| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Mirage of Darkness [CEG5003 - 23] |
2'18 | Abaji | Desolate & sparse. Santur, cello, desert bagpipe, vocals, | desolate panoramic beds atmospheric | Gm | 90 | ||||
|
Mirage of Darkness 2 [CEG5003 - 41] |
Alt. | 2'18 | Abaji | Desolate & sparse. Santur, cello & electronics. | panoramic atmospheric suspended atmosphere sinister | Eb | 114 | |||
|
Baikal [CEG5003 - 24] |
2'12 | Abaji | Panoramic & desolate. Accordion, percussion & synths. | hot desert atmospheric wandering panoramic | Ab | 82 | ||||
|
Baikal 2 [CEG5003 - 42] |
Alt. | 2'11 | Abaji | Panoramic & desolate. Male voice, accordion, percussion & synths. | Central Asia atmospheric wandering panoramic | Ab | 92 | |||
|
Shadowy Figures [CEG5002 - 17] |
0 | 2'16 | Abaji | Geopolitics. TV series. Threatening & nocturnal. Bass, bells, synths | scary geopolitics investigation disturbing | Cm | 84 | |||
|
The Thinking Machine [CEZ4329 - 18] |
0 | 3'12 | Narumi Omori | Electro ambient. Interrogative, waiting & constant. Analog synth. | electro ambient underwater science analog synth | Bm | 110 | |||
|
Polar Crime [CEG5001 - 3] |
2'58 | Abaji | Tv series. Investigation. Crime series. Daylife. Tragic & poignant. | desolate social drama Scandinavian noir beds | Am | 83 | ||||
|
Polar Crime 2 [CEG5001 - 23] |
Alt. | 1'42 | Abaji | Tv series. Investigation. Tragic & poignant. Piano, strings, | desolate social drama beds natural disaster | Am | 84 | |||
|
The Arctic Wastes [CEG5001 - 9] |
2'17 | Abaji | Tv series. Investigation. Solitary & reflective. Piano, cello, | social drama beds airy natural disaster | Gm | 96 | ||||
|
The Arctic Wastes 2 [CEG5001 - 28] |
Alt. | 2'17 | Abaji | Tv series. Investigation. Solitary & reflective. Piano, cello & | social drama introspective beds airy | Gm | 152 | |||
|
When You Come Back [CEG5001 - 10] |
2'22 | Abaji | Tv series. Investigation. Daylife. Confident & peaceful. Piano, | peaceful panorama contemporary series atmospheric | F | 99 | ||||
|
When You Come Back 2 [CEG5001 - 29] |
Alt. | 2'17 | Abaji | Tv series. Investigation. Confident & peaceful. Piano, cello, viola | peaceful panorama contemporary series atmospheric | F | 100 | |||
|
Lurking Fear [CEG5001 - 17] |
2'30 | Abaji | Tv series. Investigation. Crime series. Frightening & suspended. | investigation sinister beds scary | B | 152 | ||||
|
Lurking Fear 2 [CEG5001 - 39] |
Alt. | 1'41 | Abaji | Tv series. Investigation. Frightening & suspended. Sequencing. | abyss investigation sinister steady | B | 94 | |||
|
Don't Drift Away [CEZ4328 - 6] |
2'18 | Yoann le Dantec | Mysterious, moody & insistent. Piano, low percussion & strings. | suspended atmosphere contemporary series atmospheric introspective | Fm | 74 | ||||
|
Don't Drift Away Alternate [CEZ4328 - 19] |
Alt. | 1'35 | Yoann le Dantec | Mysterious, nocturnal & dark. Piano, strings & low percussion. | suspended atmosphere contemporary series atmospheric introspective | Ab | 74 | |||
|
Pola (Prince Fatty's dub) [CEZ4326 - 12] |
0 | 2'50 | Barthélémy Corbelet, Mike Pelanconi | Dub. Weird, sparse & mysterious. Echo fx, vocals, guitar & | suspended atmosphere mysterious dub wandering | Bbm | 143 | |||
|
Sunset in the City [CCB1031 - 3] |
0 | 2'30 | Antoine Philippe | Melancholic, wandering & panoramic. Horn, electric guitar & | world music urban landscape panorama panoramic | Em | 114 | |||
|
Butter Fingers [EOS26 - 1] |
0 | 1'55 | Lone Kent | Confident, atmospheric & dreamy. Folk-electro ballad. Acoustic | confident atmospheric dreamy road movie | E | 161 | |||
|
The Counter Weight [EOS26 - 4] |
0 | 2'21 | Lone Kent | Slow, relaxed & confident. Electric guitar, sound design & cinematic | confident suspended atmosphere peaceful panorama | B | 114 | |||
|
Long Days [EOS26 - 5] |
0 | 1'19 | Lone Kent | Wandering, panoramic & hovering. Electric guitar. | wandering panoramic natural disaster suspended atmosphere | Bm | 100 | |||
|
Twelve Long Days [EOS26 - 6] |
0 | 3'32 | Lone Kent | Wandering, progressive & panoramic. Electric guitar, acoustic guitar, | wandering panoramic panorama building | Bm | 100 | |||
|
Eventide [CET9004 - 10] |
3'06 | Gabriel Saban, Philippe Briand, Anne-Sophie Versnaeyen | Post classical. Touching & fragile & warm intro. confident theme with | sad introspective cinematic orchestra heritage | C | 151 | ||||
|
Eventide Alternate [CET9004 - 29] |
Alt. | 3'06 | Gabriel Saban, Philippe Briand, Anne-Sophie Versnaeyen | Post classical. Touching & fragile & warm intro. confident theme with | sad introspective cinematic orchestra heritage | C | 100 | |||
|
Eventide Alternate 2 [CET9004 - 30] |
Alt. | 3'06 | Gabriel Saban, Philippe Briand, Anne-Sophie Versnaeyen | Post classical. Touching & fragile & warm intro. confident theme with | sad introspective cinematic orchestra heritage | C | 100 | |||
|
L'histoire Commence 2 [CEO2059 - 20] |
1'08 | Jérôme Lemonnier | Suspended & solemn. Flugelhorn, timps & string orchestra. | historical narrative atmospheric suspended atmosphere steady | Em | 117 | ||||
|
L'histoire commence [CEO2059 - 5] |
Alt. | 2'28 | Jérôme Lemonnier | 1st part: solemn, dark & anticipating. Orchestra with French horn & | historical movie historical narrative suspended atmosphere steady | D | 83 | |||
|
Rise and Shine [CEZ4324 - 3] |
0 | 2'40 | Luigi Marletta | Upbeat electro / tropical house. Exotic, solar & catchy. Synth, | catchy fashion tropical house lively | Gm | 105 | |||
|
Atitlan Lake [CEO2058 - 1] |
0 | 1'27 | Gregory Cotti | Majestic & melancholic. Cinematic orchestra, electric guitar & | geopolitics cinematic docu fiction lost civilizations | Bb | 74 | |||
|
Seaweed Overflow [CEO2058 - 3] |
0 | 1'27 | Gregory Cotti | Determined & majestic. Sequencing, percussion & cinematic strings. | docu fiction geopolitics industry atmospheric | Gm | 167 |