| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Cryptic Trypic [UBM2248 - 6] |
0 | 1'53 | Luke Davoll | Fast tempo, dynamic, hopeful, works for time lapses in documentaries | acoustic piano post-classical whirling arpeggio | F | 100 | |||
|
Three Concepts [UBM2248 - 7] |
0 | 1'51 | Luke Davoll | Music for serious topics, loopable, melancholic, thought-provoking | arpeggio cyclic driving neutral | Gb | 140 | |||
|
Never the Same [UBM2248 - 8] |
0 | 1'29 | Luke Davoll | Contemporary track with similarities to Erik Satie in the beginning, | acoustic piano post-classical driving confident | Dbm | 110 | |||
|
The Awakening [UBM2248 - 9] |
0 | 1'30 | Luke Davoll | Touching, evokes a feeling of hope. Perfect for images of the | acoustic piano post-classical everyday life tormented | Am | 70 | |||
|
A Glimmer of Hope [UBM2248 - 10] |
0 | 1'36 | Luke Davoll | Positive, hopeful; ideal for pictures of a new beginning. | post-classical relentless acoustic piano introspective | C | 90 | |||
|
The Way Forward [UBM2248 - 11] |
0 | 1'41 | Luke Davoll | A playful, modern track for topics about children and families; | acoustic piano post-classical jerky happy & joyful | Gb | 142 | |||
|
Fearless Regression [UBM2248 - 12] |
0 | 1'47 | Luke Davoll | Contemplative, serious melody; medium tempo. Innocent effect and | acoustic piano post-classical calm simple | Abm | 140 | |||
|
Changes [UBM2248 - 13] |
0 | 1'53 | Luke Davoll | Modern start, fitting for serious and sad topics. Warm, meaningful | acoustic piano post-classical melancholic simple | Gbm | 90 | |||
|
Faces [UBM2248 - 14] |
0 | 1'04 | Luke Davoll | Modern, dynamic track, playful and happy; works for hopeful and | post-classical driving acoustic piano confident | Ab | 126 | |||
|
Allowed Assumptions [UBM2248 - 15] |
0 | 1'42 | Luke Davoll | Melancholic piano melodies; repetitive; ideal for movie trailers or | acoustic piano post-classical arpeggio simple | F | 117 | |||
|
No Time Like the Present [UBM2248 - 16] |
0 | 1'24 | Luke Davoll | Fast tempo, energetic, solo piano, works good for quick cuts, fast | arpeggio whirling industry cyclic | C | 140 | |||
|
Childhood [UBM2248 - 17] |
0 | 1'39 | Luke Davoll | Ideal for typical "movies on movies" situations when the protagonist | acoustic piano post-classical melancholic calm | F | 164 | |||
|
A Quiet Descends [UBM2248 - 18] |
0 | 1'42 | Luke Davoll | Hesitant solo piano piece; repetitive; positive; works for images of | acoustic piano post-classical country & garden confident | Dm | 120 | |||
|
My First Promise [UBM2248 - 19] |
0 | 1'52 | Luke Davoll | Modern and fast piano piece, avant-garde, energetic; ideal for arts, | acoustic piano post-classical jerky steady | Ebm | 100 | |||
|
Coincidence [UBM2248 - 20] |
0 | 1'31 | Luke Davoll | Subtle, flowing melody; loopable; ideal for serious and meaningful | acoustic piano post-classical steady everyday life | Am | 140 | |||
|
Destiny No.2 [UBM2262 - 1] |
0 | 1'45 | Anselm Kreuzer, Sebastian Parche | Calm, sad, nearly melancholic track that starts with calm strings. | solemn sad intermittent moving | Db | 108 | |||
|
Unchangeable Rules [UBM2262 - 2] |
0 | 3'11 | Anselm Kreuzer, Sebastian Parche | Track starts with strings. The mood develops from sad to threatful | passionate poignant sad violin | Fm | 114 | |||
|
Deep Despair [UBM2262 - 3] |
0 | 2'35 | Anselm Kreuzer, Sebastian Parche | Melancholic track that reminds of images of war zones. Deep sadness. | sad tragic natural disaster social drama | Ebm | 82 | |||
|
Maltreated Creature [UBM2262 - 4] |
0 | 2'24 | Anselm Kreuzer, Sebastian Parche | Loopable beginning with strings. Threatful, pulsating undertone. | film noir interrogative mysterious string quartet | Dm | 86 | |||
|
Sheer Masquerade [UBM2262 - 5] |
0 | 2'32 | Anselm Kreuzer, Sebastian Parche | Magical sound with strings and glockenspiel. Ideal for images of an | circus music fantasy mysterious insidious | Gm | 80 |