Daniel Backes, Peter Moslener | Profound, repetitive structure with xylophone and synthesizer, | arpeggiator investigation sci-fi science | Fm | 62 | |||
|
Busy Whirl [UBM2251 - 13] |
0 | 2'15 | Daniel Backes, Peter Moslener | Technical and electronic sound like working robots. Ideal for images | steady investigation sequencing sci-fi | Cm | 123 | |||
|
Childlike Chilling [UBM2251 - 14] |
0 | 1'38 | Daniel Backes, Peter Moslener | Positive track with marimba, ideal for images of playing children and | loop steady cyclic investigation | Am | 86 | |||
|
Flowered Flow [UBM2251 - 15] |
0 | 1'57 | Daniel Backes, Peter Moslener | Fast, atmospheric track with synthesizer and electric guitar, | atmospheric science sound design arpeggiator | Db | 133 | |||
|
Rigid Sketch [UBM2251 - 16] |
0 | 2'09 | Daniel Backes, Peter Moslener | Drums and synthesizer create an atmospheric sound, good for | drums loop steady cold | Gbm | 95 | |||
|
Mechanical Timelapse [UBM2251 - 17] |
0 | 1'53 | Daniel Backes, Peter Moslener | Music for images of business, industry and economic growth: hectic, | arpeggiator retrogaming steady industry | Bm | 135 | |||
|
Melancholic Timelapse [UBM2251 - 18] |
0 | 1'51 | Daniel Backes, Peter Moslener | Music for human portraits, career plans and images of industry as | arpeggiator retrogaming steady industry | Em | 100 | |||
|
Raise Intensity [UBM2251 - 19] |
0 | 1'42 | Daniel Backes, Peter Moslener | Dark, ticking and electronic sound with deep bass, good for sense of | arpeggiator crime movie interrogative investigation | Gbm | 102 | |||
|
Turnable [UBM2251 - 20] |
0 | 2'20 | Daniel Backes, Peter Moslener | Fast and driving rhythm determined by synthesizer. Time is ticking. | disturbing loop steady industry | D | 76 | |||
|
Mobilisation [UBM2249 - 1] |
0 | 1'55 | Elias Cadre | Subtle serious electronic underscore for images of dark secrets. | complex sci-fi cold science | G | 122 | |||
|
Suspicion [UBM2249 - 2] |
0 | 2'34 | Elias Cadre | Minimal and modern electronic elements for images of digital | complex sci-fi film noir unstable | Bbm | 151 | |||
|
Hard Times [UBM2249 - 3] |
0 | 1'59 | Elias Cadre | Frightening and dark soundtrack with electronic ticking, ideal for | sci-fi intermittent film noir disturbing | Am | 108 | |||
|
Questionable Advisor [UBM2249 - 4] |
0 | 1'48 | Elias Cadre | Electronic sound with elements of echo, characterized by modern and | abyss film noir cold mysterious | Dbm | 117 | |||
|
Deep Packet Inspection [UBM2249 - 5] |
0 | 2'06 | Elias Cadre | Electronic spheres, loopable, drops, ticking, minimal and modern. | complex sci-fi film noir unstable | Bbm | 122 | |||
|
In Motion [UBM2249 - 6] |
0 | 2'12 | Elias Cadre | Deep bass, fast tempo, electronic bubbles, ideal for documentaries | disturbing interrogative synthesizer steady | Cm | 123 | |||
|
Shady Promotion [UBM2249 - 7] |
0 | 2'57 | Elias Cadre | Mysterious and dangerous sound with electronic ticking for images of | abyss sci-fi science complex | Bbm | 69 | |||
|
Fresh Cash and Pretty Girls [UBM2249 - 8] |
0 | 2'48 | Elias Cadre | Modern, smooth sound with mysterious influence, for scenes of danger, | complex suspended atmosphere abyss muffled | Am | 69 | |||
|
Cover Up [UBM2249 - 9] |
0 | 2'02 | Elias Cadre | Ticking drops and electronic spheres sound like images of secret | complex film noir sci-fi muffled | Bbm | 120 | |||
|
Fumbling in the Dark [UBM2249 - 10] |
0 | 2'14 | Elias Cadre | Synthesizer, bass and echoes create a dynamic sound, ideal for | atmospheric complex muffled rumbling | G | 74 | |||
|
Insistence [UBM2249 - 11] |
0 | 1'26 | Elias Cadre | Dark, investigative sound, loopable, ideal or images of science and | sci-fi abyss complex cold | A | 108 |