| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Imperial Voyage [CEC8041 - 2] |
0 | 3'08 | Bo Tian | Luminous, confident & pastoral. Introduction played on bamboo Chinese | China chinese cinema adventure charming | D | 115 | |||
|
A Season of Hope [CEC8041 - 5] |
0 | 2'07 | Bo Tian | Fairy, serene & airy. Guzheng, taikos, piano, strings, xiao Chinese | airy charming China moving | A | 66 | |||
|
Ages Like Wine [MPMA0024 - 3] |
2'40 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | Am | 113 | ||||
|
Ages Like wine - 30 [MPMA0024 - 22] |
Alt. | 0'29 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | G | 114 | |||
|
Ages Like Wine - 60 [MPMA0024 - 23] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | Am | 114 | |||
|
Ages Like Wine - Sting [MPMA0024 - 24] |
Alt. | 0'07 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | Am | 114 | |||
|
Ages Like Wine - Underscore [MPMA0024 - 25] |
Alt. | 2'40 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | Am | 114 | |||
|
Ages Like Wine - Underscore 30 [MPMA0024 - 26] |
Alt. | 0'29 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | G | 114 | |||
|
Ages Like Wine - Underscore 60 [MPMA0024 - 27] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | Am | 113 | |||
|
Ages Like Wine - Underscore
[MPMA0024 - 28] |
Alt. | 0'07 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident acoustic piano corporate (all) luminous | Am | 113 | |||
|
Time Oh Time [MPMA0024 - 4] |
2'21 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 135 | ||||
|
Time Oh Time - 30 [MPMA0024 - 29] |
Alt. | 0'30 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 134 | |||
|
Time Oh Time - 60 [MPMA0024 - 30] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 133 | |||
|
Time Oh Time - Sting [MPMA0024 - 31] |
Alt. | 0'09 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 135 | |||
|
Time Oh Time - Underscore 60 [MPMA0024 - 32] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 133 | |||
|
Time Oh Time - Underscore
[MPMA0024 - 33] |
Alt. | 0'09 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | confident interrogative everyday life comedy | C | 134 | |||
|
Oslo-Mo [MPMA0024 - 6] |
2'04 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | acoustic piano confident building dreamy | Gb | 141 | ||||
|
Olso-Mo - Underscore [MPMA0024 - 41] |
Alt. | 2'04 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | Gb | 141 | ||||
|
Oslo-Mo - 30 [MPMA0024 - 42] |
Alt. | 0'30 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | acoustic piano confident building dreamy | Gb | 141 | |||
|
Oslo-Mo - 60 [MPMA0024 - 43] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | acoustic piano confident building dreamy | Gb | 140 | |||
|
Oslo-Mo - Sting [MPMA0024 - 44] |
Alt. | 0'06 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | acoustic piano confident building dreamy | Gb | 133 | |||
|
Oslo-Mo - Underscore 30 [MPMA0024 - 45] |
Alt. | 0'30 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | acoustic piano confident building dreamy | Gb | 142 | |||
|
Oslo-Mo - Underscore 60 [MPMA0024 - 46] |
Alt. | 1'00 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | acoustic piano confident building dreamy | Gb | 140 | |||
|
Oslo-Mo - Underscore Sting [MPMA0024 - 47] |
Alt. | 0'08 | Benjamin Ferrari, Oliver Price | Upbeat, bright, compelling, orchetral arrangements with experimental | acoustic piano confident building dreamy | Gb | 140 | |||
|
Gearin' Up [MPMA0021 - 3] |
0 | 2'42 | Joseph Plunkett | Driving, cinematic, dramatic arrangements building with pounding | investigation synthesizer anticipation disturbing | D | 84 | |||
|
Escaping [MPMA0021 - 5] |
0 | 1'57 | Bede Kennedy | Driving, cinematic, dramatic arrangements building with pounding | cinematic action movie disturbing relentless | D | 161 | |||
|
Hybrid Chase [MPMA0021 - 12] |
0 | 2'43 | Mitchell Finglas | Driving, cinematic, dramatic arrangements building with pounding | cinematic epic disturbing relentless | Gm | 107 | |||
|
Gritted Teeth [MPMA0021 - 13] |
0 | 2'23 | Mitchell Finglas | Driving, cinematic, dramatic arrangements building with pounding | driving synthesizer relentless building | Gm | 99 | |||
|
Back Into Light [MPMA0018 - 1] |
2'00 | Patrick Bolster, Scott Steven | Upbeat, heartfelt, sweet pop tunes for love stories and feel good | romantic cinematic pop resillience dreamy | A | 123 | ||||
|
Back Into Light Instrumental [MPMA0018 - 7] |
Alt. | 2'00 | Patrick Bolster, Scott Steven | Upbeat,, Heartfelt, Sweet pop tunes for love stories and feel good | independent cinema cinematic pop pop ballad resillience | A | 123 | |||
|
Feel Your Heart [MPMA0018 - 2] |
2'54 | Patrick Bolster, Scott Steven | Upbeat,, Heartfelt, Sweet pop tunes for love stories and feel good | cinematic pop dreamy independent cinema confident | A | 107 | ||||
|
Feel Your Heart Instrumental [MPMA0018 - 8] |
Alt. | 2'54 | Patrick Bolster, Scott Steven | Upbeat,, Heartfelt, Sweet pop tunes for love stories and feel good | cinematic pop dreamy independent cinema confident | A | 107 | |||
|
High-Speed Train [CEZ4593 - 4] |
0 | 2'11 | Benoit Cimbé | Cinematic electro. Tense, in motion, atmospheric, cyclic & heady. | cybernetics hypnotic mysterious time-lapse | Am | 130 | |||
|
Once Upon a Tomorrow [CEZ4593 - 11] |
0 | 2'11 | Benoit Cimbé | Constant build-up. Melancholic, mysterious & enchanting. Piano, | corporate video arts & crafts docu fiction moving | G | 89 | |||
|
Metaverse Illusion [CEZ4593 - 14] |
1'56 | Benoit Cimbé | Organic electro. Wandering, atmospheric & mysterious. Melodic | cinematic disturbing mysterious relentless | Cm | 140 | ||||
|
Metaverse Illusion Alternate [CEZ4593 - 26] |
Alt. | 1'55 | Benoit Cimbé | Alternate version without percussion. | cinematic disturbing mysterious relentless | Cm | 140 | |||
|
A New Storyline [CEG5038 - 1] |
1'56 | Felix Halbe | Anticipating, narrative, interrogative & atmospheric. Synth, piano, | social drama anticipation mysterious crime movie | Cm | 89 | ||||
|
A New Storyline Alternate [CEG5038 - 11] |
Alt. | 1'59 | Felix Halbe | Alternative version without high strings & percussion. | social drama beds crime movie mysterious | Cm | 90 | |||
|
Murder in the Motel [CEG5038 - 7] |
0 | 2'38 | Felix Halbe | Atmospheric, sinister, toxic & almost paranormal. Strings, ostinato | investigation pulsation soundscape suspense | Em | 89 | |||
|
Use With Caution [AMS5012 - 5] |
1'58 | Ilan Kunik | Dramedy soul beats. Groovy, mischievous, jazzy & playful. Clocklike. | police comedy groovy cinematic anticipation | Em | 98 | ||||
|
Use With Caution Alternate [AMS5012 - 15] |
Alt. | 1'58 | Ilan Kunik | Alternative version without percussion. | groovy cinematic police comedy anticipation | Em | 98 | |||
|
Clap Your Hand [AMS5012 - 8] |
2'02 | Ilan Kunik | Percussion beats. Inquisitive, arresting & hurried. Pizzicato | police comedy fiery urgent cinematic | Cm | 136 | ||||
|
Clap Your Hand Alternate [AMS5012 - 18] |
Alt. | 2'02 | Ilan Kunik | Alternative version without percussion. | police comedy fiery urgent cinematic | C | 136 | |||
|
Me And The Gang [AMS5012 - 9] |
2'01 | Ilan Kunik | Groove percussion trailer. Enigmatic, subtle & captivating. | blaxploitation electric bass police comedy groovy | Cm | 138 | ||||
|
Me And The Gang Alternate [AMS5012 - 19] |
Alt. | 2'01 | Ilan Kunik | Alternative version without percussion. | blaxploitation electric bass police comedy groovy | Bb | 137 | |||
|
The Daily Merry-go-round
[CEO2153 - 5] |
0 | 1'40 | Mysterious, waiting & questioning. Introduction with harp notes & | French cinema intimate melancholic original score | Am | 71 |