Well-known American blues song & jazz standard of uncertain origin. Well-known American blues song & jazz standard of uncertain origin. "Well, I’m going down to the St. James Infirmary, to see my baby there". Sad & disillusioned. Blues/soul singer, snaps, sousaphone, drums & marimba. Instrumental tr-17 & 18.Lyrics
Verse 1
Well, I’m going down to the St. James Infirmary,
to see my baby there
She was all stretched out,
on a long white table
So sweet, so cold, so bare
Verse 2
Let her go, go ! Ahh, my little Baby, Where ever she can be You may search this whole world all over
But she’d never find a sweet man like me
Verse 3
Now, when I die, bury me in Stetson shoes A Stetson coat, and a Stetson hat
And put a twenty dollar gold piece on my watch chain
So the cats know, that I died fat
Ad Lib
St. James Infirmary, where can my baby be ?
It’s just at St. James Infirmary, yeah
Let my baby go, let my baby go Let my Baby go, go, go
Country/folk version of track-1. Introduction with a cappella male Country/folk version of track-1. Introduction with a cappella male singer. Ukulele @ 0'33, strings & bass @ 1'05. Banjo @ 1'37.
Instrumental version of tr-3 in a 1920s blues spirit. Sad & Instrumental version of tr-3 in a 1920s blues spirit. Sad & wandering. Lead fiddle, banjo, mandolin,, marimba, sousaphone & drums @ 0'43.
Instrumental version of tr-4 in a country/bluegrass spirit Mandolin, Instrumental version of tr-4 in a country/bluegrass spirit Mandolin, guitare& slide dobro. Lead fiddle & bass @ 0'58. Lead harmonica @ 1'29.
Alternate version of tr-7 in an early blues spirit. Rural, meditative Alternate version of tr-7 in an early blues spirit. Rural, meditative & rough. Slide Dobro, banjo @ 0'26 & ukulele @ 1'12.
Alternate version of tr-13 in an Americana spirit. Swaying & Alternate version of tr-13 in an Americana spirit. Swaying & carefree. Lead slide Dobro, rhythm section, claps & baritone guitar @ 1'05.
Felix Mendelssohn's Wedding March in C major. Solemn, festive & Felix Mendelssohn's Wedding March in C major. Solemn, festive & majestic. Solo church organ. Traditional wedding hymn & opening of the ceremony.
Noble & stately introduction. Wedding March in C @ 0'59. Solo church Noble & stately introduction. Wedding March in C @ 0'59. Solo church organ. Traditional wedding hymn & opening of the ceremony.
Restrained & pensive prelude. Canon in D maj @ 1'09. Solo organ in a Restrained & pensive prelude. Canon in D maj @ 1'09. Solo organ in a temple/chapel environment. Suggested for both Protestant & Catholic ceremonies.
Edward Elgar's Pomp & Circumstance March N°1 op. 39 in D major. Edward Elgar's Pomp & Circumstance March N°1 op. 39 in D major. Majestic, glorious & proud. Solo church organ. Suggested for British & Anglican ceremonial occasions.
J.S Bach's Prélude and fugue n°1 in C major BWV 846. Peaceful & J.S Bach's Prélude and fugue n°1 in C major BWV 846. Peaceful & contemplative. Solo organ in a temple/chapel context. Suggested for both Protestant & Catholic religious ceremonies.
Dreamy, affectionate & melancholic. Classical guitar duet. From Dreamy, affectionate & melancholic. Classical guitar duet. From Nocturne for Piano n°1 Op.55 in Fm by Frederic Chopin.
Modern classical arrangement, hip-hop beat with opera voices. Catchy, Modern classical arrangement, hip-hop beat with opera voices. Catchy, lively & classy. Iconoclastic. From "King Arthur" by Purcell. Recommended for commercials. Synth, opera voices & rhythm.Lyrics
Shepherd, shepherd, leave decoying:Pipes are sweet on summer's day,Shepherd, shepherd, leave decoying:Women have the shot to pay.
Modern classical arrangement, electro chiptune, 8-bit music. Funny, Modern classical arrangement, electro chiptune, 8-bit music. Funny, childish & jumpy. Iconoclastic. From "The Barber of Seville" by Rossini. Recommended for cartoons, bloopers, video games, commercials. Synth & rhythm. Gun FX @ 0'21.
Modern classical arrangement, electro chiptune, 8 bit music. Funny, Modern classical arrangement, electro chiptune, 8 bit music. Funny, childish & jumpy. From "The Barber of Seville" by Rossini. Recommended for video games, commercials. Synth & rhythm.
Modern classical arrangement. Dignified, royal & proud then cyclic & Modern classical arrangement. Dignified, royal & proud then cyclic & decided @ 1'09. Serious yet iconoclastic. From "Music for the Funeral of Queen Mary" by Purcell. Suggested for commercials. Synth & choir.
Modern classical arrangement. Dignified, royal & proud then cyclic & Modern classical arrangement. Dignified, royal & proud then cyclic & decided @ 1'09. Serious yet iconoclastic. From "Music for the Funeral of Queen Mary" by Purcell. Suggested for commercials. Synth.
Song. Sung in Italian.1944. Protest song. Determined & exhilarating. Song. Sung in Italian.1944. Protest song. Determined & exhilarating. Male choir & acoustic guitar. Constant accelaration.Lyrics
Italiano :Una mattina mi sono alzatoO bella ciao, bella ciao, bella ciao ciao ciao Una mattina mi sono alzato E ho trovato l'invasor
O partigiano portami via O bella ciao, bella ciao, bella ciao ciao ciao O partigiano portami via Ché mi sento di morir
E se io muoio da partigiano O bella ciao, bella ciao, bella ciao ciao ciao E se muoio da partigiano Tu mi devi seppellir
E seppellire lassù in montagna O bella ciao, bella ciao, bella ciao ciao ciao E seppellire lassù in montagna Sotto l'ombra di un bel fior
Tutte le genti che passeranno O bella ciao, bella ciao, bella ciao ciao ciao E le genti che passeranno Mi diranno: che bel fior
E quest' è il fiore del partigiano O bella ciao, bella ciao, bella ciao ciao ciao Quest'è il fiore del partigiano Morto per la libertà.
Français :Un matin, je me suis réveillé Ô ma belle au revoir (x3) Au revoir, au revoir Un matin, je me suis réveillé Et j'ai trouvé l'envahisseur
Ô ! partisan emportes-moi Ô ma belle au revoir (x3) Au revoir, au revoir Ô ! Partisan emporte-moi Je me sens prêt à mourir.
Et si je meurs en partisan Ô ma belle au revoir (x3) Au revoir, au revoir Et si je meurs en partisan Tu devras m'enterrer.
Tu devras m'enterrer là-haut sur la montagne Ô ma belle au revoir (x3) Ciao, ciao Au revoir, au revoir Tu devras m'enterrer la haut sur la montagne A l'ombre d'une belle fleur.
Tous les gens qui passeront Ô ma belle au revoir (x3) Au revoir, au revoir Et les gens qui passeront Me diront «quelle belle fleur»
Et c'est la fleur du partisan Ô ma belle au revoir (x3) Au revoir, au revoir C'est la fleur du partisan Mort pour la liberté. Anglais:One morning I awakened, Oh bella ciao, bella ciao, bella ciao, ciao, ciao! (Goodbye beautiful) One morning I awakened And I found the invader.
Oh partisan carry me away, Oh bella ciao, bella ciao, bella ciao, ciao, ciao Oh partisan carry me away Because I feel death approaching.
And if I die as a partisan, Oh bella ciao, bella ciao, bella ciao, ciao, ciao And if I die as a partisan Then you must bury me.
Bury me up in the mountain, Oh bella ciao, bella ciao, bella ciao, ciao, ciao Bury me up in the mountain Under the shade of a beautiful flower.
And all those who shall pass, Oh bella ciao, bella ciao, bella ciao, ciao, ciao And all those who shall pass Will tell me "what a beautiful flower."
This is the flower of the partisan, Oh bella ciao, bella ciao, bella ciao, ciao, ciao This is the flower of the partisan Who died for freedom
Classical arrangement / electronica / baroque music (1600-1750). Classical arrangement / electronica / baroque music (1600-1750). Incisive, relentless & percussive. From the "Toccata and fugue in D minor" by J-S. Bach. Cinematic orchestra. Synth & rhythm.