| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Colours of Time Alternate
[CEZ4289 - 31] |
0'41 | Timothée Couteau | Decided & funny. Solo cello. | cello ironical & mischievous funny funny animals | Bm | 124 | ||||
|
The Colours of Time [CEZ4289 - 12] |
Alt. | 1'00 | Timothée Couteau | Carefree & funny. Cello trio. Pizz & bowed. | cello slapstick pets swaying | Bm | 120 | |||
|
Deseperatly Yours Alternate
[CEZ4289 - 35] |
0'53 | Eric Daniel | Sad & silent. Solo cello. | cello romantic destiny melancholic | Em | 78 | ||||
|
Desperately Yours [CEZ4289 - 26] |
Alt. | 1'08 | Eric Daniel | Melancholic & sentimental. Cello trio. | cello destiny intermittent shy | G | 83 | |||
|
Une Vie Douloureuse [CEO2042 - 7] |
0 | 1'29 | Kevin Seddiki | Wandering & introspective. Acoustic guitar trio. | social drama folk guitar introspective moving | Cm | 82 | |||
|
Engrossed in Thought [UBM2271 - 2] |
0 | 1'37 | Daniel Backes, Peter Moslener | Pensive piano with choir. Ideal for documentaries or drama. Slow. | synth choir cold hypnotic synth pad | Bm | 63 | |||
|
Wide and Lost [UBM2271 - 10] |
0 | 1'20 | Daniel Backes, Peter Moslener | Slow, mysterious track with a dark undertone. Perfect for abandoned | desolate ufo abyss horror | Bbm | 101 | |||
|
Manhatten Transfer [UBM2267 - 1] |
0 | 1'50 | Karsten Lipp, Andre Matov | Track with ticking sound, synthesizer, sound effects. Loopable, deep, | spy mysterious electronic percussion police comedy | Cm | 113 | |||
|
Floater [UBM2267 - 3] |
0 | 2'00 | Karsten Lipp, Andre Matov | Floating sound with claps, scratches, loopable, neutral. | weather report panoramic relaxed synthesizer | Bbm | 67 | |||
|
Tokyo Exibition [UBM2267 - 7] |
0 | 2'11 | Karsten Lipp, Andre Matov | Percussive and mysterious track with marimba, bass and synthesizer. | marimba patient polyrhythms everyday life | Bb | 99 | |||
|
Vacation Tune [UBM2265 - 2] |
0 | 0'40 | Daniel Backes, Peter Moslener | Elated, positive, light. Guitar and xylophone. | interiors & cooking do-it-yourself kitsch & cheesy advertising | G | 117 | |||
|
Strum the String [UBM2265 - 19] |
0 | 0'57 | Daniel Backes, Peter Moslener | Optimistic, propulsive track. Acoustic guitar and electric guitar. | steady folk guitar panorama patient | D | 128 | |||
|
Child's Play [CEZ4282 - 17] |
0 | 0'39 | Anne-Sophie Versnaeyen | Playful & bouncy. Solo alto violin. | viola pastoral naive 1900 | G | 144 | |||
|
The Old Garden [CEZ4282 - 21] |
0 | 0'51 | Anne-Sophie Versnaeyen | Peaceful & sentimental. Solo alto violin. | viola romantic destiny introspective | Bb | 102 | |||
|
A Place to Be Instrumental [CEZ4261 - 19] |
2'16 | Loher ,Eric | Tender & peaceful. Acoustic & electric guitars. | folk guitar folk ballad North America country & garden | C | 142 | ||||
|
A Place to Be [CEZ4261 - 2] |
Alt. | 2'21 | Loher ,Eric, Yannick Boudruche | Folk song. Tender & peaceful. Male voice & folk guitar.Lyrics | sung in English male singer folk song folk guitar | C | 71 | |||
|
A Good Friend [UBM2235 - 41] |
0 | 1'36 | Vincent Nguyen, Sebastian Parche | Fun, sweet track with saxophone and xylophone. | animation & cartoons short final nocturnal | Em | 117 | |||
|
Sad Situation and Hope [UBM2235 - 60] |
0 | 0'56 | Vincent Nguyen, Sebastian Parche | Magical and melancholy yet not too negative. For fairy tales, film | vibraphone steady fantasy beds | Fm | 89 | |||
|
Never the Same [UBM2248 - 8] |
0 | 1'29 | Luke Davoll | Contemporary track with similarities to Erik Satie in the beginning, | acoustic piano post-classical driving confident | Dbm | 110 | |||
|
Childhood [UBM2248 - 17] |
0 | 1'39 | Luke Davoll | Ideal for typical "movies on movies" situations when the protagonist | acoustic piano post-classical melancholic calm | F | 164 | |||
|
A Quiet Descends [UBM2248 - 18] |
0 | 1'42 | Luke Davoll | Hesitant solo piano piece; repetitive; positive; works for images of | acoustic piano post-classical country & garden confident | Dm | 120 | |||
|
Coincidence [UBM2248 - 20] |
0 | 1'31 | Luke Davoll | Subtle, flowing melody; loopable; ideal for serious and meaningful | acoustic piano post-classical steady everyday life | Am | 140 | |||
|
Wounds of Mankind [UBM2260 - 3] |
0 | 3'15 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Fundamental and melancholic cello in the foreground creates an | melancholic passionate cello intermittent | Gm | 164 |