Song sung in French. 1868-1920. First World War. Romantic & moving. Song sung in French. 1868-1920. First World War. Romantic & moving. Female singer, piano & accordion.Lyrics
Quand nous chanterons le temps des cerises Et gai rossignol et merle moqueur Seront tous en fête Les belles auront la folie en tête Et les amoureux du soleil au cœur Quand nous chanterons le temps des cerises Sifflera bien mieux le merle moqueur
Mais il est bien court le temps des cerises Où l'on s'en va deux cueillir en rêvant Des pendants d'oreilles Cerises d'amour aux robes pareilles Tombant sous la feuille en gouttes de sang Mais il est bien court le temps des cerises Pendants de corail qu'on cueille en rêvantQuand vous en serez au temps des cerises Si vous avez peur des chagrins d'amour Evitez les belles Moi qui ne crains pas les peines cruelles Je ne vivrai point sans souffrir un jour Quand vous en serez au temps des cerises Vous aurez aussi des peines d'amourJ'aimerai toujours le temps des cerises C'est de ce temps-là que je garde au cœur Une plaie ouverte Et Dame Fortune, en m'étant offerte Ne pourra jamais fermer ma douleur J'aimerai toujours le temps des cerises Et le souvenir que je garde au cœur
English translation : Cherry Time When we will sing of the cherry timeAnd gay nightingale and mocking blackbirdWill all be happy as locksThe fair ladies will have folly in mindAnd lovers sunshine in their heartsWhen we will sing of the cherry timeThe mocking blackbird will chirp even better But it’s quite short, the cherry timeWhen the two of us go dreaming as we pickCherry earingsCherries of love in matching dressesFalling under the leaves like drops of bloodBut it is quiet short, the cherry timeCoral pendants we pick while we dream When you will be in the cherry timeAnd you’re afraid of love’s sadnessAvoid the fair ladiesI not fearing the cruel painsI will live not one day without sufferingWhen you will be in the cherry timeYou too will feel the sadness of love I will always love the cherry timeIt’s from this time that I keep in my heartAn open woundAnd Lady Fortune being offered to meCould never relieve my painI will always love the cherry timeAnd the memory I keep in my heart
French rap / boom bap. Urban, determined & catchy. Rapper with French rap / boom bap. Urban, determined & catchy. Rapper with sampler & rhythm. Lyrics
On fait parti de ceux qui s'rassemblent pasAucun track sans blaseAjoute un accent grave, par ici ça sent l'gazLa basse s'embrase, chut, l'agent t'palpeReste discret, la loyauté ne s'marchande pasJ'la sens glacée en y passant l'brasIci y'a trop d'gens blasés, oui en s'lassant de boireRageant du passé j'vois des gars sans foiQui jalousent les tracés, qui parlent sans voir
J'ai vu des phrasés qui s'décalent, des rires, des rides, des vies qui partentPuis des jeunes gazés qui s'débattent, qu'esquivent devant des flics qui parlentLa weed c'est médical, ici l'chagrin est délicatJ'ai la rage contre personne, puisque chacun est critiquableY'a des clochards qui te pé-pom, qui s'font démonter pour 10 ballesDes cons, des bons, des condés sombres et j'ai pas les fonds pour ti-parEsquinté des wagons, des gares, dégâts d'mes bombes avec des graf'Écarter les matons mécra, toucher d'la gonz' avec mes garsChez nous les braves gens s'tapent, mettent les bails dans l'sacAucun marchand d'sable, ouai les vaillants l'saventFaut pas s'en vanter, les enfants baventLe rap tue la jeunesse car les temps sont gravesCombien en font un fond d'commerce en s'pensant bravesA cause de toi saches que des gosses meurent en s'tranchant l'brasLes tours s'encrassent et les gens s'en tapentLes passant passent ça n'les enchante pasMoi j'ai la gueule pour leur emploi, mais pas le cœur qui va avecIci on fume, on tise, on bois, les jeunes s'consument pour faire la fêteLes journalistes j'leur mets des doigts et j'leur souhaite qu'une perquis' les pèteLa politique, la coke, des boites, pendant qu'ils interdisent les pét'Ça fait longtemps qu'ils nous la mettent, ces cons dépensé par les GrecsLes médias flambent ouais quand c'est dead, l'argent dépensé par les dettesIls bougent les vents, marées et mers, ils ont menti, ok c'est netCar on est gouverné en clair, pour du factice par des fennecs
On fait parti de ceux qui s'rassemblent pasAucun track sans blaseAjoute un accent grave, par ici ça sent l'gazLa basse s'embrase, chut, l'agent t'palpeReste discret, la loyauté ne s'marchande pasJ'la sens glacée en y passant l'brasIci y'a trop d'gens blasés, oui en s'lassant de boireRageant du passé j'vois des gars sans foiQui jalousent les tracés, qui parlent sans voir
Dis leur qu'on patine dans la semoule, qu'on s'en bas les couilles des urnesQu'on galère à faire des sous, mais frère, les trois quart sont déçusLes gens marchent et baissent la tête, mais tu sais la vie m'enseigneCe mode de vie nous reflète qu'ici on oublie l'essentielL'état n'est pas facile, c'est pas l'asile c'est l'carnageEn cas j'insiste, c'est pas d'la zik' c'est du partageJ'rap pour les gens qu'ont pas d'cash, la veine est palpableMoi j'suis pas l'pape, c'est pour les coeurs sans pare-balleMalaise palpable et climat d'peur, c'est pour voir les barbares, les tar-baNous des revendicateursIl faudrait qu'on s'rassemble, qu'on s'prête et qu'on s'batteL'état rouspète, faut que tout pète et qu'on s'barre
Ouais le passant passeEsquinté des wagons, des gardes, dégâts d'mes bombes avec des graf'Écarter les matons mécra, toucher d'la gonz' avec mes garsMelan Omerta, ouais j'chante et j't'emmerdeEsquinté des wagons, des gardes, dégâts d'mes bombes avec des graf'Écarter les matons mécra, toucher d'la gonz' avec mes gars
On fait parti de ceux qui s'rassemblent pasAucun track sans blaseAjoute un accent grave, par ici ça sent l'gazLa basse s'embrase, chut, l'agent t'palpeReste discret, la loyauté ne s'marchande pasJ'la sens glacée en y passant l'brasIci y'a trop d'gens blasés, oui en s'lassant de boireRageant du passé j'vois des gars sans foiQui jalousent les tracés, qui parlent sans voir
Explicit language. Latino hip hop over a cuban Son rhythm, sung in Explicit language. Latino hip hop over a cuban Son rhythm, sung in Spanish & with a spanglish flow. Latin percussions, flûte & scratch & synth.Lyrics
Negrita ve. No me esperes en la casa,
que yo te caigo mas luego pa ve
Make me introduce pan the beat,
You don now how ́s this,
Pana black from the hill, San Andres mc,
We got all the caleñas crazy,
And the paisas wetting,
Bogotanas giving away them pussy,
We no diling with non batty man her,
Yous bring the whiskey,
Make we drying the hold day,
And we light up the roof with faller,
Hans up hilla, More more falla.
Ladies in the club se emborrachan,
Muestran la tatas,
My homes in the Cana,
Smoking cigarrillo sin filtro en el balcón,
This is the night bitches and rum...
Fake boobs, Fake blonds,
Fake ass,
This is what I see every night in a the dance.
Fake boobs
Fake blond,
Fake ass,
Sr ortegon that what you like.
Negrita ve, No me esperes en la casa,
Que yo te caigo mas luego pa ve (bis)
Four o'clock in the morning,
Everyone going,
Me and my nagger,
Still want some funny ́s,
Some une en la pista se,
Vamo a seguirla,
My nagger se donde, Straight to my crib now...
Ladies in the club se emborrachan,
Muestran la tatas,
My homes in the Cana,
Smoking cigarrillo sin filtro en el balcón,
This is the night bitches and rum...
Hasta q salga el sol no me muevo, Por q la quiero seguir pasando bueno (bis)
Explicit language. Latino hip hop over a cuban Son rhythm, sung in Explicit language. Latino hip hop over a cuban Son rhythm, sung in Spanish & with a spanglish flow. Latin percussions, flûte & scratch & synth.Lyrics
Negrita ve. No me esperes en la casa,
que yo te caigo mas luego pa ve
Make me introduce pan the beat,
You don now how ́s this,
Pana black from the hill, San Andres mc,
We got all the caleñas crazy,
And the paisas wetting,
Bogotanas giving away them pussy,
We no diling with non batty man her,
Yous bring the whiskey,
Make we drying the hold day,
And we light up the roof with faller,
Hans up hilla, More more falla.
Ladies in the club se emborrachan,
Muestran la tatas,
My homes in the Cana,
Smoking cigarrillo sin filtro en el balcón,
This is the night bitches and rum...
Fake boobs, Fake blonds,
Fake ass,
This is what I see every night in a the dance.
Fake boobs
Fake blond,
Fake ass,
Sr ortegon that what you like.
Negrita ve, No me esperes en la casa,
Que yo te caigo mas luego pa ve (bis)
Four o'clock in the morning,
Everyone going,
Me and my nagger,
Still want some funny ́s,
Some une en la pista se,
Vamo a seguirla,
My nagger se donde, Straight to my crib now...
Ladies in the club se emborrachan,
Muestran la tatas,
My homes in the Cana,
Smoking cigarrillo sin filtro en el balcón,
This is the night bitches and rum...
Hasta q salga el sol no me muevo, Por q la quiero seguir pasando bueno (bis)
French Creole kizomba / zouk song. Tender & sensual. female singer, French Creole kizomba / zouk song. Tender & sensual. female singer, keyboards, synth & rhythm. West Indies.Lyrics
Jou après jou Métwo boulo ka rend mwen fou Mwen pani tan pou mwen Mwen pani tan pou vwè pon moun Week end rivé bien décidé Twouvé mwayin dékompwéssé
Ri, chanté, dansé fè tou sa an pé pou santi mwen vivan Bien habillé, makiyé èvè on joli pè soulié
Mwen paré pour dansé
Ki zanmi, ki fanmi
Rendez-vous pri pou pwan pié la ansenm RnB, Salsa, dancehall ou kizomba Boy, méné mwen dansé Tout lannuit si ou pé é dèmin si ou lé Mé o swè méné mwen dansé
Méné mwen dansé oswè la Oswè la méné mwen
FR:
Jour après jour le métro,le boulot me rendent folle J’ai plus de temps pour moi J’ai plus de temps pour voir personne Le week-end arrive bien decider De trouver un moyen pour décompresser
Rire, chanter, danser tout faire pour me sentir vivante Bien habillée, maquillée avec une jolie paire de soulier Je suis prête pour danser Que se soit les amis ou la famille
Le rendez-vous est pris pour prendre son pied ensemble RnB, salsa, dancehall ou Kizomba
Boy, emmène-moi danser Toute la nuit si tu peux et demain si tu veux Mais ce soir Emmène-moi danser
Synth pop. Affirmed & intense. Synth, male singer & rhythm.Lyrics
Up There With The Gods You Lost The Plot You Might Be Off The Radar No One Will Pay Attention To Your Heavenly Melodies.
Standing On The Clifftop Hanging Upside Down In Your Morning Coat Shine Your Platform Shoes As You Get Ready For The Last Announcement Everyone Involved Was Very Proud
Thanks For Your Commitment
Tonight Tonight
Chairlift, Chairlift To The Top. Please Please Don’t Mess It Up.
Get Well Soon Julian! Suddenly Possessed
I Woke Up To The Sound Of A Clockwork Orange . Shine Your Platform Shoes As You Get Ready For The Last Announcement Everyone Involved Was Very Proud
Thanks For Your Commitment
It Never Dawned On Me The Neighbours Would Complain Overwhelmed By Grief Mesmerized By This Young Lady
Up There With The Gods We’re Powerful As Gods Tonight
Tonight Tonight Up There With The Gods We’re Powerful As Gods
Half-Baked Melodies Is This What You Want? Is This What You Want?
Shine Your Platform Shoes As You Get Ready For The Last Announcement Everyone Involved Was Very Proud
Merengue. Latin dance music. Festif & catchy. Underscore. Riff de Merengue. Latin dance music. Festif & catchy. Underscore. Riff de piano, cuivres, sax baryton & rythmique dancefloor. Lyrics
Mira que la rumba se puso caliente Arriba Arriba Arri, arri Arriba
Hay Rumba yo quiero ma La la la la la Hay Rumba yo quiero ma La la la la
La vi llegar así Me Senti algo crazy She looks so fine & chic she's kind of fantastique ay ay ay se puso hat & tight ay ay ay caliente estás to night
Hay Rumba yo quiero ma La la la la la Hay Rumba yo quiero ma La la la la
La mujeres están crazy Todo mundo con la manos arriba Aquí se puso caliente He he he Let's go ay ay ay se puso hat & tight ay ay ay caliente estás to night
Hay Rumba yo quiero ma La la la la la Hay Rumba yo quiero ma La la la la
Jazzy song in the style of the 30' & 40'. Sensual & old-fashionned. Jazzy song in the style of the 30' & 40'. Sensual & old-fashionned. Female voice. Solo saxophone @ 0'50.Lyrics
I love you anyway Since the day you went away Did’nt tell me that You wouldn’t stay
I see you in my dreams I don’t know what it means But Why do I MIND If you don’t CARE
I love you anywhere On a PLANE in the air And if you stay so high MY LOVE WILL never die
I love you on the moon I love you in that tune Come an’ be fair In this love affair
Foxtrot in the style of the 30' & 40'. Small ensemble feat piano. Foxtrot in the style of the 30' & 40'. Small ensemble feat piano. Carefree & old-fashionned. Solo saxophone @ 0'50.
91 BPM Groovy, catchy and feel good old school hip-hop with male 91 BPM Groovy, catchy and feel good old school hip-hop with male singers, scratching and brass samples in the beat enhanced by the bass. Lyrics are motivational and calling to action. Chorus/verse form.
Let The Groove In Let The Groove In (Instrumental version) [SUPRA021 - 194]
Alt.
2'38
91 BPM Groovy, catchy and feel good old school hip hop with 91 BPM Groovy, catchy and feel good old school hip hop with scratching and brass samples in the beat enhanced by the bass. Mood is motivational. Chorus/verse form.
Let The Groove In (Underscore Let The Groove In (Underscore version) [SUPRA021 - 194]
Alt.
2'38
91 BPM Groovy, catchy and feel good old school hip hop with brass 91 BPM Groovy, catchy and feel good old school hip hop with brass samples in the beat enhanced by the bass. Mood is motivational. Chorus/verse form.
Let The Groove In (60 Second Let The Groove In (60 Second edit) [SUPRA021 - 194]
Alt.
1'00
91 BPM Groovy, catchy and feel good old school hip hop with male 91 BPM Groovy, catchy and feel good old school hip hop with male singers, scratching and brass samples in the beat enhanced by the bass. Lyrics are motivational and calling to action. Verse/chorus form.
Let The Groove In (30 Second Let The Groove In (30 Second edit) [SUPRA021 - 194]
Alt.
0'30
91 BPM Groovy, catchy and feel good old school hip hop with male 91 BPM Groovy, catchy and feel good old school hip hop with male singers, scratching and brass samples in the beat enhanced by the bass. Lyrics are motivational and calling to action. End of verse into conclusive chorus form.
105 BPM Old school hip-hop with male lead rapper, voice samples, very 105 BPM Old school hip-hop with male lead rapper, voice samples, very nostalgic and almost jazzy groove with piano, double bass ostinato and brass. The mood is genuine and refers to the old times. Hook ending in call-response.
Same Old Story (Instrumental Same Old Story (Instrumental version) [SUPRA021 - 194]
Alt.
2'13
105 BPM Old school hip hop with voice samples, nostalgic and almost 105 BPM Old school hip hop with voice samples, nostalgic and almost jazzy groove with piano, double bass ostinato and brass. The mood is genuine and refers to the old times.
Same Old Story (60 Second Same Old Story (60 Second edit) [SUPRA021 - 194]
Alt.
1'00
105 BPM Old school hip hop with male lead rapper, voice samples, 105 BPM Old school hip hop with male lead rapper, voice samples, nostalgic and almost jazzy groove with piano, double bass ostinato and brass. The mood is genuine and refers to the old times. Hook ending in call-response.
Same Old Story (30 Second Same Old Story (30 Second edit) [SUPRA021 - 194]
Alt.
0'30
105 BPM Old school hip hop with male lead rapper, voice samples, 105 BPM Old school hip hop with male lead rapper, voice samples, nostalgic and almost jazzy groove with piano, double bass ostinato and brass. The mood is genuine and refers to the old times. Hook ending in call-response.
97 BPM Hip-hop with record scratching and old school male lead rapper 97 BPM Hip-hop with record scratching and old school male lead rapper in an old school style. Lyrics are about avoiding the bad emotions and stuff like stress and bad mood. trumpets and various samples in the beat. Verse/hook form.
97 BPM Hip hop with record scratching and old school male lead rapper 97 BPM Hip hop with record scratching and old school male lead rapper in an old school style. Lyrics are about avoiding the bad emotions and stuff like stress and bad mood. Trumpets and various samples in the beat. Verse/hook form.
97 BPM Hip hop with record scratching and old school style. Trumpets, 97 BPM Hip hop with record scratching and old school style. Trumpets, pinao and various samples in the beat. Verse/hook form.
97 BPM Hip hop in an old school style. Trumpets, piano and various 97 BPM Hip hop in an old school style. Trumpets, piano and various samples in the beat. Verse/hook form.
97 BPM Hip hop with record scratching and old school male lead rapper 97 BPM Hip hop with record scratching and old school male lead rapper in an old school style. Lyrics are about avoiding the bad emotions and stuff like stress and bad mood. trumpets and various samples in the beat. Verse/hook form.
97 BPM Hip hop with record scratching and old school male lead rapper 97 BPM Hip hop with record scratching and old school male lead rapper in an old school style. Lyrics are about avoiding the bad emotions and stuff like stress and bad mood. trumpets and various samples in the beat. Verse/hook form.
90 BPM Chill and relaxed hip-hop beat in an old school vibe with a 90 BPM Chill and relaxed hip-hop beat in an old school vibe with a Lo-fi like electric guitar loop overlapped by some mini solos. Chorus/verse. Male lead singer singing with fx on the chorus and rapping on the verse.
90 BPM Chill and relaxed hip hop beat in an old school vibe with a 90 BPM Chill and relaxed hip hop beat in an old school vibe with a LoFi like electric guitar loop overlapped by some mini solos. Chorus/verse.
90 BPM Chill and relaxed hip hop beat in an old school vibe with a 90 BPM Chill and relaxed hip hop beat in an old school vibe with a LoFi like electric guitar loop overlapped by some mini solos. Chorus/verse. Male lead singer singing with fx on the chorus and rapping on the verse.
90 BPM Chill and relaxed hip hop beat in an old school vibe with a 90 BPM Chill and relaxed hip hop beat in an old school vibe with a LoFi like electric guitar loop overlapped by some mini solos. Chorus/verse. Male lead singer singing with fx on the chorus and rapping on the verse.
73 BPM. Epic pop rap, hip hop song. Led by confident & strong rap 73 BPM. Epic pop rap, hip hop song. Led by confident & strong rap male vocals, combative & tribal backing vocals. Determined & epic background rising to an uplfting chorus, at the zenith. Empowering, training, sports.
73 BPM. Epic pop rap, hip hop. Led by confident & strong, combative. 73 BPM. Epic pop rap, hip hop. Led by confident & strong, combative. Determined & epic background choir rising to an uplfting chorus, at the zenith. Empowering, training, sports.
73 BPM. Epic pop rap, hip hop song. Led by confident & strong rap 73 BPM. Epic pop rap, hip hop song. Led by confident & strong rap male vocals, combative & tribal backing vocals. Determined & epic background rising to an uplfting chorus, at the zenith. Empowering, training, sports.
73 BPM. Epic pop rap, hip hop song. Led by confident & strong rap 73 BPM. Epic pop rap, hip hop song. Led by confident & strong rap male vocals, combative & tribal backing vocals. Determined & epic background rising to an uplfting chorus, at the zenith. Empowering, training, sports.
82 BPM. Epic pop rap. Grand, gathering. Led by confident & cheeky 82 BPM. Epic pop rap. Grand, gathering. Led by confident & cheeky female rap vocals. Swag hip hop beat introduce by a solemn string samples, deep drama brass chords. Majestic chorus feat mixed choir with a religious character.
82 BPM. Epic pop rap. Grand, gathering. Led by confident & cheeky 82 BPM. Epic pop rap. Grand, gathering. Led by confident & cheeky female rap vocals. Swag hip hop beat introduce by a solemn string samples, deep drama brass chords. Majestic chorus feat mixed choir with a religious character.
82 BPM. Epic pop rap. Grand, gathering. Led by confident & cheeky 82 BPM. Epic pop rap. Grand, gathering. Led by confident & cheeky female rap vocals. Swag hip hop beat introduce by a solemn string samples, deep drama brass chords. Majestic chorus feat mixed choir with a religious character.
82 BPM. Epic pop rap. Grand, gathering. Led by confident & cheeky 82 BPM. Epic pop rap. Grand, gathering. Led by confident & cheeky female rap vocals. Swag hip hop beat introduce by a solemn string samples, deep drama brass chords. Majestic chorus feat mixed choir with a religious character.
56 BPM. Instrumental version. Orchestral pop. Heavy atmosphere 56 BPM. Instrumental version. Orchestral pop. Heavy atmosphere created by static strings & synth slick, slow & haunting drums, tubular bell hits and wah-wah guitar, western style. Turning radicaly to a shining & beautiful chorus, uplifting.
86 BPM. Uplifting indie electro. From a curious & muffed futuristic 86 BPM. Uplifting indie electro. From a curious & muffed futuristic sounscape. Opens at 34'' on a cool trap electro beat. Fun and heady synth vocals samples. Euphoric & uplifting chorus featuring big & anthemic synth pads.