| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Remembering Yerevan [CCB1029 - 4] |
0 | 2'12 | Christophe Zurfluh | Travel. Melancholic & panoramic. Traditional dance evocation. Duduk & | geopolitics Armenia Central Asia atmospheric | Cm | 152 | |||
|
Stillness in Time [CCB1029 - 11] |
0 | 3'10 | Christophe Zurfluh | Drone.Nature. Lost civilizations. Atmospheric & panoramic. Synth pad | time (tick-tock) atmospheric neutral fx tick-tock | Cm | 68 | |||
|
White Mist [CCB1029 - 15] |
0 | 2'38 | Christophe Zurfluh | Drone. Science. Atmospheric, calm & repetitive. Synth pad. | atmospheric synth pad science space | F | 129 | |||
|
International Consortium [CEZ4314 - 9] |
0 | 1'55 | Mathieu Laurent, Isabelle Salmon | Corporate. Determined & serious. Piano, sequencing & rhythm. | corporate (all) unifying driving opening credits TV | Gm | 126 | |||
|
Schubert in Bamako [CCB1028 - 4] |
0 | 2'12 | Franz Schubert | Adaptation of Schubert's Trio opus 100. Fragile & dreamy. Solo | acoustic guitar classical arrangement world music geopolitics | Cm | 92 | |||
|
All Right [MAG6025 - 1] |
0 | 2'16 | Yann Kesz | Real hip hop / beatmaking with intro. Heavy, catchy & authentic. Male | beat making urban catchy urban landscape | Am | 86 | |||
|
Illusions [MAG6022 - 3] |
0 | 3'26 | Airsouth | Future beat / Asian influenced electro world. Intense, melancholic & | future beat modern electro organic reveal | Eb | 67 | |||
|
Opening the Games [CEZ4306 - 1] |
0 | 1'10 | Eric Caissy | News, corporate, conventions. Majestic & solemn. Build up. Constant | triumphant final solemn historical ceremony | A | 110 | |||
|
Call to Glory [CEZ4306 - 9] |
0 | 1'25 | Eric Caissy | History. Waiting. Solemn & tormented. Build up. Constant crescendo. | suspended atmosphere brass section solemn climax | Bm | 86 | |||
|
Forbidden City [CEZ4306 - 16] |
0 | 1'34 | Eric Caissy | Landscapes, news. Majestic & solemn. Asian overture. Build up. | solemn climax Asia crescendo | Dm | 89 | |||
|
Lunchtime with Lydia [CCB1026 - 3] |
0 | 2'05 | Ray Bartok | Experimental rock / math rock. Mechanical, unstable & rhythmic. Rock | unstable math rock band mechanical | Bbm | 121 | |||
|
Meltdown [CCB1026 - 12] |
0 | 2'04 | Ray Bartok | Experimental rock. Obstinate, strange & determined. Rock band. | experimental rock relentless 1980 contemporary art | Am | 110 | |||
|
Eliminatoire [CEO2040 - 11] |
0 | 1'30 | Arnaud de Boisfleury | Documentary. History. Sad & sparse. Woodwind & string ensemble. | sad flugel horn social drama wandering | Am | 66 | |||
|
Global Company [CEZ4303 - 3] |
0 | 2'19 | Baptiste Thiry | Urgent, unifying & moving. Build up. Piano & string orchestra. | neo-classical music destiny uplifting string orchestra | Am | 172 | |||
|
Bird Flight [CEZ4300 - 23] |
0 | 5'53 | Stan Laferriere | Jazz of the 70s. Urban, smart & relaxed. Piano & big band. | big band modern jazz jamming jazz club | Am | 151 | |||
|
Pointless Detour [CEZ4298 - 8] |
0 | 1'31 | Gabriel Saban, Philippe Briand | Confident & satisfied. Pizz & small instrumental ensemble. | dramedy pizzicato pets confident | Cm | 109 | |||
|
Slightly Tipsy [CEZ4298 - 10] |
0 | 1'39 | Loïs Blanca, Baptiste Thiry | Insidious & careful. Pizz & small instrumental ensemble. | pizzicato interrogative dissonant pets | Bbm | 108 | |||
|
Strangely Strange [CEZ4298 - 18] |
0 | 1'35 | Alain Bernard Denis | Interrogative & hesitating. Pizz & small instrumental ensemble. | dramedy pizzicato interrogative pets | Em | 120 | |||
|
Yevorekhekho [UBM2273 - 2] |
0 | 1'46 | David Bernbach, Traditional | Slowly developing melody, dramatic increase, solemnly sustained | Yiddish acoustic piano Israel strict | Dm | 166 | |||
|
Un Piede Nell'aqua [UBM2250 - 12] |
0 | 3'06 | Andrea Gattico | Oboe and piano tunes evoke images of clean water and untouched | charming Italian cinema oboe Italy | Dbm | 118 |