| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Invading Hordes [CEZ4114 - 4] |
0 | 1'54 | Baptiste Thiry | Epic rock. Powerful & inexorable. Symphony orchestra, electric guitar | action movie adventure inexorable warlike | Bm | 103 | |||
|
Tapestry [CEZ4120 - 11] |
0 | 2'49 | Pierre-André Athané, Loïs Blanca | Peaceful & interrogative. Solo piano. | post-classical intimate romantic calm | D | 106 | |||
|
His Majesty [CEZ4116 - 3] |
0 | 3'27 | Gréco Casadesus | Powerful & majestic overture. Romantic & moving @ 0'54. Symphony | introduction heritage destiny romantic music | Am | 69 | |||
|
Still Horizon [CEZ4104 - 16] |
0 | 4'05 | Gréco Casadesus | Sad & suspended. Large orchestra. | romantic destiny string orchestra contemporary series | Am | 72 | |||
|
La Maison Tellier [CEO2001 - 1] |
1'35 | Cyrille Aufort | Romantique. Suspended atmosphere. String & woodwind ensemble with | French cinema romantic comedy destiny moving | Dm | 113 | ||||
|
La Maison Tellier 2 [CEO2001 - 2] |
Alt. | 1'39 | Cyrille Aufort | Introspective & moving. Solo piano. | intimate destiny introspective suspended atmosphere | Dm | 108 | |||
|
Driving Force [CEZ4101 - 5] |
0 | 1'32 | Thierry Caroubi | Majestic & moving. Piano, orchestra, choir & percussion. | adventure corporate video final historical narrative | Em | 120 | |||
|
Mira Tu Que Mala Suerte [CEV3036 - 18] |
0 | 5'03 | Manuel Delgado-Martinez | Soleà. Song. Tragic & dark. Female voice & guitar. (Spain) Lyrics | Flamenco flamenco guitar soleà female ethnic soloist voice | Gb | 65 | |||
|
Buenos Aires De Noche [CEZ4093 - 2] |
0 | 2'47 | Daniel Diaz | Nocturnal, melancholic & urban. Bandoneon, electronics, string & | electro tango Argentina bandoneon nocturnal | Am | 94 | |||
|
La Recoleta [CEZ4093 - 15] |
0 | 2'50 | Daniel Diaz | Wandering & nostalgic. Bandoneon, piano & double-bass. (Argentina) | Argentina bandoneon wandering classical tango | Am | 162 | |||
|
Social Drama [UBM2169 - 8] |
0 | 1'36 | Daniel Backes, Peter Moslener | Emotional piano and guitar tune, desperate yet hopeful. | sentimental destiny social drama moving | Em | 94 | |||
|
Le Vieux Ciné [CEZ4085 - 40] |
0 | 1'59 | John Greaves | Sweet & nostalgic waltz. Piano, accordion & recorder. | retro cinema intimate sentimental swaying | D | 93 | |||
|
Des Chiens [CEZ4085 - 41] |
0 | 2'08 | Alice Guerlot Kourouklis | Tender & nostalgic foxtrot. Accordion. French ballroom. | melancholic chromatic accordion French cinema France | B | 132 | |||
|
Water and Sky [CEZ4088 - 7] |
0 | 3'15 | Pierre-André Athané | Refined, lyrical & sentimental. French neo-classical music. String | refined romantic intimate Twentieth century music | C | 89 | |||
|
For each Day that goes by [CEZ4088 - 9] |
0 | 6'38 | Pierre-André Athané | Intimiste, calme & mélancolique. Musique néo-classique française. | 1930 chamber music 1920 romantic | Bm | 89 | |||
|
Pacific Sunset [CEV3017 - 3] |
0 | 2'40 | Claude Samard | Peaceful & intimist. Hawaiian guitar (National) & acoustic guitar. | Hawaii Hawaiian guitar exotic relaxed | Am | 90 | |||
|
History Without End [CEZ4083 - 41] |
0 | 1'12 | Cyrille Aufort | Lyrical & moving conclusion. String orchestra. | historical movie destiny lyrical string orchestra | Db | 139 | |||
|
Lonesome Hobo [CEZ4080 - 17] |
0 | 2'11 | Silvain Vanot | Nostalgic Western ballad. Folk guitar, whistled melody & melodica. | melancholic whistling western folk ballad | Dm | 111 | |||
|
Blues After Midnight [CEV3015 - 17] |
0 | 3'49 | Manuel Galvin, Bobby Rangell | Chicago Blues. Sensual & sophisticated. Alto sax & rhythm. | sensual striptease romantic comedy alto saxophone | Gm | 165 | |||
|
Night Haven [CEZ4071 - 6] |
0 | 1'41 | Eric Daniel | Sophisticated, calm & melancholic. Guitar duet. | romantic comedy intimate country & garden sentimental | B | 143 | |||
|
Il Confino [CEZ4072 - 12] |
0 | 2'52 | Renaud Garcia-Fons | Nostalgic & moving. Lute, accordion, clarinet, zarb, shaker, claves, | geopolitics tracking shot melancholic panoramic | Am | 118 |