| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Charlotte & the Kid [EOS28 - 5] |
0 | 3'29 | Olivier Samouillan | Contemporary western. Interrogative, wandering & moving. Viola, | interrogative wandering geopolitics introspective | Fm | 91 | |||
|
Memories of Africa [CEG5016 - 13] |
2'41 | Abaji | Underscore. Sad, panoramic & desolate. Accordion, cymbal, percussion, | hot desert desolate geopolitics wandering | Dm | 89 | ||||
|
Memories of Africa Alternate [CEG5016 - 36] |
Alt. | 2'41 | Abaji | Underscore. Alternate version, no accordion, no ud. Desolate, | hot desert desolate geopolitics wandering | Fm | 93 | |||
|
Southward Bound [CEZ4374 - 8] |
0 | 3'00 | Sham Makdessi, Alexandre Moreau, Morgan Sansous | Road movie / adventure. Driving, urgent & tense. Spanish guitar, folk | driving geopolitics interrogative chase | D | 106 | |||
|
Cartel [CEO2092 - 19] |
0 | 1'45 | Stéphane Lopez | Contemporary western / underscore. Suspense. Tense & inexorable. | desolate geopolitics contemporary western social drama | Dm | 90 | |||
|
The Missouri Breaks [CEZ4363 - 10] |
0 | 1'47 | Gary O'Slide | Delta blues. Lively, jerky & rough. Weissenborn lapsteel guitar. | delta blues acoustic slide guitar hot desert road movie | D | 163 | |||
|
Zulu [CEG5011 - 31] |
0 | 1'48 | Césarius Alvim | Safari. Tracking shot. Wild, fiery & energetic. Double-basses & | wild Africa primitive art bowed double bass | Ab | 135 | |||
|
Refugees [CEG5010 - 4] |
1'56 | Abaji | Sad & wandering. Acoustic guitar, cello, kemane, synths, daf & | panorama hot desert geopolitics desolate | Dm | 98 | ||||
|
Refugees Alternate [CEG5010 - 22] |
Alt. | 1'56 | Abaji | Sad & wandering. Acoustic guitar & sequencing. | panorama geopolitics acoustic guitar panoramic | Dm | 102 | |||
|
The Call of the Water [CEO2079 - 3] |
1'10 | Thomas Dappelo | Underscore. Suspended, calm & mysterious. Acoustic guitar & | calm hot desert suspended atmosphere geopolitics | Db | 99 | ||||
|
The Call of the Water 2 [CEO2079 - 18] |
Alt. | 0'51 | Thomas Dappelo | Underscore / drone. Suspended, calm & mysterious. Acoustic guitar & | hot desert suspended atmosphere geopolitics panorama | Db | 100 | |||
|
Desert Expedition [CEZ4347 - 13] |
0 | 1'49 | Julien Baril | Anticipation. Arid & panoramic. Electric guitar, strings & rhythm. | hot desert wandering geopolitics panoramic | Em | 84 | |||
|
Pickin' and Stompin' Blues [CEZ4293 - 22] |
0 | 2'07 | Christian Lancry | Delta blues. Obstinate & punctuated. Acoustic guitar solo. | delta blues folk guitar road movie United States of America | Em | 99 | |||
|
Delicate Escape [UBM2266 - 14] |
0 | 3'17 | Achim Zweschper | Dynamic yet threatening and gloomy. Creates a feeling of a secret | beds geopolitics mystical arid | D | 88 | |||
|
Balkanroute [UBM2258 - 18] |
0 | 1'51 | Felix Halbe | Traditional middle eastern sound. Duduk, flute and synthesizer set | desolate melancholic panoramic arid | Bm | 148 | |||
|
Paint it Pink [CEZ4234 - 7] |
3'16 | Stereoscope Jerk Explosion | Psychedelic pop. Exotic & dynamic. Sitar, Hammond organ, wah-wah | 1960 psychedelia 1970 hot desert | Em | 120 | ||||
|
Paint it Pink 2 [CEZ4234 - 27] |
Alt. | 0'45 | Stereoscope Jerk Explosion | Sad & serious. Electric guitar, Hammond organ, tabla & drums. | band 1960 1970 electric guitar | B | 100 | |||
|
Ederly (Opening) [CEO2032 - 2] |
1'46 | Selma Mutal | Arid, wandering & introspective. Piano, cymbalo, electronics & | atmospheric desolate introspective undulating | Fm | 93 | ||||
|
Ederly (Opening 2) [CEO2032 - 10] |
Alt. | 2'31 | Selma Mutal | Waving, desolate & introspective. Piano, cymbalo, glass harmonica & | atmospheric desolate introspective undulating | Fm | 90 | |||
|
Summer Shades [CEO2032 - 3] |
0 | 1'12 | Selma Mutal | Nostalgic, introspective & punctuated. Piano, electronics & strings. | desolate introspective arid destiny | B | 60 | |||
|
Jupiter Sunrise [CEZ4221 - 5] |
0 | 0'53 | Michel Redolfi | Space overture. Peaceful & emotional. Electronics. | space cosmic music sci-fi introduction | Gm | 117 | |||
|
Snap It Baby [EOS02 - 6] |
0 | 1'36 | David Poirier, Sébastien Saint-Lezin | Desolate & patient. Electric guitar & synth. Delay fx. | panoramic desolate suspended atmosphere United States of America | G | 65 | |||
|
Border Patrol [CEZ4110 - 8] |
0 | 2'27 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Alarming & tense. Bass guitars. Solo played with a twangy sound. | fuzz bass electric bass road movie hot desert | D | 130 | |||
|
Mystical Desert [CEO2011 - 19] |
0 | 1'20 | Bruno Alexiu | Wandering & uncertain. Strings played in the Arabian style & | hot desert bazantar desolate docu fiction | G | 110 | |||
|
Infernal Circle [CEO2011 - 27] |
0 | 0'45 | Bruno Alexiu | Descending & twirling movement. Electronics & treated percussion. | falling scary disturbing paranormal | Cm | 136 |