| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Cartel 2 [UBM2274 - 24] |
0 | 1'47 | Felix Halbe | Strictly tapped track which can be looped into sequences, ticking | time (tick-tock) suspended atmosphere crime movie relentless | Gm | 90 | |||
|
Observing Thieves at Work 2 [UBM2274 - 25] |
0 | 1'48 | Felix Halbe | Suitable for scenes of thieves in action. Electronics, synthesizer, | crime movie interrogative time (tick-tock) suspended atmosphere | Cm | 80 | |||
|
Rise of Fundamentalism 2 [UBM2274 - 26] |
0 | 1'55 | Felix Halbe | Ideal for action scenes in the Middle East. Traditional instruments | historical conflict spy disturbing time (tick-tock) | C | 106 | |||
|
Rolling Hope 2 [UBM2274 - 27] |
0 | 1'52 | Sebastian Parche | Positive track, suitable for a happy ending as well as images of a | time (tick-tock) cold desert atmospheric fx tick-tock | Gm | 80 | |||
|
X-Files 2 [UBM2274 - 28] |
0 | 2'43 | Felix Halbe | Impulsive, oppressive sound that boosts the tension. Keyboard, drums, | crime movie suspense toxic anticipation | Cm | 100 | |||
|
Time Has Come 2 [UBM2274 - 30] |
0 | 2'12 | Sebastian Parche | Ideal for key scenes in crime and action films. Syntesizer, drums, | relentless atmospheric spy fx tick-tock | Dm | 161 | |||
|
Rush Hour 2 [UBM2274 - 31] |
0 | 2'07 | Sebastian Parche | Stop and go are also heard in this track, as is the switch of traffic | cyclic crime movie fx tick-tock interrogative | Fm | 89 | |||
|
Search 2 [UBM2274 - 32] |
0 | 1'51 | Felix Halbe | Warm piano and dangerous sounding synths create a dramatic tension | time (tick-tock) crime movie interrogative disturbing | Em | 107 | |||
|
Time Machine 2 [UBM2274 - 33] |
0 | 2'18 | Sebastian Parche | Dramatic track with oriental reminiscences. Sad, dramatic, romantic. | suspense time (tick-tock) crime movie mysterious | Fm | 130 | |||
|
Investigation Montage 2 [UBM2274 - 35] |
0 | 1'49 | Felix Halbe | Sober, almost neutral track, ideal for images of development and | science spy investigation relentless | B | 100 | |||
|
Step Counter 2 [UBM2274 - 36] |
0 | 1'53 | Sebastian Parche | Exciting, creepy track, ideal for scenes of technical progress, | suspense crime movie relentless time (tick-tock) | B | 130 | |||
|
Daisy Chains 2 [CEZ4331 - 21] |
2'03 | Pierre-André Athané | Holidays. Family. Holidays. Family. Folk. Country. Family. Tender & | confident country & garden folky picking guitar | B | 100 | ||||
|
Daisy Chains [CEZ4331 - 1] |
Alt. | 2'03 | Pierre-André Athané | Holidays. DaytimeTV. Family. Tender & confident. Folk guitars, piano | confident pastoral country & garden folky | B | 100 | |||
|
The Wind in Our Hair 2 [CEZ4331 - 22] |
2'14 | Pierre-André Athané | Holidays. Family. Determined & confident. Folk guitars duet. | confident country & garden folk (all) picking guitar | D | 105 | ||||
|
The Wind in Our Hair [CEZ4331 - 4] |
Alt. | 2'14 | Pierre-André Athané | Holidays. Family. Pastoral. Determined & confident. Folk guitars, | confident country & garden carefree driving | D | 105 | |||
|
Café Croissants 2 [CEZ4331 - 23] |
2'18 | Pierre-André Athané | Joyful & confident. Folk guitar & double bass. | confident country & garden pastoral folk ballad | G | 150 | ||||
|
Café Croissants [CEZ4331 - 8] |
Alt. | 2'17 | Pierre-André Athané | Holidays. Family. Joyful & confident. Piano, folk guitar & double | confident country & garden folky pastoral | G | 150 | |||
|
Dreams So Real 2 [CEZ4331 - 24] |
1'31 | Pierre-André Athané | Lazy & dreamy. Solo piano. | melodic lazy tender everyday life | D | 68 | ||||
|
Dreams so Real [CEZ4331 - 9] |
Alt. | 2'37 | Pierre-André Athané | Holidays. Family. Lazy & dreamy. Piano, acoustic & electric guitars. | relaxed lazy melodic peaceful | D | 67 | |||
|
Lazy Sunday 2 [CEZ4331 - 25] |
1'30 | Pierre-André Athané | Holidays. Family. Relaxed & peaceful. Folk & electric guitars & organ. | country & garden gardening open air advertising | C | 109 | ||||
|
Lazy Sunday [CEZ4331 - 13] |
Alt. | 2'05 | Pierre-André Athané | Holidays. Family. Relaxed & peaceful. Whistling, acoustic guitars & | country & garden gardening open air advertising | C | 110 | |||
|
An Afternoon Stroll 2 [CEZ4331 - 26] |
2'24 | Pierre-André Athané | Holidays. Family. Confident & carefree. Acoustic guitars, snaps & | country & garden gardening open air everyday life | C | 88 | ||||
|
An Afternoon Stroll [CEZ4331 - 17] |
Alt. | 2'24 | Pierre-André Athané | Holidays. Family. Confident & carefree. Folk & electric guitars, | country & garden gardening open air everyday life | C | 88 | |||
|
Sweet Heart of Mine 2 [CEZ4331 - 28] |
2'13 | Pierre-André Athané | Family. Tender & peaceful. Acoustic & jazz guitar & double bass. | country & garden gardening peaceful open air | C | 135 | ||||
|
Sweet Heart of Mine [CEZ4331 - 20] |
Alt. | 2'14 | Pierre-André Athané | Family. Tender & peaceful. Acoustic guitar, cello, electric keyboard | country & garden gardening peaceful open air | C | 135 | |||
|
Subaquatic Dream (extended) [MAG6029 - 9] |
3'59 | Hugo Lascoux | Electronica. Organic, humid & lively. Synth & rhythm. | modern arty atmospheric electronica | Fm | 123 | ||||
|
Subaquatic Dream [MAG6029 - 1] |
Alt. | 2'57 | Hugo Lascoux | Electronica. Organic, humid & lively. Synth & rhythm. | electronica modern arty atmospheric | Fm | 123 | |||
|
Active Sonar (ambiant mix) [MAG6029 - 10] |
2'40 | Hugo Lascoux | Electronica. Atmospheric, hypnotic & suspended. Synth. | atmospheric modern electronica underwater | Em | 111 | ||||
|
Active Sonar [MAG6029 - 2] |
Alt. | 2'51 | Hugo Lascoux | Electronica. Atmospheric, hypnotic & mechanical. Synth & rhythm. | modern atmospheric arty electronica | Em | 82 |